Is Jai Courtney the Next Sam Worthington. Or Something More?

Jai Courtney photographed by Davis Factor for Flaunt MagazineNews broke today that 28 year-old rising star Jai Courtney won't have to turn down Terminator: Genesis as previously suspected due to his Divergent contract. He'll be able to make both Insurgent and the stupidly rebooting Terminator franchise. (I know I've said it about a dozen times but why on earth would anyone need to reboot a time travel franchise? You've got your "do-over!" right there in the narrative for chrissakes). The studios have worked out a deal and so he's officially on board Terminator: Genesis. He'll be taking over the role of Kyle Reese originated by Michael Biehn and later played by both Jonathan Jackson and Anton Yelchin. None of those three previous actors are anything alike so the role of our future savior's time travelling babydaddy is flexible you might say. 

But is Jai Courtney?

I'm not here to judge but to ask you to. I regret to inform that I'm not as familiar as I possibly should be given his current "in demand" status in Hollywood. I've seen him attempt and fail to break Shailene Woodley's spirit in Divergent (reviewed) and attempt and succeed in breaking lots of Russian bones in A Good Day To Die Hard but I haven't seen his breakthrough role on the Spartacus TV series or his work in Jack Reacher or I, Frankenstein. Perhaps you have?

In Divergent and in Die Hard 5 there was something of a Sam Worthington vibe:  capable, masculine, nice to look at but not (yet?) distinct exactly. Are the features too blandly handsome*? Is there star charisma inside? If there is he needs to unpack it soon. 

I was about to say that being Australian suggests that he is a lot more than the new Sam Worthington (they make such fine movie stars down under) but then I remembered that Sam Worthington was also, in fact, Australian. Oopsie.

The evidence remains inconclusive! I await your verdict in the comments. 

*The most distinct feature might well be his nose which has an adorable slope/tip

Little Miss Cat Lady, Avatar Land, and Other Links

Coming Soon Quentin Tarantino is doing another western (The Hateful Eight) with Christoph Waltz. Sad face. Was hoping he'd try new genres with new stars. 
Film Doctor Her and the intimacy machine
The Guardian a questionnaire for A:OC's Abigail Breslin. Turns out that Little Miss Sunshine herself is a crazy cat lady. Yay! 

Carpetbagger Suzanne Vega is the latest musician to come out with having issues about the portrayal of the music scene in Inside Llewyn Davis
MNPP another fan of Scarlett Johansson's sensational work in Don Jon -- I tell you people... it's so embarrassing that this performance didn't get any Oscar traction!
Just Jared check out Evan Rachel Wood's singing pipes. Wowza. There's another actress to cast in movie musicals

Predictable Sequel News of the Moment
Cinema Blend Terminator Genesis which is already on two strikes (first you don't reboot a series based on time travel which already allows do-overs without pretending originals didn't happen / second they already practiced exceptionally uninteresting casting by getting TV girl badass to play movie girl badass) is now looking for the male lead. I hated the latest Die Hard but Jai Courtney is super nice to look at so can I root for him?
/Film Avatar Land  begins construction in Florida. James Cameron is helping design it because, you know, anything to slow down his filmmaking. I am only interested in going to a land like this if they really amp up virtual technology and you get to be actually inside the body of a huge blue alien with great abs and have hot virtual sex with hair braids

I feel like you could charge a lot of money for that. The park plans an opening to coincide with the Avatar sequels in 2016/2017... or if I know James Cameron, 2019/2020.

Unpredictable Sequel News of the Moment
Did you hear they're making a sequel to The Best Exotic Marigold Hotel? The whole cast (except Tom Wilkinson *sniffle*) will return and Richard Gere and David Strathairn will join them.

Today's Watch
If you haven't yet seen Todrick Hall's Mean Girls parody, Mean Boyz. It's tres gay

My favorite bit is the "small pizza" punchline. Yours?

Top Ten 1990s

I promised longtime TFE super fan Ryan that I would one day write up a big top ten of the 90s piece although THIS IS NOT IT. This is like those tossed back "shots" of past decades wherein we tell each other our favorites. I'll tell you my ten favorites which are wildly unstable and could be replaced by anything in the "with apologies to" list if I'd ranked on another day. Well, not the top three. I mean... let's not get crazy.

1. The Piano (Jane Campion)
2. Boogie Nights (Paul Thomas Anderson)
3. Thelma & Louise (Ridley Scott)
4. Heavenly Creatures (Peter Jackson)
5. Beauty & The Beast (Trousdale & Wise)
6. All About My Mother (Pedro Almodóvar)
7. Trois Coleurs Trilogy (Krystof Kzielowski)
8. T2: Judgment Day (James Cameron)
9. Fargo (The Coen Bros)
10. Pulp Fiction (Quentin Tarantino)

Most of them weren't even nominated for Best Picture. (Sigh). Oscar is so...

With apologies to 15 more. Let's call it a top 25: 
Being John Malkovich, Titanic, [safe], Howards End, The Thin Red Line, Se7en, The Truman Show, Schindler's List, The Silence of the Lambs, Postcards from the Edge, Edward Scissorhands, The Grifters, Waiting for Guffman, Husbands and Wives, and Election.

other "favs" if not all of them as 'respectable':
Death Becomes Her, Babe, Ed Wood, Dead Man Walking, Strictly Ballroom, Tie Me Up Tie Me Down, A League of Their Own, Addams Family Values, Bullets Over Broadway, Reality Bites, Queen Margot, Clueless, Romeo + Juliet, My Best Friend's Wedding, Wings of the Dove, Celebration, The Idiots, High Art, Velvet Goldmine, Run Lola Run, My Own Private Idaho, Priest, The Fisher King, Leaving Las Vegas and The Last of the Mohicans.

P.S. After Jurassic Park (best shot tomorrow night!), I promise we'll leave the 90s behind and come back to the now. So get it all out of your system in the comments!

Previous Top Ten Quickies
1930s | 1950s | 1970s | 1980s

Burning Questions: What Kind of Sequels Should Be Made?

I've hijacked Michael C's column this week because I have a burning question of my own to ask. 

With that hot buzz for Before Midnight from Sundance warming the expectant hearts of even the coldest cinephiles this winter (it'll win more fans in warmer temperatures next month at SXSW), I've been thinking about movie sequels. Why do we get them, how we receive them, and whether or not we need them.

The first and usually sole reason of "why" is money. Humans are creatures of habit so it's an organic reality that nearly every artform indulges in sequels (whether they're named as such or not) and has since long before "branding" was a term people without business acumen understood. Branding is so common and catch-phrasey now that even non-sequels feel like sequels. What is, for instance, each new Johnny Depp and Tim Burton collaboration but an endless series of sequels Johnny & Tim: Now...Vampiric. Johnny & Tim: Now... Caloric... Now... Johnny & Tim: in Garish 3D. Usually sequels make enough money to suggest that Hollywood should make them forever and preferrably split each sequel up into two parts to double investment. And, if they can control costs, make them for everything that was successful. 

But what kind of sequels should be made?

Maybe it's the edge-of-my-seat expectant bliss/wracked nerves regarding Before Midnight (dare I trust the critics who've already seen it? Critics are least trustworthy, I find, during the heat of festival mania and during the heat of awards season when constant conversation/groupthink and jetlag/movie-binging are most likely to affect them.) Maybe it's my now comical tries at seeing Yossi (things keep going wrong and I still haven't seen it!) which is the ten-years later sequel to the charming Israeli gay drama Yossi & Jagger (2003). The point being that I've decided that my absolute favorite kind of sequel is the "let's drop in on these characters again for no particular reason" When these films are done right it feels like they're done for the art of it, to illustrate what changes and insights the passage of time brings. And because we love spending the time with the characters. Now of course this doesn't always work out. The Evening Star was a big letdown for anyone expecting Terms of Endearment 2. But in concept, why not revisit one of the most indelible characters of 1980s cinema?

Terminator 2: The Return of Sarah Connor

Come to think of it this stance also helps explains my super-intense abiding love for Terminator 2: Judgment Day (1991) which is a sequel of the traditional kind (i.e. this will make TONS of money!) but which I would rank -- easily -- near the tippity top of a list of the greatest sequels ever made. And that's largely because of the authentically shocking evolution of character. The Sarah Connor therein is nothing like the one we met in 1984 but once you're past the 'what the hell!?'reveal the new one feels like a natural progression nonetheless to traumatic events from the first film. And it immediately shows how lazily written most characters are in sequels where nothing between films has ever affected them. Big blockbusters so rarely feel that deeply rooted in actual human drama. 

What kind of sequels do you long for?
Which film characters would you love to drop in on again?

Never Compromise, The Iron Linky

Feast your eyes on the first poster for The Iron Lady... [via]

I admire the concept of this poster but I think more of her face should have been showing for aesthetic reasons before it began to bled into the Parliament.  As it is it's weirdly torn up.  But perhaps you'll feel differently. You'll tell me, won't you?

Links
Antagony & Ecstasy Nick started a real trend with those 'year so far' awards
My New Plaid Pants "Thursdays Ways Not To Die" takes on Disney's Finding Nemo and you can't argue with that pie chart.
Mr Hipp Strikes! Remember when I said that Drive is one of those movies that will eventually inspire cult devotion. It's already obviously begun.
GQ Natasha VC (whose tumblr i just lurve) on Terminator 2: Judgment Day (one of my favs). Though... apparently she's pissing off some cinephiles with this.

TV Break
Gold Derby Remember how weird it was when Mad Men lost everything but Best Drama at the Emmys on Sunday. Turns out it's not so weird. 
The Critical Condition loves the new drama Revenge which features the return of the wonderful Madeleine Stowe. So do I and I only watched it to see Stowe again. Interesting that he brings up Ringer in his review because the whole time I was thinking: how come Sarah Michelle Gellar couldn't get a decent expensive show like this to headline? Ringer is just a mess and she's a much bigger star than Emily VanCamp. 

Finally...
You can head on over to Towleroad to read my interview with writer/director Andrew Haigh. His debut (scripted) feature Weekend, is a real wow, beautifully observed, well acted, consistently engaging and expressively shot... all the things that no-budget gay cinema usually lacks. There's more to this interview since our conversation spilled over past our alloted time so I might share a few more nuggets later on if I see cause. I'm hoping the film does well on the coasts and prompts further expansion. It's very good.