Showbiz History: 12 Years a Slave, Mama Rose, and More...

5 random things that happened on this day, January 4th, in history...

1853 New York born Solomon Northup regains his freedom after abduction and enslavery in 1841 in Washington DC. The abolitionist thankfully recorded his life story in the memoir 12 Years a Slave which became an instant best-seller. Over a century and a half later, the film version by the British auteur Steve McQueen deservedly won the 2013 Best Picture Oscar. 

1903 A horrific end to a story of animal cruelty and a shameful event in the then nascent film-industry, too. Topsy, a 27 or so year-old elephant, who was ripped from her family as a baby in Southeast Asia and never adjusted well to life in the America circus, is famously electrocuted in Coney Island...

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Showbiz History: Traffic, Show Boat, and Gérard Depardieu

7 random things that happened on this day, December 27th, in showbiz history

1927 Jerome Kern and Oscar Hammerstein's "Show Boat" opens on Broadway. It will utterly change the musical artform linking plot and characters and song in a way that had never been done. Plus it has truly amazing songs. Here's a good 5 minute overview of how revolutionary it was. It's had three film versions but honestly it seems ripe for a remake given today's much more evolved takes on race relations and appropriate casting processes. In short Hollywood is always remaking the wrong projects and ignoring famous but non-definitively made titles that are perfect for redos...

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Which Limited Series Will Dominate Year-End Awards?

By Abe Friedtanzer

There are more limited series than ever before on the air, though that classification is in itself complicated because of all the anthology series that introduce new characters and storylines each season. As we approach year-end awards that will, unlikee the Emmys, pull from both halves of 2020, which of the buzzy shows we talked about around Emmy time will still be in the running? What other offerings from the last few months will zoom ahead of them?

It’s worth remembering that the overall Emmy nominations leader this past season was a limited series, albeit not one that was considered as such at the end of 2019. Before its staggering 26-nomination haul at the Emmys, Watchmen competed as a drama series, landing four bids and two wins from the Critics Choice Association, a stunt ensemble nod from SAG, and absolutely nothing at the Golden Globes...

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"The Crown" S4: An(other) Acting Showcase

by Cláudio Alves

As a staunch antimonarchist and someone who despises Thatcher and her legacy, watching The Crown's fourth season was an oft-frustrating, sometimes fascinating, exercise. Peter Morgan and his team haven't shied away from looking at the dark side of British history and this latest series is no different. However, time constraints, an episodic structure, and attempts at historical ambivalence often result in a lackluster, superficial, occasionally rushed, experience.

Still, the production values are always immaculate, and the dramatization of the 80s features some of the best costumes the program has ever shown. Nevertheless, what always brings me back to The Crown isn't its analysis of politics, its melodrama, or pretty clothes. The show's greatest strength is its cast, with the actors excelling even when their material is lacking. When faced with some of the royal family's most tumultuous years, the performers upped their game and delivered a masterclass in screen acting…

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Streaming Review: "A Teacher" on FX/Hulu

by Christopher James

A Teacher is an odd little show. Hannah Fidell’s adaptation of her 2013 feature once again explores an illicit relationship between a female teacher and her male high school student. The miniseries sometimes feels like an Adrian Lyne movie by way of a 2013 indie film. It’s both muted and salacious. This makes for an odd viewing experience, given the subject matter. However, at less than 30 minutes a pop, A Teacher is still a quick and satisfying binge.

Kate Mara plays Claire, a thirtysomething English teacher in Austin, Texas. Her home life feels incredibly familiar. She has a nice, if distant, husband (Ashley Zukerman), a lovely suburban home and is in the process of trying to start a family. Still, there’s something in Claire that chafes against this life she’s built for herself. When she reads Dylan Thomas’ poem “Race against the dying of the light” to her senior AP English students, she captures the eye of Eric (Nick Robinson), a golden boy senior.

It all begins seemingly innocent enough...

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