Oscar History

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Visual Effects Oscar Semi-Finals 

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Entries in The Master (29)


Curio: Viewing The Master

Alexa here. I just can't let the week go by without posting something about my biggest film boner since Black Swan, PT Anderson's The Master.  I know this is bandwagon time, but my excitement knows no bounds here. I can't wait to see Joaquin Phoenix back in prime form; I will always forgive his sidestep into indulgence because, the talent!  And another film paired with Johnny Greenwood's haunting tones? Yes please!  I missed Chicago's only 70mm showing (grrr), but will be first in line on Friday.  To force you to revel in anticipation with me, I present a few fan posters (with the exception of Wes Anderson, no one brings out the fan art quite like PT), and some fabulous photographs taken from the set by photographer Jack Erling.

Poster by Duane Valentino.

One more fan poster and evocative photos from the set after the jump

Click to read more ...


Venice: The Golden Lion to "Pieta"

The Venice film festival has wrapped and with it come those winged lions and other elaborately shaped awards. The jury led by director Michael Mann named Kim Ki Duk's Pieta the best film in competition. It's a violent mother/son drama, the son being a loan shark. Kim Ki-Duk, best known stateside for spring, summer, fall, winter and spring (2003) is no stranger to the Venice Festival having won multiple prizes for 3-Iron (2004) eight years ago.

The winners...

Golden Lion (Picture) Pieta 
Silver Lion (Director) & Special Jury Prize (Director) there seems to be some confusion about this as Ulrich Seidl for Paradise: Faith and Paul Thomas Anderson for The Master alternate who won what in various reports
Best Actress Hadass Yaron for Fill the Void
Best Actor (Shared) Joaquin Phoenix and Philip Seymour Hoffman for The Master
Screenplay Olivier Assasyas for Apres Mai (English Title: Something in the Air)
Cinematography Daniele Cipri for E Stato Il Figlio

Best Young Actor & Best Actress

Mastroianni Award (Young Actor) Fabrizio Falco for Dormant Beauty and It Was the Son
FIPRESCI Award (Competition) The Master (Paul Thomas Anderson)
FIPRESCI Award (Orizzonti) The Interval (Leonardo Di Contanzo)

Orizzonti Jury Prize Tango Libre (Frédéric Fonteyne)
Luigi De Laurentiis Award (Best First Feature) Kuf: Mold (Ali Aydin)
Orrizonti: Best Feature Three Sisters (Wang Bing)
Orizzonti Jury Prize Tango Libre (Frédéric Fonteyne)
Queer Lion Weight Jeon Kyu-Hwan

a few notes...
The Weight, the winner of the Queer Lion, is about a hunchback mortician and the people in his life. Here is the NSFW trailer



IndieWire has a full lengthy list of winners since there are dozens of special awards outside the jurisduction of the main jury (including some of those prizes above). Several of these films picked up additional prizes.

Nice to hear the name "Frédéric Fonteyne" again, since he hasn't been on my radar since directing the wonderful romantic drama Une Liaison Pornographique. His new film is about a woman in a tangled relationship with three men. Must See!

PSH and the great Olivier Assayas accepting their prizes

Amusingly, news reports say that Philip Seymour Hoffman flying in at the last minute, barely arrived in time to pick up the prizes on behalf of The Master and apologized for his dishevelled appearance. You mean he's been aware of it all this time?!? The double actor win reopens the whole question of Oscar campaigns again. Will they actually let both stars compete in the leading category as they should? Can The Master leap the hurdle of critical darling Oscar problems like being more "challenging" and respected than actually warmly loved? Did There Will Be Blood set the stage for another Oscar run?

I'm kind of annoyed by The Envelope's suggestion that the jury wanted to give the Golden and Silver lion and Actor honors to The Master (sweeps not being allowed at most A grade festivals, thank god). If they really thought it was the best in every category, wouldn't they have handed it the Golden Lion? Instead let's congratulate Pieta and The Master and Paradise: Faith, all three of them winners to this jury.



To Our San Francisco Readers

I lost my ship."

See it Tuesday night (tomorrow) and report back!

♥ the Castro Theatre.


'Til Link Do Us Part

The Film Doctor usually finds interesting angles. For Hope Springs he interviewed his signifant other on the depiction of marital turmoil and therapy therein.
Final Girl this one is for you horror fans, a funny mashup of The Human Centipede with slasher icons.
The Playlist 15 new stills from P.T. Anderson's long awaited scientology drama The Master
Coming Soon Life of Pi will open the New York Film Festival and...
Awards Daily Flight will close it. (Will Robert Zemeckis and Denzel Washington and Ang Lee all be returning to Oscar's good graces?)

In Contention You've probably read Guy Lodge's Sight & Sound top ten list by now but in case you haven't it's interesting from top to bottom. Somehow I hadn't completely registered that Guy shared my love of Colorogy. So much green and red happening here!
Guardian so Jennifer Aniston is engaged and there's a whole new round of false romcom press narratives happening
NYT interesting observations on the trainwreck spectacle of online confessional blogging
AV Club Jodie Foster to direct a female-led mob drama on Showtime. Interesting... but I sure wish she'd rediscover her love of bigscreen acting instead. There are a lot of directors who are good at helming TV series. There are very few actors who can be Jodie Foster on the bigscreen.
/Film lately I actually forgot Ron Howard existed but they've reminded me that he is making a movie with Chris Hemsworth and the adorable Daniel Brühl called Rush
Film Junkie has behind the scenes photos from 12 Years a Slave 
Pajiba on 8 memorable marital fights on TV



Yes, No, Maybe So: "The Master"

Hot on the heels of this beautiful new teaser poster for The Master, movie poster as chilled wine, we get the full trailer! P.T. Anderson's long awaited big screen return teaser post recalls the also evocative and text-focused teaser poster for There Will Be Blood which will be a very tough act to follow.

Even the Academy, which had resisted his sometimes challenging, defiantly eccentric and untraditional melding of epic treatment to non-traditionally-epic subject matter got into There Will Be Blood. But if anyone can live up to that film, wouldn't it be P.T.? He's never made anything less than a good movie and quite often he manages instant classics: Hard Eight, Boogie Nights, Magnolia, Punch Drunk Love, and There Will Be Blood. (Good luck finding anyone else with a filmography that consistently fine!)

Trailer and Yes No Maybe So breakdown follow...

Click to read more ...