Advertisement
Advertisement
HOT TOPICS



Advertisement
NOW PLAYING

in theaters



review index

new on DVD/BluRay

Welcome

The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
What'cha Looking For?
Comment Fun

COMMENT DU JOUR
Love Affair (1994) - as "A Year With Kate" nears its conclusion

A YEAR WITH KATE... 2 episodes left

 "A really beautiful look into the careers of one of my favorite actors, but it's made me consider the careers of so many different actors and how the great ones adapt to eras while still staying true to themselves. This is a special, lovely series. I both cannot wait for and am so sad for the end next week.-John T

 

Beauty vs. Beast

Rhett is all "as if i could lose this poll" - Have you voted?

Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

Subscribe

Entries in The Master (29)

Saturday
Jan052013

National Society of Film Critics Loves Amour

National Society of Film Critics is the last of the three big critics' groups to announce their annual winners and they have followed LAFCA's footsteps in giving their top prize to Michael Haneke's Amour. It's yet more fuel in the film's fire as Sony Pictures Classics awaits the Academy's nominations on Thursday, though with the voting deadline already passed, this prestigious honour will have no persuasive power on Academy voters.

As with LAFCA,  Paul Thomas Anderson's The Master came in second in the top category, but this wasn't the only place where NSFC agreed with their Los Angeles counterparts. Emmanuelle Riva and Amy Adams also topped the lead and supporting actress categories, respectively.

Daniel Day-Lewis and Matthew McConaughey were the winners in the male acting categories. McConaughey, whose award was shared for Magic Mike and Bernie, has been a critical favourite all season - he won NYFCC's prize for the same two films as well - and is still lurking right around the nomination zone despite missing out on SAG and Globe nominations.

In the nonfiction category The Gatekeepers just edged out This Is Not a Film to the top prize, ahead of a distant Searching For Sugar Man at third. Jafar Panahi's film also managed a citation for Best Experimental Film. Tony Kushner and Mihai Malaimare Jr. rounded out the winners with prizes in the screeplay and cinematography categories, respectively.

Full list of winners after the jump...

Click to read more ...

Wednesday
Dec192012

10 More Critics Prizes: "Argo" & "The Master" Fight For "Zero Dark" Scraps

I haven't done the math but why count with my fingers when The Wrap is a born calculator and reveals that as the critics prizes have shaken down Zero Dark Thirty leads the race with 8 while Argo is in second for Best Picture prizes with half as many triumphs thus far. The Master is the only other film that's managed multiple "Best Film" gongs (3) in this thankfully divided year. Licking the crumbs off the critics awards plate we have Amour, Life of Pi, Lincoln, Silver Linings Playbook and... Safety Not Guaranteed? Well, ok, Indiana! You go your own way.

Zero Dark Thirty, Argo, and The Master are the critics win leaders

Les Misérables is the only film from Oscar's presumed big five that hasn't managed a Best Picture win from a critics group though it's surprising to realize that Lincoln hasn't done much better in terms of taking the top prize. Another casualty is Beasts of the Southern Wild. That gloriously original moving indie has recovered from its first weeks in the precursors where it couldn't win "first film" or "breakthrough performer" prizes with the unexpected strength of How to Survive a Plague and Middle of Nowhere blocking its pathway with critics or at the Gothams respectively. It's won a few things here and there. But I'd argue it's the biggest casualty of the critics weeks since it hasn't managed even one Best Picture win. It deserved and needed them so it's no surprise that it's outsider shot at a Best Picture nomination which once seemed totally doable now looks like a true long shot.

Supporting Actor Disappointments and more after the jump...

Click to read more ...

Tuesday
Dec182012

Beasts of the Precursor Wild

New Podcast ~ Part 2 of 2 
[Part 1 Here]
When we left off we were talking about the Globe Comedy and SAG Ensemble nods specifically and now the conversation continues. We turn to two films which could receive several nominations or none: The Master and Beasts of The Southern Wild and explore other Oscar mysteries too. [With Nathaniel, Nick, Katey, and Joe.]

Topics include:

  • The Master and P.T. Anderson's shift from ensemble to two-man dramas
  • Beasts of the Southern Wild, the outsider film
  • Globe categorizations. Why wasn't The Sessions a comedy?
  • Marion Cotillard is so Hollywood
  • Screenplays, Original and Adapted
  • Cinematography is neither Art Direction nor Visual Effects. Discuss
  • Oscar Stats. Will Supporting Actor be the only acting lineup ever that goes in with all previous winners? 
  • Screener piles. Are AMPAS voters more likely to watch The Paperboy or Compliance?

You can download the podcast on iTunes or listen right here at the bottom of the post. But, as always, the podcast isn't complete without you. Join in the conversation by commenting!

 

Beasts of the Precursor Wild

Sunday
Dec162012

Cross Country Critics Champs

To some extent I've lost my taste for covering the critics awards -- at least in depth -- since there are more each year and more which do that coy "nominations first!" thing to try to drum up publicity (it works since the web always needs content... even if the content is the same as the day before as so many of these awards prove!). I'm not trying to be a killjoy -- I'm really not! -- but I guess I have anger issues with my fellow critics since they are all so willing to abandon anything they loved during the year once the year end Oscar movies hit. I challenge everyone to go back and read what critics wrote about Michael Fassbender when Prometheus premiered and then wonder why they can't be bothered with them now... even when they go so far as to announce nominations ?!? Oscar has a bias against genre performances but unfortunately many of the same media voices who complain about this share the same bias in their own year end honors! Someone will have to explain to me how Alan Arkin in Argo and Robert DeNiro in Silver Linings Playbook for example are more exemplary examples of Great Film Acting than Fassy in Prometheus. I'd wait but I fear the wait would be longer than the running time of 25 historical epics combined  since who in their right mind would try and justify this verbally even if they votes say differently?

But look at me flying way off track!

So grumpy, me, I apologize! All that said, this year has had a bit more variety in critical winners than some recent years and I do some love reading awards lists. So let's hit four cities and one multi-city stop after the jump and see what they liked most this week... The results are not uninteresting. MORE

Click to read more ...

Wednesday
Dec122012

SAG Nominations: Bless Them For 'Charlotte Bless'

The Screen Actors Guild Award nominations, now in their 19th year, are often a bipolar experience to read through. I'm annually enraged by the rules dictacting who receives a nomination when an ensemble nomination happens, but generally speaking there tends to one thing worth being super-thrilled about in the mix beyond all the sleep-inducing reiterations of every Oscar pundit's list.

Outstanding Performance by a Male Actor in a Leading Role
BRADLEY COOPER / Pat - “SILVER LININGS PLAYBOOK” (The Weinstein Company)
DANIEL DAY-LEWIS / Abraham Lincoln - "LINCOLN” (Touchstone Pictures)
JOHN HAWKES / Mark - "THE SESSIONS" (Fox Searchlight)
HUGH JACKMAN / Jean Valjean - "LES MISÉRABLES" (Universal Pictures)
DENZEL WASHINGTON / Whip Whitaker - "FLIGHT" (Paramount Pictures)

In with Bradley Cooper. Out with Joaquin Phoenix? The Master enters the Oscar nomination period looking shakier than ever. We could see a complete shut out or 4 or 5 nominations for the handsome, well acted but ultimately not too accessible film. It might just be the year's biggest wild card at this point.

It's worth noting that people often emphatically exaggerate the meaning of "snubs". For all we know Phoenix's no show here was a matter of one vote, rather than anything to do with the movie (though it probably isn't well enough loved) or his feelings about awards campaigns. MORE...

Click to read more ...

Monday
Nov262012

Gotham Awards Winners

You inspire him"
-Amy Adams to Joaquin Phoenix in The Master

Did The Gotham Awards inspire more faith in the possibly fadingg Oscar prospects of The Master? They did not. The following films competed for Best Picture in NYC's sort-of answer to The Spirit Awards: 

  • Bernie
  • The Loneliest Planet
  • The Master
  • Moonrise Kingdom
  • Middle of Nowhere

(Yes, The Beasts of The Southern Wild was already famously snubbed here when the nominations were announced last month though it had other nominations and the team was in town for the ceremony and to beat their Oscar drum.) 

THE WINNERS

Jared, Benh, and Ematatzy

Audience Award ARTIFACT. Jared Leto accepted the documentary about his band and a lawsuit.

Don't hate me because I beat that other film."

Breakthrough Director BENH ZEITLIN for Beasts of the Southern Wild

It's no time to sit around crying like a bunch of pussies. Make more movies."

Breakthrough Actor EMAYATZY CORINEALDI in Middle of Nowhere

(Beasts of the Southern Wild seemed to be having as rough a night as Gotham's Live Feed which sorely disappointed. But things turned around for it. The movie, not the live feed.)

Best Film Not Playing at a Theater Near You
(Incidentally my favorite idea for an award category ever)
AN OVERSIMPLIFICATION OF HER BEAUTY by Terence Nance 

Bingham Ray Prize
BENH ZEITLIN for Beasts of the Southern Wild 

Best Ensemble
YOUR SISTERS SISTER

Best Documentary
HOW TO SURVIVE A PLAGUE 

Best Film
MOONRISE KINGDOM 

Michael made a For Your Consideration plea for Moonrise Kingdom in Best Picture a short time ago right here at The Film Experience. I've not been confident on its Oscar prospects mostly because the film skews so young in its narrative (Oscar isn't that enamored of childhood tales outside of the Foreign Film category) and because excessively stylized pictures tend to be a tough sell for many voters. But the Gotham win is heartening.

Are you happy with the outcomes this year? Do they inspire you?