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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Thursday
Jan232025

Indie Spirits Revue: “The Feeling that the Time for Doing Something Has Passed”

by Nick Taylor

It took me a while to get caught up in this one, lemme tell you. One can argue whether Joanna Arnow's droll tone, disposition towards cringe comedy, and restrictive palettes in color and emoting is a sneakily incisive feat or a weird student-film misfire. For a film about a woman's exploration of various BDSM relationships while navigating a dead-end job and a stilted relationship with her family, The Feeling that the Time for Doing Something Has Passed possesses no titillation or temperature spikes to make the audience more engaged…

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Wednesday
Jan222025

Paul Newman @ 100: "Cool Hand Luke"

by Nick Taylor

I'm not sure when I first became aware of Paul Newman. Much like how Nathaniel described in his write-up of The Hustler, he's been a ubiquitous figure without a clear entry point into my consciousness. My big introductions to him as an actor came with the one-two punch of Hud - which Juan Carlos paid great tribute to - and Cool Hand Luke (on referral from Nick Davis's excellent write-up of both films). I also went springboarding from my love of Law & Order reruns straight to The Verdict and was completely awed by the whole film, but that's for later. Newman's career is so impressive that even with so much time to catch up with his filmography, try his sauces, learn more about his activism, and read his incredible biography from last year, I still feel like I've barely scratched the surface of what he contributed to the world.

But today, we're here for one man. A cool man with a cool hand. A man working hard to retain his individuality against folks determined to flatten him into whatever paragon best serves them. Set in the post-war Florida of the early 1950s, our next dive into Paul Newman's decorated career is his rebellious, discontent war veteran in Stuart Rosenberg's Cool Hand Luke...

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Wednesday
Jan222025

Team Experience: Final Oscar Nominations Predictions!

by Cláudio Alves

We predict EMILIA PÉREZ is about to make Oscar history.

With the Oscar nominations mere hours away, it's time to present the Team Experience's final predictions. Like last time, you get each writer's individual guesses, followed by an aggregate collective prediction. Tallying everything up, the Team Experience believes Emilia Pérez will be the nomination leader with eleven mentions, which would make it the most nominated non-English-language film of all time. The musical is closely followed by The Brutalist and Conclave, which have nine each. We also see Wicked scoring eight categories, while Dune: Part Two settles for seven. In the 2023/4 season, we averaged 70% correct predictions, with Nathaniel and I leading the pack with 73% accuracy. Time will tell what pundit claims victory this year…

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Wednesday
Jan222025

Drag Race RuCap: "Monopulence!"

by Cláudio Alves

Monopoly sure looks different since last I played it.

If you only come to these RuCaps in search of Nick Taylor's dazzling wit, I'm sad to report that, this week, you'll have to settle for little old me. Our beloved co-Rucapper was busy with a trip to New York, so, like Elphaba, I'm flying solo. But only for this design challenge episode, where drag queens celebrated the most friendship-breaking tabletop game ever, giving us a flavor of Logo-style messiness. For a while, it felt like we were back in those early Drag Race seasons, when the claws came out and nobody left an episode unscathed. So, settle in for drama and some dubious fashions, as we dive headfirst into "Monopulence!"…

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Wednesday
Jan222025

Indie Spirit Revue: "Problemista"

by Nick Taylor

As a fan of Julio Torres's work on SNL for years who's had only intermittent contact with his other ventures, I am so goddamn delighted by Problemista. Every loopy, queer, topical, cubist dimension to his art is so fruitfully deployed while allowing the colors and slashes of every single collaborator to shine as brightly as he does. As a showcase of singular, unpredictable comedic instincts, this beats almost every other 2024 film for mining laughs from all directions. Bizarre art objects, wry narration, ridiculous tableaus, fantasy costumes, goofy-ass behavior, incredible commitment to the bit from all sides. She's got it all…

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