National Board of Review names 'Da 5 Bloods" da best.

by Nathaniel R

Big awards day, huh?!

Spike Lee's latest joint Da 5 Bloods has won both Best Film and Best Director (as well as Best Ensemble) from the National Board of Review. We must quickly point out that this does not mean that Chloe Zhao's remarkable critics-award complete sweep is broken. As I always have to remind everyone each year -- even those who should know better -- the NBR is not a "critics award". The National Board of Review, founded in 1909, is an anonymous collection of film enthusiasts, industry professionals, academics, students, and presumably a few critics though they never release the names of their organization. So they would be more accurately called an "industry honor" or a "juried prize" rather than lumped in with the 'what do film critics like?' discussion.

Minari and Sound of Metal were the only other films with multiple prizes. The NBR wins and top ten lists AND LOADS OF TRIVIA/STATS are after the jump...

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"Gold List" Outstanding Asian and Pacific Islander (API) achievements

by Nathaniel R

Despite all the amazing advances in diversity in film over the past few years one group that remains extremely underrepresented in American cinema is people of Asian descent. Even when an Asian-centered film breaks through to major success, awards are compartmentalized. You've probably noticed that even if said film wins Best Picture (Parasite, Slumdog Millionaire, The Last Emperor) no actors are nominated in the acting categories. Only three actors of Asian descent have ever won Oscars: Miyoshi Umeki for Sayonara (1957), Ben Kingsley for Gandhi (1982), and Dr Haing S Ngor for The Killing Fields (1984). We hope Parasite's Oscar win at the start of 2020 was a fine omen of changes to come considering that the year that followed was actually a strong one for Asians in movies.

CAPE (Coalitions of Asian Pacifics in Entertainment) and Gold House have teamed up for a first, we hope annual, group of awards called the "Gold List" honoring Asian Achievements in (mostly) English language cinema. Please note that is not a critics group, but an industry-group (creatives, executives, and "other entertainment leaders"). Their list of ten categories (with two winners in each) is after the jump... 

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Streaming 20:20 (Finale) - Soul, Let Them All Talk, and more...

ICYMI Part One | Part Two | Part Three | Part Four

Since it's crunch time to complete viewing before all the awards shows hit we've been surveying the films of 2020 that are already streaming for free (provided you have the services of courses), whether they're great, terrible or anywhere inbetween. Maybe you're looking to get caught up? We've been freezing films at the 20th minute and 20th second just for gimmicky time-stamped streaming roulette kicks. How many of these twenty 2020 pictures have you seen? 

Next up one of my favourites, soul number 102,2010,121,415

SOUL (Pete Docter & Kemp Powers, US)
Disney/Pixar. Original release date: December 25th. Streaming on Disney+

Didn't you love the design of the "Jerries" in Pixar's latest? It's so distinct visually. If only they had taken the genderlessness further and applied it to not just the names but the linework.

There's an implant. They put it in your shit. It's like... okay, It'll come back. It's fine, Lou. It's like 40 grand... 80 grand, whatever.

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More film critic prizes: Chicago, Indiana, GWNYC

by Nathaniel R

With over 30 critics groups now in the US (and *still* literally more each year) and many of them now doing two rounds of announcements we don't give everyone two posts or even one here at TFE (we need time to actually write about movies!) but we do like to check in once in a while. Chloe Zhao continues to be a literal sweeper in Best Director (with no one else ever winning) while Maria Bakalova continues to dominate in Supporting Actress though some, including the upcoming Golden Globe Awards argue it's a leading role.

Here's a few more prizes, the most famous being the Chicago Film Critics Association...

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Oscar Chart Updates: Are the critical leaders in "Supporting" Oscar bound or not?

by Nathaniel R

Is there a stranger 'big eight' Oscar category situation this year than the Supporting categories? Both of them appear to have a weird dearth of mainstream contenders. Meanwhile the critics awards or "precursors" have (thus far) been laser-focused on upping the Oscar viability of just two (or three if we're being generous) arguably non-traditional options in those categories: Maria Bakalova's comic improv genius in Borat Subsequent Moviefilm, Paul Raci's weary mentor in the hard-edged indie Sound of Metal, and Youn Yuh-Jung's spirited grandmother in Minari. 

Which brings up the natural but loaded question of what part critics do or don't / should or shouldn't play in the televised awards races. There are no doubt complicated reasons why critics all across the nation vote so uniformly in some years but we'd argue that it's never from a lack of good options as hundreds of movies starring plentiful gifted actors come out each year...

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