Showbiz History: Bicycle Thieves, Fur Bikinis, and a Costume Design King

6 random things that happened on this day, November 24th, in showbiz history...

1948 Vittorio de Sica's Bicycle Thieves (also known as The Bicycle Thief) is released in Italian theaters. It will take a few years for it to travel the world (global distribution is slow now and was even slower back then) but it will become an international hit the following year and receive the Globe, the Oscar, the BAFTA, and the NYFCC prizes for 'foreign film' in the 1949/1950 awards season. The National Board of Review went one further and just named it "Best Film" period, the second consecutive year they'd given that honor to an Italian film (the first non-English language winner had been Roberto Rossellini's Paisan the previous year) 

1956 Giant released in movie theaters the month after glitzy premieres in NYC and LA

1966 Wet, fur-bikini'd international sex-symbol Raquel Welch arrives in One Million Years BC ... 

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Doc Corner: Taylor Swift is 'Miss Americana'

By Glenn Dunks

A film like Miss Americana is always going to be something of a piece of image rehab. It’s just a part of the process of making a documentary about the biggest pop star in the world whose mega-fame makes her equally loved and loathed (as these sorts of things always do; hi, Madonna) by large swathes of the population. And while it is unlikely that the many shouting “fuck Taylor Swift!” in boorish unison at a Kanye West concert or those whose deep-dive into stan culture is unhealthy in its obsession are unlikely to be moved – or, probably more likely, reminded that they ever cared enough about her in the first place– from the looks of it, Lana Wilson’s doc appears to have worked.

Many journalists and listeners who once criticised her for any number of reasons (her perceived lack of sincerity, her cunning, her dating life, her choice of friends, a craven need for attention, etc) have come out to perform mea culpas and many casual observes of its subject’s meteoric rise to fandom acknowledging that maybe, just maybe, she’s human after all despite everything that they had been previously led to believe. 

Premiering as one of the opening night films at this year’s Sundance Film Festival, Miss Americana may seem like something of a peculiar choice for it’s director, too.

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Soundtracking: Cats

by Chris Feil

One month after its catastrophic arrival and its official: Cats has entered the cult pantheon. But unlike the midnight musical tradition set before it by The Rocky Horror Picture Show, this disaster isn’t simply finding an audience that appreciates its merits. If the ultimate schadenfreude response to the film felt pre-baked by the gleefully unhinged  reactions to its promotional material, we shouldn’t forget that much of its failed vision falls squarely in the lap of director Tom Hooper.

Cats as a musical is supposed to be earnest, its silly concept a vessel for unbridled imagination from the bombastic funhouse of Andrew Lloyd Webber. Of course, it has always had vocal detractors - it’s still a musical about cats. But for better or worse, it’s a more tuneful score than it’s often credited as, even if it grates...

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Florals (before) spring? Groundbreaking.

Miranda Priestley would not approve! 

more florals after the jump...

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Review: "Cats"

by Cláudio Alves

Somewhere along the journey of popular cinema, an unholy change of standards occurred. Once upon a time, the artifice of movies was seen as a delightful feature, but it slowly started to be seen as an enemy of quality. The pursuit of "reality" began to preoccupy serious artists and Hollywood hacks alike. The audience’s taste was thus guided in the direction of pseudo-realism. The look of natural reality isn't the point, but the feel of it is. For instance, Lord of the Rings' fantasy isn't close to our reality in any significant way, but there's a sense of material credulity that satisfies modern audience's limited suspension of disbelief.

To speak of such matters in the context of a flimsily plotted musical populated by cat-human hybrids probably sounds preposterous. That said, I firmly believe the movie of the Broadway smash Cats would be altogether less horrifying if it had embraced the artifice and theatricality of its premise...

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