Emmy FYC: Supporting Actress in a Comedy - Donna Lynne Champlin in "Crazy Ex-Girlfriend"

Emmy nomination voting begins Monday. For the next week or two we'll be sharing FYCs of some kind. Here's Dancin Dan...

Let's get one thing out of the way first: Crazy Ex-Girlfriend deserves Emmy nominations for pretty much every category in which it's eligible. Golden Globe winner Rachel Bloom gave the most fearless, consistently great performance on TV this year as Rebecca Bunch, an attorney from New York who had a nervous breakdown and moved to West Covina, CA to chase after her ex-boyfriend from summer camp (Vincent Rodriguez III, taking a bland character and shading him just enough to make him more and more worthy of Rebecca's obsession). Bloom and Aline Brosh McKenna created the musical comedy that fans of the genre have been waiting for, cleverly challenging expectations at every turn while maintaining a consistent level of quality that has eluded TV's other attempts at the genre (sorry, Glee and Smash).

But if the show can only get one nomination, the one I'm hoping for most - aside from Bloom, who will get and deserve plenty of articles like this until the nominations are announced - is for Donna Lynne Champlin as Best Supporting Actress. Champlin plays Paula, the office manager Rebecca's new law firm. In the pilot episode, Paula becomes as obsessed with Rebecca as Rebecca is with Josh...

Click to read more ...

Swing, Tarzan, Swing! Ch.5: Mike Henry gets his 007 on in the "Valley of Gold"

As we approach the release of The Legend of Tarzan (2016) we're ogling past screen incarnations of the Lord of the Apes...

Tarzan aficianados will cry foul that I've skipped ahead to 1966 in this retrospective but the awesomely named actor Jock Mahoney wouldn't mind. He only made two Tarzan films in the mid sixties... and barely finished those. He got deathly ill on the second, lost 40 lbs during the picture, and couldn't get out of the jungle fast enough. The first of those pictures lost money, too.

You see, in the wake of the phenomenal success of Dr. No (1962), From Russia With Love (1963) and Goldfinger (1964), James Bond was the new #1 adventure hero and Tarzan was old news. The Tarzan franchise took note and tried to combine the two with Tarzan and the Valley of Gold (1966), introducing the closest thing they could find to Sean Connery's swarthy dimpled masculinity: Mike Henry.

Mike Henry was a professional football player with the Los Angeles Rams but he left sports for the actor's life and donned the Tarzan's loincloth.

...Or, should we say his suit.

In addition to introducing Tarzan as a jet-setting perpetually-endangered looker in a suit, this new 007 style adventure also begins with a kitschy mod score over colorful credits, an opening action sequence that's somewhat disconnected from the movie that follows, and an intelligent international criminal with a taste for booby-trapped gifts. So, you know, we're definitely in Bond territory...

Click to read more ...

Emmy FYC: Supporting Actress (Comedy) - Constance Zimmer in UnREAL

Emmy nomination voting begins Monday. For the next week or two we'll be sharing FYCs of some kind. Here's Anne Marie...

If you've watched TV in the last ten years, you've seen Constance Zimmer. She was the snarky hot chick in Entourage, the snarky hot campaign spokesperson in The Newsroom, and the snarky hot secret agent in Agents of S.H.I.E.L.D. Constance Zimmer has made a career using her trademark wit, smoked-three-packs-of-cigarettes voice, and deadpan delivery, but it took a role as a cruel, cold, and possibly murderous TV showrunner on Lifetime's surprise breakout hit UnREAL to show audiences Zimmer's full potential as a character actress.

 If you haven't seen UnREAL yet (in which case you should head to Hulu right now and finish this article later): Constance Zimmer plays Quinn King, the executive producer of a reality dating show called Everlasting a la The Bachelor. While most of the season revolves around the poor life choices of Rachel Goldberg (Shiri Appleby), Zimmer steals scenes with so-awful-they're-fun lines like:

Alright people! You get cash bonuses for 9-1-1 calls, nudity, catfights! Go!

Click to read more ...

Emmy FYC: Ten Nominees?

Emmy nomination voting begins Monday. For the next week or two we'll be sharing FYCs of some kind. Here's Daniel...

If you haven’t had a chance yet to read Debra Birnbaum’s shake-up Emmys proposal in Variety, I highly recommend you do. Her argument seems tailor made for feedback from passionate awards watchers (i.e. TFE readers) who have cultivated reams of opinions for how various awards bodies do business, nomination-wise, in an ever-changing marketplace of taste and broader appeal. Living in this age of television where high quality programs are on an infinity loop, she wonders whether the Emmys should consider expanding their Outstanding Drama and Comedy Series categories to ten nominees.

Sound familiar?

While there’s a certain integrity in maintaining a tradition of exclusive acclaim – after all, not every deserving piece of art can statistically make the cut – one wonders how a taboo-busting, conversation-elevating, and surprising comedy like the aptly named Broad City can so consistently take bong hits off the zeitgeist without seeing a few gold men women along the way. That aren’t hallucinations, mind you. Same goes for The Americans, which has been uniformly accepted by critics as one of the all-time greats and yet fails time and time again to nudge out a longstanding favorite like Downton Abbey. The Emmys notoriously pick their favorites and bitterly cling to them so could this be an inclusive measure to better reflect populist and critical tastes?

On the flipside, for every District 9 or A Serious Man, there’s a Blind Side amongst expanded groups. On the movie side, AMPAS has struggled to find clarity on this issue – abandoning the hard ten for a jostle between seven and nine. That's made some yearn for a time when five was fine. There's no guarantee that bigger sized envelopes equal 'pushing the envelope' in awards selections. After expanding their roster to seven nominees last year, perhaps the Emmys are better served to wait and see how their fresh shuffle deals in the long game. As Birnbaum touches upon, mainstays like Mad Men and Nurse Jackie have ended their runs and opened up space for new nominees. And, yet, the juggernaut that is Modern Family journeys on unchecked, save a Veep.

Should the Emmys take a page from the 2009-2010 Oscar playbook and expand their nominations in hopes of new players? Or will their fresh groceries go stale? How do you adjust an influx of quality with such limited quantity? 

Todd Field Finally Returns

It's been a decade since director Todd Field's masterful Little Children followed up his equally potent In the Bedroom, and we have been clammoring for his next effort since. After many close calls and proposed projects, his next literary adaptation is finally coming to fruition. Showtime has announced a two season, 20 episode order for Purity, based on last year's Jonathan Franzen globehopping novel. With the cable network throwing its weight behind the series, this is exciting news for those over us who have watched his many projects never get beyond the announcement stage.

This one comes with a high pedigree: Daniel Craig has signed on to play the central pseudo-WikiLeaks activist Andreas Wolf (sealing the final nail in the coffin to any Bond speculation), with Franzen and Oscar nominee David Hare sharing the writing duties with Field. The female lead has yet to be cast, but it's a strong role ripe for any number of younger actresses. Provided those Captain Marvel rumors don't materialize, might we make a suggestion:

 

Cannot recommend enough. One of the best female characters I've read since Miranda Grey in "The Collector" 📖👀

A photo posted by Brie (@brielarson) on Nov 3, 2015 at 5:21pm PST

 

It's quite an ambitious project for both Field and Showtime, hopefully stepping up their game in the coming years with this and the Twin Peaks revival. The novel is as expansive as Franzen's other praised works (curiously the more celebrated The Corrections and Freedom almost happened at HBO), with enough complex material for the planned two seasons and the thinkpieces that inevitably will follow. If nothing else, it should be a perfect fit to Field's intelligent sensibilities. The series will shoot next year, with both seasons airing shortly after.