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Entries in Sylvie's Love (5)

Tuesday
Sep142021

Emmy Category Review: Outstanding Television Movie

by Juan Carlos Ojano

In a surprise, Dolly Parton's Christmas on the Square was announced the winner of Outstanding TV Movie at last night's Primetime Creative Arts Emmys, securing Netflix another win in this category after missing last year. While this category has gone low-profile in recent years (being “demoted” from the main ceremony to the Creative Arts), the work represented in this category is still worth recognizing and worth checking out. Unlike last year, four networks are represented in this category of five (with Prime Video getting double nods). For the last time, here were the nominees...

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Wednesday
Jun232021

Emmy Watch: Outstanding TV Movie

by Juan Carlos Ojano

In a year when most categories saw the number of their submissions drop, the Outstanding TV Movie category stands out as one of the few that actually had an increase in submissions (41 submissions from last year’s 28). On the flipside, this year saw even less high-profile contenders, adding to the growing indifference towards this category. Perhaps last year’s winner Bad Education set a high bar in how a “TV movie” can be received critically, faring well even in traditional film awards. The COVID-19 pandemic continued to blur what is considered a film and television, with streaming services now arbitrarily pushing some for Oscars and some for Emmys.

This year, let’s take a look at the field of contenders that we have (per platform)...

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Tuesday
Jan122021

Streaming 20:20 (Finale) - Soul, Let Them All Talk, and more...

ICYMI Part One | Part Two | Part Three | Part Four

Since it's crunch time to complete viewing before all the awards shows hit we've been surveying the films of 2020 that are already streaming for free (provided you have the services of courses), whether they're great, terrible or anywhere inbetween. Maybe you're looking to get caught up? We've been freezing films at the 20th minute and 20th second just for gimmicky time-stamped streaming roulette kicks. How many of these twenty 2020 pictures have you seen? 

Next up one of my favourites, soul number 102,2010,121,415

SOUL (Pete Docter & Kemp Powers, US)
Disney/Pixar. Original release date: December 25th. Streaming on Disney+

Didn't you love the design of the "Jerries" in Pixar's latest? It's so distinct visually. If only they had taken the genderlessness further and applied it to not just the names but the linework.

There's an implant. They put it in your shit. It's like... okay, It'll come back. It's fine, Lou. It's like 40 grand... 80 grand, whatever.

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Saturday
Dec262020

Year in Review: 20 Style Icons of the Screen

by Cláudio Alves

We Are Little Zombies

A with last year, I'm merging two of my dearest personal obsessions, costume design and the madness of list-making, for year's end. From colorful comic book inspired styles to detailed period fashions, 2020 was rich with interesting sartorial choices in both film and TV. To celebrate, here are some of the best-dressed characters from fiction and real-life. Even if this has been an annus horribilis like no other, there's still plenty to admire from the world of entertainment. Because it's 2020, there are 20 entries. One may think there would be a dearth of options to fill so many positions, but nothing could be further from the truth. In fact, here are some that didn't quite make the cut before we that list of 20...

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Thursday
Dec242020

Review: Sylvie's Love

by Matt St Clair

We're happily beginning to see a broader variety of black-centered period dramas. Although Sylvie’s Love does touch upon the racism of the 1950s, it's more concerned with showcasing romance than trauma. This light holiday viewing serves up an old-fashioned “one that got away” story that thrives on the simplicity of the romance genre. 

During the first act of Sylvie’s Love, the song “Fools Falls in Love” by The Drifters sets the tone for the entire picture. A song about the problem with falling in love too fast perfectly captures the conflict that Sylvie (Tessa Thompson), an aspiring TV producer, and saxophonist Robert (Nnamdi Asomugha) face after an encounter at a record store owned by Sylvie's father where she works...

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