Sweden's Oscar History

by Nathaniel R

Charter, a child custody and abduction drama, will represent Sweden this season at the Oscars. It previously played at the Göteborg, Sundance, and Zurich film festivals. It's the second feature from Amanda Kernell who won several festival awards with her debut Sami Blood (2016). Familiar face and acclaimed Norwegian star Ane Dahl Torp (1001 Grams, Pioneer, Dead Snow, The Wave) headlines. 

Though Denmark is currently more popular with Oscar voters than Sweden, Sweden is the all-time leader among Scandinavian countries. That's due in large part to three auteurs: Ingmar Bergman, Jan Troell, and Bo Widerberg who were contemporaries in mid 20th century cinema. An investigation of Sweden's Oscar history after the jump...

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More International Oscar News: Several "Finalist" Lists Announced

by Nathaniel R

The Man Standing Next ...has the difficult task of following in Parasite's footsteps!

The submission charts for Oscar's Best International Feature Film race have been updated to reflect more new entries like Croatia's Extracurricular, Palestine's Gaza Mon Amour, Panama's war drama Causa Justa , Romania's documentary Collective, and South Korea's The Man Standing Next.

But the big news at the moment is six finalist lists so keep your eye out for any of these pictures to rise up...

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Almost There: Liv Ullmann in "Scenes from a Marriage"

by Cláudio Alves

I confess that, when I first came up with the idea for this week's Almost There write-up, I didn't expect its subject to be so weirdly topical. First up, there's the actual raison d'être for the piece, which is the Criterion Channel's new "Marriage Stories" collection, in which Ingmar Bergman's Scenes from a Marriage is featured. Then there's the whole Hamilton kerfuffle, which caused controversy over the Academy's definition of what is and isn't cinema or what should and shouldn't be eligible for the Oscars (two importantly different questions). This is relevant because the ineligibility of Bergman's film caused a major ruckus back in 1974 and even prompted a couple of notorious open letters (another topical subject, unfortunately). Finally, we have the recent news that the television cut of Scenes from a Marriage is going to be remade by HBO with Michelle Williams and Oscar Isaac in the leading roles. 

We'll return to some of those matters later on, but, for now, let's concentrate on Liv Ullmann's masterful performance as Marianne in Scenes from a Marriage…

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Bergman in '57

by Cláudio Alves

Ingmar Bergman is my favorite filmmaker of all-time. That being said, I'm aware of the difficult reputation his cinema has earned over the decades. As Nick Taylor wrote in his fabulous piece about Harriet Andersson, few directors have so masterfully captured the overwhelming pain of unhappiness as Ingmar Bergman did. In his films, God is either dead or a giant stony-faced spider, a monster intent on causing suffering to everyone, making for a cinematic cosmos where agony is the most universal experience of all. It's heavy stuff which justly earns the fame of depressing art, though I'd argue that there's more to Bergman's cinema than constant unbearable ache.

Just look at his 1957 masterpieces, The Seventh Seal and Wild Strawberries…

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Review: Don't miss "And Then We Danced"

by Cláudio Alves

A man is a monument of strength, hard and unbending. A woman is a vision of purity, soft and willowy. For those who teach Georgian traditional dance, this binary is tantamount to a universal truth whose cosmic certainty must be supported by the choreographed bodies. But binaries are conventions fated to be broken by the messiness of being human. Merab, the protagonist of Levan Akin's And Then We Danced, is the element of humanity that breaks the convention and exposes its brittle frailty.

Merab's too soft to be a monument. He's too willowy to be the man of folkloric tradition. He's still a man, though, and a dancer too, one that trains to be part of the National Georgian Ensemble...

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