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Entries in Tippi Hedren (16)

Tuesday
Jun242014

Curio: Uneek Dolls

Alexa here. It was an empty dollhouse that inspired Debbie Ritter to start making clothespin dolls. Over time, inspired by history, literature, and old movies, she's designed hundreds of different miniature caricature dolls; her etsy shop currently stocks over 600.  Her clever classic film dolls have been catching my eye for awhile now; I really admire her ability to paint a caricature on the end of a clothespin.  And the fact that she has a Bette Davis obsession doesn't hurt either. And, she does custom orders!

Bette, Joan, Tippi, Edith Head (!) and more after the jump...  

Click to read more ...

Monday
Jun232014

Beauty Vs Beast: Going Batty

JA from MNPP here with this week's batty edition of "Beauty Vs. Beast" - Twenty-five years ago today Tim Burton's Batman opened, and I think it might have maybe had a little bit of an effect on The Movies? Let's see - how many superhero films are set to open in the next five years? I think it's something like [edited because you can't look directly at this number, it is Lovecraftian in its ability to break your brain and instantly render you mindlessly bonkers]. Something like that. Once upon a time though this was not the case. Moreso even than the Christopher Reeve Superman movies that preceded it, Tim Burton's Batman showed Hollywood what a juggernaut these things could be - it was the biggest movie of 1989 by far (nearly 60 million dollars ahead of its closest competition, the third Indiana Jones), and I have distinct memories of everything I owned that year being covered in Bat symbols - my t-shirts, my backpack, my Trapper Keeper.

Generational arguments still break out (see: Neighbors) about who was the best Batman (yes I am old and Team Keaton all the way) but fewer people seem to argue about which Joker they prefer between Jack Nicholson and that dude who won an Oscar for his performance - that's not to say I don't know people who'll argue for Team Jack and his closer-to-the-comics hamminess. Thankfully I'm not dropping us into that mire today (although feel free to express your opinions in the comments on that) - instead we're facing the oldest question in the Bat-pantheon: Are Batman's villains always inherently more interesting, more fun, than the dude in the big black suit himself? Sound off!

 

You have one week to dance with these devils in the pale moonlight and let us know in the comments why you picked which - have at it!

PREVIOUSLY Last week's competition saw the titular Hitchcock blonde of 1963's Marnie facing off against her James Bond savior slash terrorizer slash romantic interest - judging by our comments we all pretty much agreeed that neither of these folks was anybody we'd want to be stuck in an elevtor with, but Tippi snapped the win in her bright yellow purse and sauntered away all the same. Said Tom:

"Voting for Marnie. The movie really is a snore, but Tippi Hedron really is great. This is proof she had the goods to be an actress, and it's kind of a shame nothing really happened after this movie for her."

Monday
Jun162014

Beauty Vs Beast: Him Freud, Her Jane

JA from MNPP here - The Film Experience is taking a look back at 1964 all this month and so it's the perfect time for our "Beauty Vs Beast" series to take a look at a movie that's turning 50 next month (it was released on July 22nd, 1964) and wades so deep into morally murky waters you're never quite sure which end of the screen you're rooting for (if any), making it perfect for this poll - I speak of Alfred Hitchcock's Marnie.

Starring Tippi Hedren as the titular troubled girl turned to theivery and Sean Connery as the businessman alternately turned on and repelled by that rascally blonde's baser instincts, Marnie's awash in dream symbols (so many snapping purses!) and psychiatry talk - too much of the latter by my count; like Hitch's film Spellbound I  always find his movie's at their least interesting when they're explicitly spelling out his psychological obsessions. Give me the fluid illogic of Vertigo over it any day. But like the keys and key-holes that clutter every other frame of Marnie, the film is most interesting as far as the clues it further offers us towards an understanding of Alfred Hitchcock and his never not fascinating psychological profile. It shuffles some not-before-seen puzzle pieces into place.

Hitch was always putting the audience into morally compromising situations, getting us to side with bullies and lunatics - even his most well-intentioned heroes found themselves doing terrible things (think of the scene in the 1956 remake of The Man Who Knew Too Much where Jimmy Stewart drugs Doris Day without telling her so he can calm her down). But Marnie for me is the tipping point in Hitch's filmography where his characters become almost uniformly unlikeable; there's an angriness (or worse, an indfference) to the last decade and a half of his work (yes even in the so-called comedy of The Trouble With Harry) - it reaches its apex with Frenzy, a film I find exceedingly unpleasant to watch with its cast of shrewish women and sweaty men (it works as a horror film, but it makes me extraneously sad all the same), but the seeds are planted with Mark and Marnie, two people just a little too damaged and bizarre for me to ever find myself rooting for them in any way.

So why not force us to pick?!

 

You've got one week to vote and to sell us in the comments on the frigid blonde or the manly man that's come to beat some sanity into her. Choices, oh choices.

PREVIOUSLY And speaking of choices, with last week's poll pitting Natalie Portman's White Swan against Mila Kunis' Black Swan? Y'all couldn't make one! IT'S A TIE, YOU GUYS. 428 votes, split perfectly at 50/50. I can't even tell you how giddy that makes me - the movie about doubling and dopplegangers split us right down the middle. We look in the mirror and we see all of the faces. We are legion. I'll share to two quotes from y'all since we went both ways:

"Nina only cause I don't think Lily would take the loss as hard." -- SVG

"Team Lily because that fierce little Russki NEVER would have fallen flat on her ass on opening night. Get your shit together Nina!" -- TB

Saturday
Apr122014

TCM's Opening Night Red Carpet: Jones, O'Hara, Novak, O'Brien

Diana reporting from TCM Film Festival's Opening Night Red Carpet. The classic stars came out and Anne Marie and I talked to them.

Oscar winner Shirley Jones with her husband and the Oklahoma! premiere. [Photo: David Buchan/Getty Images]

4 P.M. Hollywood Blvd.
The red carpet is rolled out in front of Grauman’s, but crewmembers are still finagling with the Oklahoma! stop-and-turns as the press begins to descend on the barricades. Within a few moments, we chosen not-so-few (journalists, cameramen, bloggers) swarm to our allocated spaces along the carpet, with The Film Experience smack dab in front of the Grauman’s entrance. Tip sheet in hand and audio recorder on standby, we stand and wait.

5 P.M. The Red Carpet Opens
We are told that Shirley Jones has arrived. In the distance and with some squinting, you can see the Oklahoma! songbird looking bubbly yet elegant in a dark pantsuit with Marty Ingels, her husband of 37 years (a fact highlighted by him carrying a placard reading “37 YEARS”), by her side. As Jones makes her way down the press line, we press are prepping and mentally repeating our opening lines (mine involved her splendid performance in the 2005 revival of 42nd Street and her recent one-woman show at a Maryland Boscov’s), but alas she is called to take photos with Robert Osborne and then bypasses our section.

Leonard Maltin stops by. Being a fledgling critic myself, I jump to ask his advice to young critics and film journalists. Maltin says simply, almost pointedly, that aspiring critics just need to write, and read, but mainly write. He elaborated that he began writing criticism as a by-product of his passion for film history and that if he could have, he would have stayed solely a film historian. In regards to the festival itself, Maltin is there in an official capacity, moderating multiple talks (including Friday’s Club TCM talk with Quincy Jones) and hosting the Hubley Animation tribute, but is also looking forward to seeing as many of the screenings as he can, including Zulu.

Hitchcock ladies Kim Novak (Vertigo) and Diane Baker (Marnie) hit the opening night

Tiffany Vasquez, the TCM Ultimate Fan winner, is brimming with excitement at not only being on the red carpet but being there as a guest programmer, she will be introducing the 1948 noir The Naked City. Like most TCM fans would be, she was very nervous and intimidated by working with Robert Osborne in her onscreen introduction, but Osborne was so welcoming and gracious that he immediately eased her nerves [insert warm, fuzzy feelings]. Funnily enough, the New York City native originally wanted to submit Sunset Boulevard as her TCM Ultimate Fan entry, but decided to utilize her location, with The Naked City springing to mind, and shot the whole thing on the border of Queens and Brooklyn.

6 P.M. The Clock is Ticking
With only a half hour until the show begins, two Hitchcock blondes whizz by with protective publicists/companions in tow -- Kim Novak and Tippi Hedren (both breathtaking and in pantsuits, the former’s dark and the latter’s light blue-and-green floral).

"Meet Me In St Louis"'s Margaret O'Brien who won the Juvenile Oscar of 1944 at the after party [Photo by Stefanie Keenan/WireImage]

Margaret O’Brien, in a stunning royal blue full-length gown and with tinted blue hair to match, says hello. As tiny and peppy as Tootie, even 70 years later, she said that Meet Me in St. Louis was her favorite filming experience, her most challenging performance was in Little Women but because she adored the role of Beth so much from the book and wanted to do it justice more than anything else. Lining up nicely with the festival theme of “Family: The Ties That Bind,” she also credited her mother as her biggest support throughout her career.

Trying to lob at least one question at the legendary and still fiery Maureen O’Hara, I asked how her evening was going (sometimes small talk can work wonders in easing to a star’s red carpet schedule). “I won’t know until the evening’s over,” the quick wit threw back.

Alec Baldwin with the legendary Maureen O'Hara who turns 94 this summer

6:30 PM Closing Time
Everyone is getting settled in for Oklahoma! and here’s Anne Marie’s write-up on the screening itself. More on the festival to come!

 

Thursday
May102012

Tall Tales. Short Links

Village Voice the five most dream-like sequences from the John Travolta sex-assault allegations. (Hint: The comment section is hi-lar-ious. I especially love the pizza delivery analogy)
YouTube has one of those Taiwanese "news" animations about it.
When Obama Endorsed Marriage Equality... (gif parties ahead -- love the '95 Clueless shout-out)
La Daily Musto Tippi Hedren (of The Birds fame) claims that Alfred Hitchcock put the kabosh on her Best Actress Oscar nomination for their follow up Marnie . Um, Tippi... how would he do that exactly? Ol' Hitch didn't even have enough pull with AMPAS to win one for himself!