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Entries in Tim Burton (62)

Saturday
Oct272012

Oscar Horrors: Martin Landau in 'Ed Wood'

Oscar Horrors continues was Beau looks at one of his favorite performances of all time.

HERE LIES.. Supporting Actor Martin Landau as Bela Lugosi in Tim Burton's 1994 masterpiece, Ed Wood.

Martin Landau. Holla.

Martin Landau's performance in Ed Wood is a joyous celebration of its time period. The manic energy with which Landau performs as Bela Lugosi mirrors Tim Burton's marvelous pacing and infectious love of the genre in this, his career-best. Bela Lugosi was a legend. He is primarily known today for his signature role, Dracula, but Lugosi was in fact a very ambitious actor. (He has said in several interviews that he always wanted to be the lead of romantic comedy.) His failure to diversify reflects a typecasting and stereotyping in 1950s Hollywood that helped set the foundation for how business is done today. It's not a matter so much of whether or not Lugosi was good enough to try different roles. It's about the compartmentalizing of the personality, boxing it up, shipping it out. Maintaining hold.

Landau's gruff drug addicted depiction of Lugosi is a treat. My generation is not well acquainted with the works of Ed Wood or b-movies from the 1950s and I'm no exception, so  I couldn't take as much enjoyment from the reenactment of certain moments as I might be able to, in say, the upcoming Hitchcock in terms of Psycho. The central joy of watching these kinds of mimick'ed performances is seeing an actor that you're familiar with side-by-side with a legendary performer -- two contrasting takes -- but it's not the only joy. Landau understands that to successfully play Bela Lugosi is not to simply imitate or mimicking him, but imbibe him. You can get drunk so easily watching Martin Landau drink a case of Bela Lugosi. His Oscar win is one of the best choices the Academy ever made in Best Supporting Actor.

"Look into my eyes"

Tim Burton's direction eerily mirrors and compliments the ferocity with which Wood approached each and every project. The beautiful thing about Ed Wood, is the fact that this man who was completely oblivious to the fact that he had no true talent still managed to let his passion drive him through his life. In a very interesting way his story is not so much a cautionary tale for storytellers, but a map. In the 21st-century with production values taking precedence over narrative structure and any of the foundational building blocks of great films young independent filmmakers are looking to one another to trust in each other to build themselves up. With the advent of video-on-demand, filmmakers are discovering new outlets in order to release their product and story out into the world. You can market it a certain way. You can advertise a certain way. You can sell it with your passion for the project. One could go so far to abel Ed Wood as much of an auteur as Alfred Hitchcock or Howard Hawks. There are distinct notes, unique trademarks and fingerprints that are over every single frame in his films. Andrew Sarris would drop dead reading this, but it's true. Ed Wood is a hero to the American cinema because of his love for it.

Landau's contribution to the film is the spark that reignites Ed Wood's fire. And for that, in a very roundabout way, I am eternally grateful.

 

Oscar (ACTING) Horrors
[S2]
The Picture of Dorian Gray - Angela Lansbury
Hush Hush Sweet Charlotte - Agnes Moorehead
Shadow of the Vampire - Willem Dafoe
Rebecca - Judith Anderson
[S1]
Rosemary's Baby - Ruth Gordon
Whatever Happened to Baby Jane - Bette Davis
Carrie - Sissy Spacek
Dr Jekyll and Mr Hyde - Fredric March

Sunday
Oct072012

Liam Neeson Delivers Another Box Office Beatdown

Jean Grey, mysteriously having lost all of her mutant powers, relies on Liam Neeson for rescueLiam Neeson's surprising late career popularity continues. People love to see him putting the vicious beat down on evil types. Even if the film is as generically titled and redundantly plotted (from what I hear) as Taken 2. I wonder when we'll Neeson working a softer side again onscreen like he did in Nell, Husbands and Wives or Kinsey. Well I suppose he was more cerebral than soft in Kinsey, but the point stands. Kinsey was only 8 years ago but it seems like a different lifetime ago. It must be all those dead bodies he's left behind him onscreen since!

Box Office Dozen
01 TAKEN 2  $50 *NEW IN WIDE RELEASE*
02 HOTEL TRANSYLVANIA  $26.3 (cum. $76)
03 PITCH PERFECT $14.7 *EXPANDING* (cum. $21.6)
04 LOOPER $12.2 (cum. $40.3) review
05 FRANKENWEENIE $11.5 *NEW IN WIDE RELEASE* on the original short

06 END OF WATCH  $4 (cum $32.8)
07 TROUBLE WITH THE CURVE $3.8 (cum. $29.7)
08 HOUSE AT THE END OF THE STREET $3.6 (cum. $27.5)
08 THE MASTER $1.8 (cum. $12.3) Team Experience
09 FINDING NEMO 3-D $1.5 (cum. $38.9 this time around) 

I'm sad that the surprisingly worthwhile and funny Frankenweenie didn't seem to connect with ticket buyers. It's Tim Burton's best since Corpse Bride. (Maybe he should stick to animation for awhile?).

This weekend I went to Pitch Perfect with my two besties. The movie wasn't quite Aca-mazing -- I wish the filmmaking itself had been stronger -- but it was definitely a good time. Our favorites were Fat Amy (Rebel Wilson) who the marketing campaign is forcing has chosen as everyone's favorite, and Lilly (Hana Mae Lee) who trusted that if you missed her barely audible punchlines, they were still funny. She was right.

I have to set fire to things to feel joy"

What did you see this weekend?

 

Monday
May212012

Review: "Dark Shadows"

This article was originally published at Towleroad in my weekly column

Chloë Grace Moretz is judging you!

With the world too busy seeing The Avengers (reviewed) for a second time last weekend, Dark Shadows premiered to considerably less fanfare and bank than Tim Burton and Johnny Depp collaborations are generally greeted with. So who will even notice that we're one week late to the ball? Young Carolyn Stoddard (Chloë Grace Moretz) will -- she's so smugly superior -- but she prefers the word "happening". She's quick to school her out-of-time vampire uncle Barnabas Collins (Johnny Depp) that no one throws "balls" anymore.  

Actually, Carolyn, Tim Burton does...

Click to read more ...

Wednesday
May162012

Their Best "Edward" Shots

"Post Me."
"I Can't."

Real life has this horrible way of intruding on fantasy. Though I'd much rather be spending exorbitant amounts of time with Avon lady Dianne, Gepetto-esque Vincent, dancing Winona, and Johnny's first truly brilliant performance in my favorite Tim film (I feel so close to this movie I'm totally on a first name basis with it) I couldn't work it out tonight. My post will be up on... Friday evening. Yes, let's go with that. But until then there's plenty of Edward Scissorhands love from these fine blogs joining in the Hit Me With Your Best Shot spirit. Go and read them!

I really suggest you do. My favorite thing about this series is reading the other pieces and learning from them. Films are communal but we all see them through different eyes.

Sometimes you can still catch them dancing in it...
Antagony & Ecstasy - on the ideal metaphor for Burton's aesthetic. 
Being Norma Jean - "I'm not finished" wonderful look at Edward's hands and how they precede him.
Cinesnatch -loves Dianne Wiest and Burton's use of Vincent Price.  
Film Actually - "Isn't it wild?"
The Film's The Thing -cynical adulthood / childlike wonder
Missemamm - when that suburban costume isn't working for you anymore
Paraphrased Kulchar - let it be known that Kathy Baker is a hot bitch 

Tuesday
May152012

Curio: Tim Burton Terrariums

Alexa here.  I, like the rest of the world, saw The Avengers instead of Dark Shadows last weekend. My hopes for Joss Whedon's big budget career weren't dashed, as I presume they would have been if I'd seen Dark Shadows and hoped for any of Tim Burton's glorious whimsy of yore. Speaking of, I recently became enchanted with these terrariums created by Rachel Bishop. Rachel sculpted models out of wax and used moss, roots and other natural materials to create these tiny sustainable ecosystems in tribute to Beetlejuice and The Nightmare Before Christmas. They make me wonder what other film universes I'd want to see living under glass; perhaps the Wilcox family home from Howard's End? Or the shire from Lord of the Rings? You can see more of Rachel's terrariums here.