The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
W Magazine Rooney Mara loves the sex scene from Rust & Bone. Who knew? Decider Joe Reid reminds you to catch up with the Golden Globe and Critics Choice winning Crazy Ex-Girlfriend Guardian wonders who historically accurate The Big Short is... this is such a predictable part of awards season, yes? Guardian after a bit of rights shuffling the Little House on the Prairie movie is back on Coming Soon Spider-Man (2017) set for IMAX so you can see Tom Holland real big like when he swings and flips and supers around
EW Matt Smith and Zosia Mamet are going to star in a Robert Mapplethorpe biopic. This is not, as far as we can tell, an adaptation of Patti Smith's Just Kids book, that was supposedly going to be adapted. So perhaps there are competing projects? Awards Daily on why she thinks The Big Short is going to win Best Picture - short answer: PGA hasn't been wrong yet in this short "preferential ballot" era MNPP have you heard about the bizarre sounding post 9/11 Michael Jackson/Elizabeth Taylor/Marlon Brando movie to star Joseph Fiennes, Stockard Channing, and Brian Cox respectively. It sounds too strange to be true but it is in fact true. Meanwhile... Pajiba ... has been on a tear about the casting and shares a funny quote from Orlando Jones pitching Angela Bassett as Liz Taylor. YES PLEASE. Pajiba on the joys (thus far) of Agent Carter Season 2
Finally... Ear Candy! The Motion Picture Sound Editing "Golden Reel" Nominations were announced today. No film really led the nominations since Mad Max: Fury Road, The Martian, The Revenant and Star Wars: The Force Awakens all received the same amount of nominations (3). They are all up for both Sound categories at the Oscars, too. Bridge of Spies which was Oscar nominated for Sound Mixing received 1 nomination and Sicario which was nominated for Sound Editing received 2. On the television side, Game of Thrones is the nomination champ. Here's one category I thought was fun to know about:
Feature Film — Music in a Musical “Love & Mercy” (Nicholas Renbeck) “Pitch Perfect 2” (Amanda Goodpaster) “Straight Outta Compton” (Jason Ruder)
And in case you missed the Film Bitch Awards in the sound categories, announced a while back, they are located here.
Murtada is happy that Andrew Garfield is no longer a superhero. You?
Vince Vaughn and Garfield in the first picture from Hacksaw Ridge
Andrew Garfield recently started production on Mel Gibson's World War II drama Hacksaw Ridge in Australia. The movie is based on the life of Desmond T. Doss, the first conscientious objector to win the Congressional Medal of Honor after saving dozens of soldiers during the Battle of Okinawa.
Hacksaw Ridge will mark Andrew Garfield’s third post Spider-Man film. Coming in 2016 is Martin Scorsese’s Silence and he’s currently in cinemas with 99 Homes. From 28 to 31 years of age, Garfield was only the web-slinger. Some think he squandered the promise he showed in Boy A and The Social Network. Garfield himself was torn about what he had accomplished, saying in a recent interview:
I never felt like I was able to do enough. And I couldn’t rescue those films…even though I didn’t sleep. [laughs]. And I wanted to…not to say that I needed to rescue those films, but I couldn’t make them as deep and soulful and…life-giving as I could ever dream. And I’m never gonna be able to do that, with any film. It was especially difficult in that situation because…well, just because. And it was especially important because that character has always meant so much to me.
Garfield in 99 Homes
If 99 Homes is any indication there’s no reason to worry. Playing a construction worker who loses his home in the aftermath of the 2008 housing crisis, Garfield is effortlessly affecting as he deals with the shame and grief of losing everything and hitting rock bottom. While he is overshadowed by Michael Shannon’s blistering embodiment of “Americana”, the movie works because Garfield grounds it with a natural soulfulness that reminded this viewer of Mark Ruffalo at his best.
Garfield is obviously someone who feels a lot. Read that quote above again. Doesn’t the story of a heroic conscientious objector seem like a perfect fit? To prove the point about all the feels he feels, we’ll leave you with what he said about working with Emma Stone.
"Working with Emma was like diving into a thrilling, twisting river and never holding on to the sides. From the start. To the end. Spontaneous. In the moment. Present. Terrifying. Vital. The only way acting with someone should be."
Defamer Elizabeth Berkley finally coming to terms with the love out there for Showgirls -- like Faye Dunaway with Mommie Dearest this has been difficult for her Towleroad ...and there's video of the event, too! Theater Mania to say that I am excited to see Ellen Green reprise her Audrey Little Shop of Horrors role this week (I bought tickets the day they went on sale, long before Jake Gyllenhaal nabbed the Seymour part) would be the understatement of the summer. I'm more excited for it than any upcoming movie. Yes, even Magic Mike XXL. She talks about returning to the role. Awards Daily Kathryn Bigelow (our filmmaker of the month for Anne Marie's "Women's Pictures" series, every Thursday) pens an op-ed on endangered elephants
Birth.Movies.Death New Spider-Man movie will have a "John Hughes Vibe" and they're not going back to the Goblin again for a villain. Wow... you mean they realized that three times as villain in 12 years was enough? Hayley Atwell continues to ace her social media game VF Meryl Streep asking Congress to revive the Equal Rights Amendment EW why Inside Out kept "Bing Bong" a secret (would that more films would keep em) Nicole Kidman just celebrated 9 years with Keith Urban Interview Kyle Maclachlan talks about returning to Agent Dale Cooper for Twin Peaks Dissolve upcoming movies for EuropaCorp including a sequel to Lucy... even though Scarlett Johansson morphed into an entirely digital entity by the end? well, ok! The Movie Scene on all this talk of gender equality in "objectification" for the cinema which is usually lusting after only women Ant-Man gets a "meet the crew" tv spot so finally David Dastmalchian, T.I., and especially the always wonderful Michael Peña show up in the promotional material
Oscar Talk Hot Blog setting the Best Picture field -is Carol the only possibility thus far that's been seen THR on the more inclusive more foreign Academy invites
Must Read Vulture's TV Awards series has been fairly cool, including entries from actual TV artists, but they ended incredibly strong with this piece by Matt Zoller Seitz on Mad Men as TV's Best Show overall. Frankly, it might well be the best essay on Matthew Weiner's masterful achievement that I've ever read and I've read a lot of them! Love this 'graph near the opening:
All of the episodes, even the ones I don’t especially like, are inexhaustibly detailed: packed with comic and dramatic moments; period-accurate clothing and hairstyles and music; imaginative, hilarious, and often deeply moving performances; and screenwriting that depicts the complexities and contradictions of the human personality with more insight and empathy than any American series in recent memory. It’s a historical drama about how individuals are and are not affected by the local, national, and international history that’s constantly unfolding around them. It’s a psychodrama about how our personalities are shaped by our parents, our lovers, our friends, our bosses, and everyone else we know, as well as by people we’ve never met but feel as though we know: the politicians, civil-rights leaders, athletes, movie stars, musicians, and other icons who inspire, entertain, confound, and sometimes anger us as we muddle through our daily lives. It’s also a series with an unusually strong affinity for mythology, spirituality, religion, psychoanalysis, pop psychology, literature, poetry, cinema, and all the other means by which human experience is transformed into narrative. And at every level — the scene, the episode, the season, and in total — it is a masterpiece of construction, filled with major and minor bits of foreshadowing and recollection, lines and images that seem to answer each other across time.
Read it! And hope along with us that it pulls off a historic fifth win at the Emmys in September. Mad Men (2008-2011 wins) is currently tied with Hill Street Blues (1981-1984 wins), LA Law (1987,1989-1991 wins), and The West Wing (2000-2003 wins) for the most Drama Series wins (4 each). The leader for nominations is Law & Order which was nominated 11 times, far outdistancing its nearest rivals (The Sopranos, Mad Men, ER, Studio One, and The West Wing)
P.S. on the TV Front: I just watched my first episode of Fresh Off the Boat since y'all were complaining about Constance Wu not making our Best Actress list. It's really funny. They won "best couple" at Vulture
Sirs Ian McKellen and Derek Jacobi were the Grand Marshalls of the NYC parade. And anyway, gay geniuses of the past and out talents of the present should both be celebrated. And not only on Pride Weekend. So how about some Cole Porter via John Barrowman in the movie De-Lovely as we move into a new week. (That movie is kind of a mess -- anyone remember it? -- but this seen is lovely)
I've expressed dismay many times here at TFE that what the internet mostly wants is rumors and future film nonsense rather than discussion of actual films that exist and that people can see. (Bet you ANYTHING that the word count on Star Wars "stand-alone" films that don't exist and won't for years is higher than the word count on Ex Machina which does exist and is amazingly worth discussing.) The Daily Beast has a current piece about rumors that seem to have erupted from actual facts (Marvel cancelling some series, toys, and retconning some characters including The Scarlet Witch -- all things that have always happened before billion dollar movies were involved and also within series where no billion dollar movies are involved). The piece suggests that Marvel is sabotaging Fox's efforts on X-Men and Fantastic Four. It's frankly a bizarre claim, even though it is more than obviously true that Marvel would want the rights back to these properties.
Tom Holland for Spider-Man?We all know that eventually the superhero bubble will burst. But until then, they will dominate cinema. Still, even in their new golden age of popularity, there is a growing semi-intangible resistance out there to caring about each and every one of the films. I've been feeling that about Batman v Superman Dawn of Justice especially and it's a little strange that the Fantastic Four reboot has been so non-buzzy since the internet loves talking superheroes like little else. (Both films recently got new trailers, t'was time to discuss)
Spider-Man Not that this indifference or in some cases outright hostility affects the box office mind you. Everyone seemed to hate The Amazing Spider-Man 2 last summer but it didn't stop the movie from making $708 million globally and it certainly hasn't dampened enthusiasm at Sony or Marvel for Spider-Man as a cash cow. They're already busy recasting Spider-man for the third time in less than 14 years. They've supposedly narrowed it down to five actors...