The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Clara and soldiers in "WINGS", the first Best Picture winnerThe Film Doctor offers 7 notes on J Edgar (mostly in relation to two time jumping powerful men classics it attemptes to emulate: The Social Network and Citizen Kane... both recently discussed right here.) I particularly like thought #7. ⇚ Rope of Silicon the first Best Picture winner Wings is finally coming to DVD/Blu-Ray. Yay. Loves that movie, I do. Coming Soon Tim Burton may be doing an adaptation of the children's book Miss Peregrine's Home for Peculiar Children after The Addams Family.
Little White Lies interviews Paul Feig on the success of Bridesmaids. Hollywood Reporter on 7 films that could be looking at SAG Ensemble nominations: Bridesmaids, Midnight in Paris, and The Artist are the more comedic possibilities but will SAG take comedy seriously this year? Super Punch Calling all artists who read The Film Experience. Super Punch is hosting a James Bond art contest if you're 007 inclined. Animation Yes, it's true. They're going to make an action movie set in the world of Legos.
Go Fug Yourself Lisa Rinna at The Muppets premiere. LOL. Grantland Mark Harris on the multiple Davids and three Goliaths (Leo, Brad, George) of the Best Actor race. In Contention the Vanessa Redgrave AMPAS tribute Pajiba on classics of Lady Porn and the men of The Immortals.
Not since the costuming department of “Mad Men” got ahold of Christina Hendricks has a pair of mammaries been so lovingly showcased. In fact, the accentuating bronzer is liberally applied not only on Henry Cavill’s heroic bosom, but also Luke Evans’ grimly clenched ab muscles and Stephen Dorff’s morally questionable obliques.
If only their budget on the show was as high as their advertising budget ;) "Go forth and be sickening!" LOL. Quick head count: how many of you watch this show? Am I speaking to deaf ears whenever I mention it?
Once upon a time there lived a blogger named Nathaniel R who feared all fairy tale reinventions after the gaudiest of poison apples that was Eyesore in Wonderland left him for dead, comatose.But then on the magical day of November the 10th, this trailer for Snow White & The Huntsmen arrived and woke him with something like true love's kiss.
Or is it another trap? Is this another gaudy brain-dead horror malevolently enchanted with a Prince Charming disguise? Dare Nathaniel dream of a happy ending?
YES
It's never a bad idea to remind us of Madonna's "Frozen" (♥) and that raven form explosion did the trick for an opening and closing gambit.
Though the title name checks only Snow White (Kristen Stewart) and The Huntsmen (Chris Hemsworth), the trailer promises that this is totally The Evil Queen Show. And we can live with that since Charlize Theron is delicious.
"Beauty is my power" ...that creepy yet restrained image of the queen bathed in milk (?) rather than something more cliché like a pool of blood after her opening kill... is so "pop" (think Annie Leibovitz photoshoots) but also has a mysteriously disturbing simplicity. Is the whole movie going to be this visually smart?
My god this movie looks so beautiful. Let's see... [IMDb check] ZOMG, it's Greig Fraser on DP duty. No wonder. Remember what he did for Bright Star? He's our new favorite. And... oh... Colleen Atwood on costumes? Really? They look amazing but atypically less than alarmingly busy and fussed over (thank god) than what she concocts lately for Tim Burton.
Did we mention that we love Charlize Theron?
Did we mention that we love Charlize best when she embraces her inner outer beauty? When she does she's monstrously good.
Audra McDonald rehearsing for "Porgy & Bess"Theater geeks who read The Film Experience (there be crossover!) might have been wondering what happened to the stage door column. The truth is we just haven't been seeing much. This is never a question of "nothing to see" but always a matter of finances and for one quarter of each year the the not-so-small matter of Oscar Mania keeping us busy with pre-recorded actors instead of live ones. But when I'm not seeing it I enjoy it vicariously through avid theatergoing friends and through blogs. My favorite is The Broadway Blog so if you're into theater, check it out. Here's four quick film / theater crossover tidbits I wanted to share.
AUDRA in Rampart I practically shrieked with surprised delight when Broadway baby Audra McDonald showed up in Oren Moverman's Rampart. She just kills her one scene role as Woody Harrelson's latest conquest. Woody's bad cop gets good love from multiple ladies and as Woody was sucking on her toes (no, really) I kept thinking, 'Audra is a star on any platform: small screen, big screen, stage, boudoir... (ahem. in this movie).' I'd love to see her in the current revival of Porgy & Bess and am hoping the opportunity presents itself.
CHARLES BUSCH does Katharine Hepburn. Late this month, legendary drag artist Charles Busch is doing a one night only reading of Matthew Lombardo'snplay about Katharine Hepburn, Tea at Five. The tickets are too steep for me but Busch is always wonderful when he's channelling the classic divas... and Lombardo has an actressexual's taste for them too having written the Kathleen Turner vehicle "High" and the Tallulah Bankhead play Looped. I'm curious how Charles Busch will be as Kate the Great (pictured left) given that my favorite Busch channeling is Greer Garson -- that voice! Old Hollywood and Theater History aficionados might also enjoy Mr. Busch's name droppings in this New York Times article about his apartment renovation.
BIG FISH Were you aware that Tim Burton's 2003 movie is becoming a stage musical? The story, or to put it more accurately stories, does seem like a natural fit for musicalization. It's already heightened and fantastical which musical theater can really feed on. The score will be by Andrew Lippa but the best part of the news is that Michael C. Hall, though not officially announced, is intended for the lead role in 2013. He's got a wonderful singing voice and he's needed to do something other than Dexter for a few years now. Not that he hasn't found a surprising amount of ways to keep that particular performance lively despite the death-dealing but enough's enough -- love the show but I really think they'd be wise to wrap up; time for a little song and dance break!
I don't know what he's thinking but what I'm thinking every time I see Michael Cerveris (the bald one, playing Juan Peron) is that time in early 2008 when I listened to my Broadway revival cast recording of Sweeney Todd (in which he starred) after having recently seen Tim Burton's Sweeney Todd and just tearing up. The amount of nuance and drama and acting notes and beauty asinger/actor can put in to a musical performance as opposed to an actor who learns to sing a few bars.... I tell you the difference is astronomical. Hollywood is tone deaf.
Oh, and uh, Elena Rogers plays Eva Peron... will Madonna send her hydranges?
EXIT MUSIC
Audra McDonald singing Jason Robert Brown's "Stars and The Moon"... love this song.
I met a man without a dollar to his name
Who had no traits of any value but his smile
I met a man who had no yearn or claim to fame
Who was content to let life pass him for a while
And I was sure that all I ever wanted
Was a life like the movie stars led
And he kissed me right here, and he said,
`I`ll give you stars and the moon and a soul to guide you
And a promise I`ll never go
I`ll give you hope to bring out all the life inside you
And the strength that will help you grow.
I`ll give you truth and a future that`s twenty times better
Than any Hollywood plot.`
And I thought, `You know, I`d rather have a yacht.`
My beloved cat has had some health issues this weekend so time has been short and I've been majorly occupied (hence Oscar chart update/ column delay). But here's a quick bit about a beloved fictional pet, "Sparky".
• Tim Burton's Frankenweenie, due in theaters less than a year from now, is a remake of sorts. That's all Burton does these days but at least this time he's reworking something from his own imagination. Frankenweenie was originally a short in 1984 and if you ever get a chance to see that one, do so. It was from the time frame when Burton was THE young director to watch, making magic every time... or every other time. Damn. Whatever. From 1982 through 1994 it was all spellbinding. I'd even throw 1996 in there but I realize Mars Attacks! isn't for everyone. ACK! • I'm so pleased this will be a black and white stop-motion picture. With so many animated films debuting each year, it's good to have some variety. • Is there any other director who has never changed his hairstyle?
• Speaking of awesome short films, Tim's Sparky looks just like Brad Bird's "Amazing Stories: Family Dog", doesn't he? • Little Known Fact: Films about beloved animated pooches require awesome actresses in the soundbooth:Frankweenie (1984) had Shelley Duvall; Family Dog had Annie Potts; Wallace and Gromit andThe Curse of the Were-Rabbit had Helena Bonham Carter; Bolt had Miley Cyrus; the new Frankenweenie gets Winona Ryder and Catherine O'Hara ! • Are you a cat person or a dog person? And if so do you think your pet is fairly represented on film?
HERE LIES...Beetlejuice which heard its name repeated just once at the 1988 Oscars when it won Robert Short, Steve LaPorte and Ve Neill the award for Best Achievement in Makeup, banishing Scrooged and Coming to America to play with the sandworms.
Michael C. here. As a child of the Eighties I spent my formative years inundated with every variety of gore, slasher, and massacre Hollywood could throw at me, and yet it was this zany ghost story, more comedy than horror, that succeeded in getting under my skin where so many so many escaped mental patients failed. Such is the ability of a little twisted imagination to triumph over buckets of blood. There was just something about the sight of Alec Baldwin popping eyeballs on his fingers like so many olives that never failed to creep my seven-year old self out. Tim Burton knows - or at least used to know - that there is excitement in skirting the line between enjoyably goofy and genuinely unsettling. (See also: Large Marge)
There are many moments in Beetlejuice for the makeup team to show off. There is the rotting of Baldwin and Davis during the exorcism, the general moldiness of the title character and the hilariously slow-on-the-uptake football team ("Coach, I don't think we survived the crash.")
Best Most Fun Achievements in MakeUp
A big reason I harbor such affection for this work is that it never for a second attempts anything approaching realism. The makeup team aims instead for the more admirable goal of being fun. Keaton's look as Beetlejuice, for example, is so unapologetically theatrical with his fright wig hair and the dark circles around his eyes that he wouldn't be out of place in a silent movie.
But this is to the film's credit, and why the Oscar was justly awarded. The creative character design of Beetlejuice is still fondly remembered while thousands of more technically impressive ghoulies have blended together into a late-night cable blur.
Oh, and I can't be the only one who has always wanted to see this from Adam and Barbara's point of view, right?