Adam Stockhausen: From a Budapest hotel to a "Bridge of Spies"

Adam Stockhausen won the Oscar on his first nomination for GRAND BUDAPEST HOTELEmmanuel Lubezki (who keeps winning prizes) isn't the only craft superstar repeating the Oscar rounds this year. Last year's winner for Production Design Adam Stockhausen (Grand Budapest Hotel), a 43 year old powerhouse who's amassed a very impressive resume in just a doesn't years, is back in the mix this season with the Cold War drama Bridge of Spies.

That Best Picture nominee is his first movie with Steven Spielberg but he's already worked with auteurs like Steve McQueen (12 Years a Slave) and Wes Anderson (Moonrise Kingdom) on terrific projects, too. 

Here's our interview:

NATHANIEL: From Wes Anderson to Steven Spielberg! These auteurs seem very different. I imagine Wes Anderson making his own dioramas, and being like "Recreate this. Adam!". Whereas Spielberg, I don’t think of him in that 'this is what the set looks like' way at all!

ADAM STOCKHAUSEN: They have more similarities than you think. I don’t know if I want to get too deeply into what they do, because I’ll leave that for more esteemed people than myself, but I certainly see similarities. There are differences in the day to day: Wes pre plans shots and they’re carefully choreographed, Steven is slightly different in that the shots aren’t planned in advance, but the choreography is very similar. 

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Red Carpet Lineup: BAFTA w/ Cate, Rooney, Angela...

Jose here. London, bloody London, or rainy for that matter. It seems that as usual, it was either freezing, rainy or both at the BAFTA red carpet, and while sometimes the inclement weather makes for some truly adorable moments when actresses must accesorize accordingly (remember Marion's cute faces trying to stay dry in 2013?) sometimes it doesn't (Kate's gigantic umbrella in 2009 was a tragedy) This year we had two beautiful ladies showing us the right and wrong way to do it. Rooney Mara took on the red carpet in Givenchy Haute Couture which she chose to cover under a shapeless black coat. Once she removed it, there wasn't much to see either, she has worn this exact same dress at least 100 times by now. She gets points for being so funny/dismissive about the red carpet game though.

No, everyone's yelling at you"

...she said to a reporter who asked if she liked the experience.

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Berlin: The Latest from Mia Hansen-Løve and André Téchiné

 Amir Soltani is covering the Berlin International Film Festival, TFE's first time at Berlinale! Here are the two French films from the festival’s Competition section (the group of film's Meryl Streep & jury are seeing).

L’AVENIR (Mia Hansen-Løve)
Mia Hansen-Løve has established herself as one of world cinema’s most exciting young filmmakers in the past few years. Her latest, L’Avenir (Things to Come) came to Berlinale as one of the festival’s most anticipated films. Starring Isabelle Huppert as Nathalie, a middle-aged philosophy teacher on the verge of significant changes in her personal and professional life, L’Avenir is an intimate, life-affirming character study with a superb star turn from Huppert...

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ASC and BAFTA Go Cuckoo for Chivo

Jose here. In what turned out to be a surprise to absolutely no one, Emmanuel Lubezki managed a historical threepeat from the American Society of Cinematographers who gave him yet another award for his use of natural light in The Revenant (he also won his third straight BAFTA).

Chivo is now the ASC’s biggest winner having earned five awards (out of six nominations) since 1999 (he has only lost for Sleepy Hollow) Somewhere Roger Deakins must be thrilled Lubezki didn’t have any movies out in 2012 (technically To the Wonder came out, but it sadly went by dismissed by most groups), since that year he won his third award for Skyfall and “prevented” Chivo from winning the award every year since 2011 (the Oscar-less Deakins more than doubles Chivo’s ASC nods though, having earned 14, the highest for any ASC member).

Considering Chivo is now the hands on favorite for the Oscar (in what will be yet another rare consecutive threepeat) it might be fruitless to point out that other than for the last two years, ASC and Oscar have had quite some disagreements; since the year 2000, ASC has awarded eight cinematographers their top prize while Oscar has gone a different route. All of those winners were also nominated for the Oscar though, so it’s unlikely we’ll see a Robert Richardson upset this year since ASC went for Janusz Kaminski’s work in Bridge of Spies instead. As The Revenant keeps steamrolling its competition, I can’t help but wish for a glamorous spread of Judy the Bear in Vanity Fair or Vogue sometime soon. Photographed by Chivo of course.  

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