Link is a cabaret...

Marisa Berenson, Joel Grey and Liza Minnelli at the premiere of Cabaret (1972)Vanity Fair smart piece by Mark Harris on what four Oscar campaign's (or rather the potential success thereof) might tell us about the "new" Academy including Lupita Nyong'o in Us

The Guardian talks to Marisa Berenson (Cabaret) on why she walked away from the spotlight so many years ago.

After the jump animated short Oscar hopefuls, Taylor Swift Cats news, Jeff Goldblum, a new film from The Lighthouse's Robert Eggers and more...

Click to read more ...

Yes, No, Maybe So: "Cats" (and personal "Cats" histories)

by Nathaniel R

All longform discussions of the trailer to Cats must be prefaced with one's own history with the Andrew Lloyd Webber megahit. It's the law. This is why no matter how insane the movie may appear, no matter how much it be instantly mocked on the internet, it will have (at least) a gigantic box office opening. The megamusical has been a phenomenon since 1981, grossing literally billions of dollars on stage, winning awards and selling millions of albums (back when people actually bought such things) with the hit song "Memory" being covered by hundreds upon hundreds of musicians thereafter. 

Cats was my first Broadway touring show which I saw in Detroit (presumably at the Fox Theatre?) as a kid. My parents bought me the t-shirt and later for Christmas the Original Cast Recording. On my first ever trip to NYC in 1989 (?) it was then my first Broadway show. I know I know... I was once a typical tourist who saw something he'd already seen *shakes head at self* while in New York when other surely better and newer things were playing. I was so obsessed Cats that I learned "Memory" on the piano and named my next two kittens "Mistoffles" and "Rumpleteaser". How young and foolish and easily manipulated I was by splashy worldwide sensations as a child. And yet from the 1990s onward I've barely thought of it but for whenever discussions of a possible movie version would come up, most notably all the joking in Six Degrees of Separation (1993).

Okay that's my history. You must share yours (it's the law) and since Cats is such an event brand, we must do the Yes No Maybe So™ breakdown after the jump in real time screencaps rather than trifurcating with our yes, no maybe so headings. Ready?

To quote Judi Dench as "Old Deuteronomy"...

We're about to begin

Click to read more ...

"Cats" trailer tease doubles as its first FYC ad

Universal is not fooling around with Cats. There's a (presumably) gargantuan budget on the line but an insanely high level of brand awareness will help it turn a profit and they surely know that Oscar buzz wouldn't hurt toward that goal, either. This promo for the teaser (due Friday), which has no actual footage from the movie, is playing just like an FYC ad for the film's cast and crew...

Click to read more ...

Links: Madame X, Shelley Winters, and Martha Again

Link roundup starting with NEWS articles...

• NYT The great Swedish actress Bibi Andersson, a Bergman regular (Persona, Wild Strawberries) dies at 83
• Cartoon Brew Rich Moore, who delivered the Wreck It Ralph movies for Disney leaves to run Sony Animation
• Deadline Gabriel Basso (The Kings of Summer, Super 8) nabs lead in Ron Howard's movie adaptation of bestseller Hillbilly Elegy. Amy Adams and Glenn Close co-star.
• The Wrap talks to Ryan O'Connell, the creator and star of the gay & disabled sitcom Special on Netflix

Lots more after the jump including In the Heights, Bond 25, the influence of Big, new albums, declining sex in the cinema, and two must-reads online this past week in case you missed them...

Click to read more ...

Months of Meryl: The Giver (2014)

John and Matthew are watching every single live-action film starring Meryl Streep. 

#47 —The Chief Elder, leader of a dystopian society.

MATTHEW: In Lois Lowry’s 1993 young adult novel The Giver, a society recovering from near-ruination divides its people into communities and, in the process, mistakes sameness for equality. In the 2014 film adaptation of Lowry’s Newbery Medal-winning classic, a production team looking to make a quick buck on the under-18 set mistakes glossy superficiality for storytelling simplicity and basic filmmaking competency. Despite its undeniable following and long-held status as a formative literary staple for American adolescents, The Giver was somehow omitted from my middle school reading list. I’m positive Lowry’s tale has its merits, but whatever those may be, they are almost entirely undetectable in this version from journeyman director Phillip Noyce (Rabbit-Proof Fence, The Quiet American).

Noyce’s iteration centers around Jonas (Australian twink Brenton Thwaites), a 16-year-old who we are told possesses uncommon brilliance and “a capacity to see beyond,” assets that earn him the title of his community’s Receiver of Memory...

Click to read more ...