Richard Glatzer, Co-Director of Still Alice (1952-2015)

Wash Westmoreland & Richard Glatzer. I believe this photo is from around the time of The Fluffer (2001)

Just two minutes after the last post, coincidentally about Still Alice but meant to be a random amusement, I read that Richard Glatzer the co-writer and co-director had died. He had been struggling with ALS for the past few years. If you'll excuse me getting a little sentimental, I'd like to tell you my personal story about him as a way of working through my sadness today.

I can't recall the exact circumstances of our meeting but just after I had moved to New York City in 1999, we began to talk over e-mail. He was quite literally my first online friend who was actually working in movies and television around the time I was trying to launch The Film Experience. If I remember correctly our online friendship was prompted by an interview I had done with Jackie Beat, my all time favorite drag queen, for my print zine (before the website). She had worked with Richard on his first film, the underseen gay indie dramedy Grief (1993). More...

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Sandy Powell's Glorious Bluntness "I won for the wrong film!"

We've revelled in Sandy Powell's uncensored quotes before - like her dismissive "I already have two of these" speech for Young Victoria.

She's at it again providing us with more choice Oscar quotes and I couldn't resist talking about this tonight since the blog had an unofficial Costume Design day today what with the Exodus video, and the debut of "Threads". 

See, recently at the Museum of Contemporary Arts in Chicago, in a series related to David Bowie's legacy and his influence on the arts, the auteur Todd Haynes and his sometime collaborator Sandy Powell were invited to speak about their glam rock classic Velvet Goldmine (1998). You can listen to the complete talk here though be advised that the introductions take an incredible 14 minutes to get through. Longwinded much? 

One of the best bits a little before an hour in is when Sandy is asked about being an Oscar favorite, a very mainstream establishment thing, despite the fact that she came up into fame working with very anti-establishment artists like Derek Jarman. Because she is Sandy Powell and can't help herself and we love her for it, she doesn't leave it at "I'm happy to have Oscars"...

Sandy: I'm happy to receive the Oscars for the work I did because I work really hard...so for that reason I'm not going to say I'm not grateful. BUT. I would have loved to have gotten it for some of the other films instead. The year I won for "Shakespeare in Love," I was also nominated for "Velvet Goldmine". I had two nominations in one year and I won it for the wrong one. I think I did manage in my speech to thank Todd.

Todd: She managed to get up there and receive the Oscar for "Shakespeare in Love" without mentioning "Shakespeare in Love" and only mentioning "Velvet Goldmine".

They laugh and this leads to fun memories of the director and costumer going to the Oscars together. 

Haynes & Powell's next collaboration is the forthcoming Carol (2015) starring Cate Blanchett and they hint that it will arrive in the Spring though that seems unlikely to me. Given the pedigree we're assuming a Cannes premiere and then a fall bow in theaters, don't you think?

P.S. There's a little wonderful bonus for long time TFE fans in this podcast, too. Our friend and podcast mate Nick Davis is given the microphone at about the 34 minute mark and his ode to Todd & Sandy's collaboration is a thing of fan ardor beauty and he asks a great question too than one presumes Sandy has never been asked about Velvet Goldmine.

(Thanks to faithful reader Murtada for the heads up on this wonderful online find)

"Carol" Now Filming

First pics of Cate Blanchett filming Carol based on Patricia Highsmith's "The Price of Salt" (which is sometimes called "Carol" or vice versa). I know everyone thinks I'm this huge Cate Blanchett nerd now that I fell so hard for her in Blue Jasmine but truth: I'm in this for director Todd Haynes. Thank the gods he's returning to the cinema. It's been a long time.

more here

His last feature film was 7 long years ago, the experimental Bob Dylan picture I'm Not There... which was something of a comedown from his successful mainstream (though not really) breakthrough with Far From Heaven (by far his biggest hit). I'm Not There netted Cate Blanchett an Oscar nomination and her second Golden Globe. Will Carol do the same? The film co-stars Sarah Paulson and Rooney Mara.

This will be Cate Blanchett's second sapphic-lust drama after Notes on a Scandal.

HERE I AM!"

More on Carol

We Can't Wait #1: Carol

[The Film Experience's "We Can't Wait" series, highlighting the most exciting prospects of the 2014 film year concludes with new contributor Matthew Eng (you loved his Jennifer Lawrence piece) on the latest from Todd Haynes, long absent from the big screen. Thank you to Amir for managing this anticipatory series! - Nathaniel]

Carol
Set in 1950s New York City and based on the classic yet long-neglected novel of the same name (originally published under the title "The Price of Salt") by Patricia Highsmith (The Talented Mr Ripley), Carol traces the blossoming lesbian romance between Carol, an older, dissatisfied housewife, and Therese, a young, infatuated shop girl. 

Talent
At long last, that magnificent maverick Todd Haynes makes his long-awaited return to the big screen, a full seven years after I’m Not There, with a sterling cast that includes soon-to-be two-time Oscar winner Cate Blanchett and Rooney Mara (stepping in for Mia Wasikowska) as the film’s central couple, as well as the recently-announced Sarah Paulson as Blanchett’s gal pal. Phyllis Nagy (HBO’s Mrs. Harris) is scripting, and movie maestro Carter Burwell (Fargo, Where the Wild Things Are) is scoring the thing.

Why We Can’t Wait
If only the directors you loved most were the ones who were most prolific. Yes, it’s probably harder for a filmmaker as gloriously provocative and fearlessly risk-taking as Todd Haynes to get a new project off the ground than it is for say, Woody Allen or Tyler Perry to. But the movies need Todd Haynes, who hasn’t exactly been napping in the years since I’m Not There, even though his last buzzed-about effort, the 2011 HBO miniseries adaptation of Mildred Pierce, is likely to be remembered more as a mega-sized Kate Winslet awards-magnet than it is as a feat of occasionally flat but more typically immersive and intelligent filmmaking.

Haynes has assembled a rich, actressexual-pleasing cast of actors for Carol, including his I’m Not There star Blanchett, who, with this and Blue Jasmine, seems poised to have something like a Jennifer Lawrence-year in 2014, with two buzzy, presumably Oscar-friendly performances within only two years of each other; Mara, who I’d like to continue her string of smart and striking work, in projects more deserving of her than unsavory slop like Side Effects; and Paulson, who was so indelibly tense and terrifying in 12 Years a Slave and whose current career surge is a delight to witness. Carol, which caused quite a stir during its initial publication in 1952 for its uninhibited and unashamed depictions of homosexuality and female agency, sounds like a perfect fit for Haynes, who is one of our most groundbreaking gay filmmakers . He's made a commendable career out of wrestling madly and marvelously with explicitly queer ideas of desire, obsession, and identity. Plus, the last time Haynes worked in a fifties milieu...

...need I say more?

But We Do Have to Wait
Filming hasn’t even begun yet, likely due to the fact that Cate Blanchett couldn’t possibly provide us with the most priceless acceptance speeches of this awards season and deliver yet another tremendous performance, right on the designer heels of Jasmine. But have no fear, shooting commences in the spring, in both New York and London, with the Weinsteins distributing and Haynes’ go-to collaborator Christine Vachon and her indie outlet Killer Film producing. A release date is still TBD, but so very highly anticipated. We may never stop having to wait those grueling five, six, or seven years betwen Todd Haynes creations  on the big screen. But when they do arrive, they make you wonder how your moviegoing life ever went on without them. 

The Complete List of "We Can't Wait" Titles
We'll be following all these titles closely this year! Which of your most awaited, didn't make our list?
01 Carol (TBA)
02 The Grand Budapest Hotel (March)
03 Foxcatcher (TBA)
04 Under the Skin (April)
05 Inherent Vice (TBA)
06 Into the Woods (Christmas)
07 Snowpiercer (TBA)
08 Nymphomaniac (March)
09 Boyhood (May)
10 Big Eyes  (TBA)
11 The Last 5 Years (TBA)
12 Gone Girl (Oct)
13 Can a Song Save Your Life (TBA)
14 Veronica Mars (March)
Runners Up:  How to Catch a Monster, Hunger Games: Mockingjay Pt 1,A Most Wanted Man, Godzilla, Untitled Public School Project, Tammy, Magic in the Moonlight, Far From the Madding Crowd, and Interstellar

The Year Was 1998

JA from MNPP here - I know it's 2003 Month here at The Film Experience but Vulture has been doing a 15 year anniversary retrospective of all things 1998 this week, which has me reminiscing about that year too. I was in college working at the local art-house cinema - that'd be the lovely Little Theatre in Rochester New York, which everyone should visit if you ever happen to find yourselves in that neck of the woods. I loved working there - I was studying film at school and living film at work. I saw everything released during that period of time, and got to mingle with the Rochester rich and famous - I handed Phillip Seymour Hoffman a napkin once! This was when Happiness was out so, you know, it really meant something.

Anyway I was looking through the list of movies released in the Fall of 1998 and was wowed by a double-header that came out fifteen years ago on November 6th - Todd Haynes' Velvet Goldmine and Bill Condon's Gods and Monsters. Talk about grabbing my brain and yanking it back through time, so vivid is my recollection of what a one-two punch of queer cinema that week was. Brendan Fraser in nothing but a towel and a gas-mask, fumbling on the floor with Ian McKellen; glam-rocked Ewan McGregor and Jonathan Rhys Meyers splayed out for all the world, and Toni Collette, to see - I wish I'd known at the time what a good time it was for gay movies, but who could for-see the yawning chasm of the 2000s quick approaching?

Oh and another movie came out that week - Elizabeth. Yes that means it's been fifteen years since Cate Blanchett's first Oscar nomination for Best Actress, just as she's about to stampede the competition for her first win in that category. I think just by mentioning this I can still flare up people's anger about her losing to Gwyneth, right? Harvey Weinstein rawr! All that jazz. Anyway I personally probably would've given the statue to Holly Hunter for Living Out Loud that year so what do I know?

What are some of your favorite 1998 movies?