Four Better Ways to Spend Avatar's Billion Dollar Budget

By Ilich Mejia

Avatar 2 just began production after it was announced that the saga's four upcoming sequels (filming back-to-back) will have an alleged combined budget of $1 billion. For those of you too pretty to be bothered by mental math, that's an estimated $250 million per sequel. Very good news for the realtor finalizing the purchase of Sigourney Weaver's next vacation home; less good for our over-stuffed "sequels no one needs" file.

To be fair, $250 million doesn't come close to matching the fourth installment no one wanted of the Pirates of the Caribbean series' ($370 million budget), but it is still two handfuls of zeroes (if—for whatever reason—you are missing a pinky) for movies that will come out in the next eight years. 

In an effort that could willingly be misinterpreted as a cry against the threat of capitalism, we have come up with four more pressing ways to spend someone else's money. Come disagree!

01. $250 MILLION for the Crazy Rich Asians press tour + sequels

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PSA: Kim Cattrall was famous before "Sex and the City," okay?

by Nathaniel R

Just when you think the world can't get any more sexist, there's always a reminder that it can. One such reminder is the famed existence of Sex and the City, a target in perpetuity. It often brings out the very worst in journalists, critics, famous people, and the public alike (both male and female in all four cases) as people fall over themselves with new ways to hate on, be offended by, or attempt to take down that particularly glitzy femme pleasure.

The brand has beenquiet for some time now until the Daily Mail posted a gross story about Kim Cattrall supposedly stopping production of Sex and the City 3 in its tracks with "outrageous demands". I didn't personally believe this was true, even before the stars started giving quote about it. The more quotes there are the more it's clear that everyone will have a different perception of what happened and that's fine. What was shocking was not the misleading story (my best guess is that the truth is somewhere inbetween all the quotes from the cast and executives because many many people with big egos and lots of millions are involved) but how unbelievably petty and sexist the "sources" were in their quotes about Cattrall...

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Will & Grace: Fresh or Flimsy?

By Spencer Coile 

I remember being 14 years-old, sobbing in front of the television as Will & Grace ended its eight year run. I had grown up with the show, learned a lot about myself through watching the show. It was truly the end of an era. Of course, in 2017, with people's desire for nostalgia running rampant -- it was only a matter of time before this groundbreaking NBC sitcom would return for its second wind. In very much the same was as Gilmore Girls, Full House, and One Day at a Time, our pals, Will, Grace, Jack, and Karen are back to remind audiences what was so rewarding about their shows in the first place. 

But considering we live in an altogether different social and political climate, one drastically different than in 1998 when the series first aired, is there space for Will & Grace? 

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would you rather...?

It's our stoopid 'hang with celebrities' thought game courtesy of the joys of curating your own image on Instagram. This week's confessional poll.

Would you rather
...judge everyone with Anna Kendrick and her owl friend?
... take an empty subway car ride with Molly Pope?
...hang out at the piano with Liza Minnelli, no big deal?
...go see Isaac Mizrahi's cabaret show with Allysa Milano?
... freshen up your gloss with Gwynnie?
... snuggle with Jesse Bradford and a piglet?
... plan the Hurricane Bianca 2 sequel with Bianca del Rio & Rachel Dratch?
... harvesting the bounty with Oprah?

Pictures after the jump to help you decide.

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NYFF: The Meyerowitz Stories (New and Selected)

Team Experience is at the New York Film Festival. Here's Manuel Betancourt on Noah Baumbach's new film, coming to Netflix on October 13th.

If the title hadn't clued you in just yet, Noah Baumbach's latest frames itself as a collection of short stories. Explaining this structure at a press screening during the New York Film Festival, the Frances Ha and The Squid and the Whale director said it had helped him create these discrete "stories" that together would tell a larger narrative about this (you guessed it) dysfunctional family.

We first meet Danny (Adam Sandler in full Punch Drunk Love mode), a middle-aged man who can't help but get needlessly irritated at the parking situation in New York as he heads to visit his father with his college-bound daughter in tow (Grace Van Patten, a revelation). Harold (Dustin Hoffman), who now lives with Maureen (Emma Thompson, having a ball in a much broader comedy than the melancholy film around her), is a sculptor who's made a modest name for himself. Jaded by the world, full of himself, self-assured of his scathing opinions about other people's work, Harold is an oppressive force, the kind of man whose ego all but fills the room...

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