The animated couture of "Over the Moon"

by Cláudio Alves

As computer animation evolves, the making of these features becomes ever more complex. A few decades ago, it might have seemed silly to have cinematographers collaborating with cartoon filmmakers, but that's no longer the case. Roger Deakins, for instance, had a crucial part in making the How to Train Your Dragon movies look the way they did. The same goes for costume design.

Once upon a time, what an animated figure wore was, more or less, inseparable from character design and you rarely had a specific costume department in such productions. With films like Disney's Frozen and Laika's gigantic stop-motion projects, there's increasing space for costume designers in the making of animated movies. The latest example is Netflix's Over the Moon…

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"Sun Children" and Iran's Oscar History

by Nathaniel R

Iran is sending their favourite filmmaking son to the Oscars again. Sixty-one year old prolific filmmaker Majid Majidi brought Iran the first of their three Oscar nominations with his fifth film Children of Heaven (1998); they've submitted him almost every time he's made a feature since. This year his latest film Sun Children, which you'll recall won the Marcello Mastroianni Award for Best Young Actor at Venice this year, about poverty stricken chilldren trying to support their families, will compete for the coveted Best International Feature Film Oscar prize. 

After the jump key Iranian submissions over the years and Oscar trivia...

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Showbiz History: Mutiny on the Bounty, 8 Mile, and our oldest living Oscar winner

7 random things that happened on this day, November 8th, in showbiz history

1847 Bram Stoker born on this day in Ireland. His 1897 Dracula will go on to become a legendary epistolary novel and of course a beloved batshit crazy movie that we wrote about twice recently

1935 Mutiny on the Bounty premieres in NYC. It becomes the #1 box office hit of 1935 and holds two Oscar records...

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The Oscar-worthy kids of 1987

by Cláudio Alves

The kids of Best Picture nominee Hope and Glory

It's not often that we see child actors recognized in the film awards race. In many regards, that's understandable. Kids aren't known for being the most disciplined of performers and it seems unfair to expect them to deliver complex characterizations, or to embody concepts and ideas that they're still learning. Furthermore, while every acting job is a fruit born out of several people's labor – the actors themselves, directors, writers, editors, sound mixers, etc. – when the performer is as lacking in agency as a child, it's easier to attribute excellence to those other folks' craft.  Nonetheless, good work is good work, and we should celebrate the greatness we see on-screen, regardless of how it came to be.

That brings us to 1987, the year of the next Smackdown, and a rare vintage that's stock full of brilliant performances by young artists. Curiously enough, the three Leading Actor performances paid special homage in this write-up all come from films about boys facing the harsh realities of World War II. First up, we have: 

Christian Bale, EMPIRE OF THE SUN

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International Contenders: Guatemala, Bulgaria, Slovakia

Since the last round up three more countries have announced Oscar submissions bringing the total of competing films to 37.

Guatemala's La Llorona, from the director of Ixcanul

• BULGARIA - The Father
• GUATEMALA - La Llorona
• SLOVAKIA - The Auschwitz Report

A few trivia notes regarding these latest submissions. First, Maria Bakalova who is currently enjoying an instant critical/populist splash as the co-star of Borat Subsequent MovieFilm is in the ensemble of Bulgaria's dramedic submission The Father. That film is not to be confused with the English-language Anthony Hopkins Oscar hopeful The Father or the Serbian film Father (which we loved at CIFF this fall). Too many movies named Father!

Meanwhile, Guatemala has submitted the newish filmmaker Jayro Bustamante again, who made a festival splash with his debut Ixcanul (2015). His new film is La Llorona (2020)... yes, another film with a title that could easily get it confused with other contemporary offerings like Curse of La Llorona (2019) or Legend of La Llorona (2020). More details on the Oscar charts and also a visual overview of the whole field at Letterboxd