"Beetlelink! Beetlelink! Beetlelink!"

If you say it three times, a link roundup appears from the other side!

By now you've heard that Tim Burton and Michael Keaton are prepping a sequel to the 1988 comedy classic Beetlejuice, largely because Burton has long since run out of ideas and better a sequel than another remake, right?! If they name it "Beetlejuice 2" instead of "Beetlejuice Beetlejuice Beetlejuice" I will be disappointed in their mundanity. I love that movie but honestly if this project does not star Winona Ryder I hope whoever deigns to see it will sit in the theater alone... *utterly* alone... because the rest of us should boycott. Noni was the best thing about the original aside from its playfully smart comic visuals including the Oscar winning makeup.

Now a few links...

E! Online reactions to the awful Parks and Recreations hiatus news
Women and Hollywood on male directors and depictions of female sexuality: Chile's awesome Gloria and France's buzzy Blue is the Warmest Color discussed 
Film School Rejects on the short film Next Floor by Denis Villeneuve. You should see it. It's so good and Villeneuve is having a prolific "moment", what with the 1-2-3 punch of Incendies, Prisoners and Enemy.

Curio: Film Devotionals

Alexa here.  This Easter/Passover time of year is always replete with biblical references; for me, most are tied to film.  For instance, my main understanding of the significance of Passover is through my repeated childhood viewings of The Ten Commandments.  As one of the heathen mob, I am more likely to light a candle to mourn the loss of Ryan Gosling from the screen than ask saints for intercession. Religious or not, I thought TFE readers would enjoy some curios that aid in the practice of film idolatry, like these devotional candles from this etsy shop.

Who would you light a candle for this year?

More false idols including Tim Burton, Steve Buscemi and The Avengers after the jump... 

Click to read more ...

Linkhead

USA Today no, Jennifer Lawrence did not have a wardrobe malfunction despite all visual evidence to the contrary. That's just the dress!
Filmdrunk uncovers the MTV promo that got JLaw her SAG card - she mentioned it in her speech last night.
In Contention wonders where Ang Lee is in all the who will win Pic/Dir confusion
i09 do you want a documentary about the ill-fated Tim Burton / Nicolas Cage Superman movie? I sure do! Schadenfreude for days on end!
Pop Elegantarium awwww a new Film Experience baby. Congratulations to mom Alexa (who writes the Curio column right here)
EW Hunter Foster on Bunheads with real life sister Sutton Foster. Gah. I ♥ them both
MNPP superheroes working it
Pajiba Celebrity friendships you probably didn't know about. I knew a few but some really goodies unearthed here. Some of these are really surprising (Kyle Chandler & Lorenzo Lamas) others shouldn't be surprising but somehow I didn't know (Matt Bomer & Lee Pace are best friends?) and others are just delightful as in 'they stayed close after filming!' (Christian Bale & Winona Ryder?) but anyway, read it. Fun finds.
Wired Is Glee stealing arrangements from indie musicians? My god I'm so glad I gave up on that show when I did and have never been attempted to return. This story is so sleazy awful. 

And I'll leave you with an old video of Emma Stone shaking it shaking it shaking it.

This makes me want to watch Easy A and Crazy Stupid Love on loop right now.

Welcome Home Linky Carmichael

Deadline "We own a hotel, Norman Bates" the trailer to spring TV series Bates Motel with commentary from Vera Farmiga as Mrs. Bates.
Clothes on Film looks at the subtextual costuming of Cabin in the Woods 
The Deleted Scene says goodbye to its DVD collection and owning physical copies of films in general 
LA Times five things to be gleaned from the Globe nods 

The Carpetbagger details the dancing and QT craziness of the Django Unchained party in New York. No, I was not invited but I'm happy to read that Uma made a strong showing.
CHUD on Quentin Tarantino's recommendation that you see Navajo Joe (1966) before you see Django
Guardian In a truly weird piece on Les Misérables, Hannah Betts wonders if US audiences can deal with its bad teeth and... here's the weird part... bromance. Errr... maybe I'm not getting a British joke here but Les Miz never had much of that to play or play down. 

List Mania
Vulture the ten best SNL sketches of the year from Disney Princesses to Lincoln 
New York Times Manohla Dargis weirdly makes her own top ten a sort of after-thought post-script to an essay about box office and independent filmmakers. 
Slant Magazine's top 25 films of the year including Magic Mike, Cosmopolis, Lincoln, Holy Motors and Oslo August 31st

Today's Watch
Here's Winona Ryder starring in The Killers new video "Here With Me" with Submarine star Craig Roberts which was directed by Tim Burton of all people. It's surprisingly non-baroque art-direction wise for a Burton production but I kind of love it. 

This is not Noni's first time at the rodeo (of music video) given her predilection for rock stars or, well, rock star like actors. Remember her Debbie Gibson in "Deborah Gibson is Pregnant With My Love Child" ?

P.S. Before anyone asks again I plan to have the Nicole Kidman interview up on Monday to celebrate the Oscar ballots going out. 

Oscar Horrors: "What's This?!?" an Animated Visual FX Nominee

Here lies… The Pumpkin King of The Nightmare Before Christmas, and the visual effects that made him dance.

The work of Pete Kozachik, Eric Leighton, Ariel Valesco-Shaw and Gordon Baker holds a unique place in the history of the Academy’s visual effects category. As the first – and as of 2012, the last – soley animated film to receive a nomination in this category, it earned the visual effects branch’s respect like none before or since. Oh sure, Mary Poppins and Who Framed Roger Rabbit? won the category in their respective years, but those trophies came predominantly for the way they integrated animation with live action. The Nightmare Before Christmas, however, earned its nomination for the way Henry Selick’s stop-motion universe came to life thanks to innovative camera techniques.

While many may think this film’s idea of “visual effects” lays exclusively at the floating ghosts and shape-shifting shadows that pepper Henry Selick’s visual palate, the Oscar nomination was more a reward for the way the cameras were developed with computer technology to help navigate the heavily-designed “claymation” world.

More on this 1993 Oscar Race after the jump...

Click to read more ...