Taylor Swift, Star-Studded and "Bejewelled"

by Nathaniel R

Do we have any Swifties amongst the readers? I personally rarely thought of Swift outside of liking a few hits but with the queer-ally song "You Need To Calm Down" followed by the double pandemic punch of the Folklore and Evermore albums, the common wisdom that she was a very talented songwriter finally pierced my consciousness where pop music is but a small niche (crowded out by cinema, tv, and theatre). Her new album "Midnights," which was immediately at the top of the charts giving her the most #1 albums of any woman (though she's tied in that with Barbra Streisand), is 20 songs long so it'll take a while to sink in.

But let's talk music videos. Taylor has always loved celebrity cameos (remember "Bad Blood" and its bevy of young actresses?) and the first two Midnights videos are star-studded fun...

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Music Chart Break.

The Grammy Awards rescheduled their ceremony today only to choose the exact date that's been occupied by the Screen Actors Guild Awards for months now. RUDE. We'd say this will be a tough call for celebrities as to which to attend but given that there seems to be no end in sight to the pandemic with even the vaccine rollout botched (thus far at least), we imagine both will end up virtual even though they're not happening until March 14th.

But given that the world is in chaos once again we sought distraction today and noticed that both Billboard and Rolling Stone released their 2020 year-end charts for the top albums and top songs. A few notes of interest...

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Meryl Streep and Renée Zellweger are up for Grammys...

We don't really cover the Grammys here at TFE as it's rather beyond our wheelhouse but to give you a general sense of that awards landscape, Taylor Swift ("Folklore"), and Dua Lipa ("Future Nostalgia") dominated and Beyoncé, too, despite the lack of a new album. Everyone's fav obsession at the moment, BTS, disappointingly scored only one nomination for Pop Duo/Group Performance for "Dynamite". Insane that that wasn't up for Record of the Year.

ALBUM OF THE YEAR

• Black Pumas -Deluxe Edition (Black Pumas)
• Chilombo (Jhené Aiko)
• Djesse Vol 3 (Jacob Collier)
• Everyday Life (Coldplay)
• Folklore (Taylor Swift)
• Future Nostalgia (Dua Lipa)
• Hollywood's Bleeding (Post Malone)
• Women in Music Pt III (Haim)

But as we do we focus on categories that fall more under our umbrella here. So after the jump the categories for visual media as well as actors and composers who work primarily in film and television who are up for Grammys this year...

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Showbiz History: Bicycle Thieves, Fur Bikinis, and a Costume Design King

6 random things that happened on this day, November 24th, in showbiz history...

1948 Vittorio de Sica's Bicycle Thieves (also known as The Bicycle Thief) is released in Italian theaters. It will take a few years for it to travel the world (global distribution is slow now and was even slower back then) but it will become an international hit the following year and receive the Globe, the Oscar, the BAFTA, and the NYFCC prizes for 'foreign film' in the 1949/1950 awards season. The National Board of Review went one further and just named it "Best Film" period, the second consecutive year they'd given that honor to an Italian film (the first non-English language winner had been Roberto Rossellini's Paisan the previous year) 

1956 Giant released in movie theaters the month after glitzy premieres in NYC and LA

1966 Wet, fur-bikini'd international sex-symbol Raquel Welch arrives in One Million Years BC ... 

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Doc Corner: Taylor Swift is 'Miss Americana'

By Glenn Dunks

A film like Miss Americana is always going to be something of a piece of image rehab. It’s just a part of the process of making a documentary about the biggest pop star in the world whose mega-fame makes her equally loved and loathed (as these sorts of things always do; hi, Madonna) by large swathes of the population. And while it is unlikely that the many shouting “fuck Taylor Swift!” in boorish unison at a Kanye West concert or those whose deep-dive into stan culture is unhealthy in its obsession are unlikely to be moved – or, probably more likely, reminded that they ever cared enough about her in the first place– from the looks of it, Lana Wilson’s doc appears to have worked.

Many journalists and listeners who once criticised her for any number of reasons (her perceived lack of sincerity, her cunning, her dating life, her choice of friends, a craven need for attention, etc) have come out to perform mea culpas and many casual observes of its subject’s meteoric rise to fandom acknowledging that maybe, just maybe, she’s human after all despite everything that they had been previously led to believe. 

Premiering as one of the opening night films at this year’s Sundance Film Festival, Miss Americana may seem like something of a peculiar choice for it’s director, too.

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