Blueprints: "Jackie"

In this week’s edition of Blueprints, Jorge takes a trip to the brief shining moment known as Camelot to look how a script can transmit mood.

There can sometimes be a common misconception that what a writer contributes to a script is limited to story structure, action description, and dialogue. These are in no way small feats; after all, it’s the creation of an entire world, the people who inhabit it, and what they do. But it is often thought that his or her job stops there, and it is everyone else's job to fill in the blanks with textures.

Many of cinema’s most deep, emotional, and transcendental moments are a marriage of sound, image, and performance; devoid of any substantial plot or dialogue. So much of what makes cinema powerful is about mood. And while there may be the belief that this is the work of the director, cinematographer, actors, and musicians, mood is also born on the page.

 

Let’s take a look at Jackie, a movie that is more a collection of feelings, images and sounds than a straight forward narrative...

Click to read more ...

Review: Murder on the Orient Express (2017)

by Eric Blume

The good news is the bad news:  director Kenneth Branagh’s new adaptation of Agatha Christie’s Murder on the Orient Express is exactly what you think it will be.  It’s a stylish, corny, enjoyable two hours filled with movie stars and that absurd moustache.  It delivers on romantic glamor and old-school moviemaking, but there’s not a surprise to be had.

Out of the gate, Branagh plunges us into a prologue that’s both boring and obvious.  He means to establish Hercule Poirot’s philosophy and fastidious nature, which sadly serves only as clunky groundwork which you know will circle back by the finale (which it does).  He also tries to bring some levity to the piece with a few lame jokes.  At first Branagh seems to be overplaying his hand...  

Click to read more ...

109 days 'til Oscar. And the FBI Agent nominees are...

by Nathaniel R

This year marks the 109th anniversary of the FBI. They were founded in 1908 during the Roosevelt administration. This anniversary begs the question -- at least for us Oscar freaks -- of how many actors have been nominated or won Oscars for playing FBI agents? The only one that pops immediately to mind is Jodie Foster as Agent Clarice Starling in The Silence of the Lambs a movie we dug deep into here at The Film Experience last year.

But one can't be the right number. Working for the FBI is a rarity in real life but on the screen it's a different story; FBI agent is up there with doctors, cops, waitresses, lawyers, actors, serial killers, superheroes, and assassins as ubiquitous career goals...

Click to read more ...

Soundtracking: "Batman Forever"

Chris ponders the cultural death of the soundtrack and Batman Forever...

While this series is mostly curious on how music is used in the movies, it’s interesting to also consider a film’s soundtrack outside of them as well. There were times when film soundtracks were provided some of the most popular and culturally recognized music, but those days are essentially over. Perhaps one of the first films to birth the “songs inspired by” soundtrack moniker was Batman Forever.

And much of its songs are simply filler, either referencing characters or existing as discarded b-sides (make that c-sides) from hip artists with some. It’s merely a package to be merchandised and sold next to action figures and tie-in product. It started a model to be repeated in blockbusters to come, from The Hunger Games to Twilight to Space Jam.

Click to read more ...

Tarantino's Family

By Salim Garami

What's good? 

Earlier this summer in July, Palme d'Or and Oscar winner Quentin Tarantino had announced the development of his ninth feature film (assuming Kill Bill considered as one work on his part): a movie revolving around the infamous Charles Manson family cult and their terrorizing in Hollywood in 1969. Reportedly, the focus is not going to be on Manson himself but orbiting him as it was also announced that Margot Robbie is slated to play his most notorious victim, the late actress Sharon Tate (of Valley of the Dolls and The Fearless Vampire Killers fame).

None of this is particularly news at this point, nor is the fact that Tarantino removed the production away from the Weinstein Company in the aftermath of the overwhelming amount of sexual allegations against company co-founder and former co-chairman Harvey Weinstein.

What is news is a newfound bidding war...

Click to read more ...