Introducing... Fraulein Maria

Season 6 of "Hit Me With Your Best Shot" Begins!

The original premise of the Best Shot series was a short essay on ONE screen capture from a film, "best" being in the eye of the beholder, and thus the fascination since movies are communal but we see them individually. Everyone cheats with multiple shots and full movie reviews -  I'm the worst ! -- so In an altogether herculean effort to pare it back to the premise (*he begins to sweat*) I will only allow myself two screenshots today and one topic (gulp). For my sanity I've restricted myself to the film's first half, pre-intermission. We can always write about The Sound of Music again. 

Let's talk about the act of opening your heart up wide to fall in love, with all the risks that that entails... such as loving a movie that sophisticated cinephiles are not supposed to love, and loving a stranger who you don't yet understand. [More...]

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Lady Gaga Isn't the Only One Who Loves "The Sound of Music"

Be here a week from tomorrow for the season premiere of Hit Me With Your Best Shot when we look at the classic Julie Andrews... or, rather, the classic Julie Andrews in between her other classics. the one where she spins on a mountain top (though hopefully not everyone picks that opening scene)

If you've never played before it's easy. You 1) post your favorite shot from the movie somewhere. 2) Say why you chose it. 3) We link up. Here's the March schedule for the series every Tuesday night!

And dont forget to "like" TFE on facebook and sign up for our weekly newsletter which will start next week. Don't vanish post-Oscar because we do this all year round: lovin on the actresses, investigating the directors, and having fun with cinephilia.

After the jump excerpts from Lady Gaga's performance and fun tweets about it.

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"My dear...

...is there anything you can't do?

Well, I'm not sure I'll make a very good nun.

If you have any problems, I'll be happy to help you...

Great Moments in Screen Bitchery #235, Eleanor Parker as the Baroness in The Sound of Music (1965)

So long, linkwell, au wiedersehen, adieu

Policy Mic Olivia Wilde humorously condemns Hollywood's sexism with a gender reversal anecdote
Chicago Tribune really strong piece on the camerawork and cutting (or lack of it) in the three films dominating the Oscar race: 12 Years a Slave, Gravity, and American Hustle 
Gawker a sad day for Sound of Music fans. The last remaining member of the original Von Trapp family singers has died.

NY Times great interview with RuPaul on his unlikely career now in its second huge act
Salon looks at Oscar Original Songs that time forgot. But this is really just scratching the surface. There's a couple of them each year!
Backlots a letter about Joan Fontaine from her friend and secretary
In Contention 12 Years a Slave wins 4 prizes and The Butler wins Best Actor at the NAACP Image Awards

Burning Questions: Katniss in Context

The Year in Review continues with Michael Cusumano on Jennifer Lawrence's box office coronation, a more impressive achievement than you think.

At the sound of the closing bell, Iron Man 3 clings to the title of top grossing domestic release of 2013, but Tony Stark should savor the honor while it lasts. He is all but certain to relinquish the crown to Katniss Everdeen in the early weeks of 2014.

If one wants proof that this is all but a done deal, one need only compare the grosses of the first Hunger Games to its sequel. According to Box Office Mojo, Catching Fire’s 398 million is 24 million ahead of its predecessor at the same point in its release (41 days). Since the first Hunger Games’ final gross of 408 million is nearly tied with Iron Man 3’s 409 million, unless the grosses of Catching Fire unexpectedly crater it’s a safe bet that when we close the book on the 2013 the second entry in the Hunger Games series will hold true to its protagonist and emerge from the arena the final victor.

That a film with a strong, capable female protagonist as its sole lead is the year’s number one film is reason to cheer. That I was unable to recall the last film to duplicate this feat emphasizes the rarity of the achievement. It made me curious:

When was the last time a film led solely by a female character topped the domestic box office in its year? [The answer is after the jump]

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