Interview: 'Rams' Director Grímur Hákonarson on Working with Sheep and Icelandic Idiosyncrasy

In Grímur Hákonarson’s darkly funny Rams, two brothers who haven’t spoken in decades must unite forces to save their legacy when the government demands all their livestock must be slaughtered to contain a disease. Hidden behind long beards and stubbornness, Gummi (Sigurður Sigurjónsson) and Kiddi (Theodór Júlíusson) take on the impossible task of trying to outsmart the government, making for a fascinating allegory about the things we lose in the name of progress. After premiering at the Cannes Film Festival, where it won the top prize in the Un Certain Regard category, Rams went on to being chosen as Iceland’s Foreign Language Oscar submission. As the film opens in the US, I got a chance to sit down with Hákonarson who spoke about how his childhood shaped the film, how Cannes changed his life, and shared interesting trivia about sheep.

JOSE: Your parents used to send you to the country to work during the summers. Did you ever think of this as a punishment in any way?

interview after the jump

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Action Sequences: Man vs Bear, Max vs Furiosa.

The Film Bitch Awards "extra" categories have commenced. We've already discussed Ensembles, Breakthrough, and Casting and now we hit Action Sequences. These are sometimes hard to define as with the much celebrated fourth installment of Mad Max which could be described in its entirety as "chase sequence" but I've tried to break it down a bit for these purposes. Given the choreography, wonder and passion happening on Fury Road the bar was high and even hugely entertaining fight sequences that I thought would be easy placements for the category like the "Hulkbuster" fight in The Avengers: Age of Ultron or technical wows like Johnson vs. Sporino in Creed (all in one continuous shot!) were edged out.

Films with standard action setpieces, whatever their other strengths, like the two biggest blockbusters of the year (The Force Awakens and Jurassic World) or films with inventive brief moments that didn't quite transcend their otherwise rote action beats (Ant-Man) didn't really stand a chance in this high energy competition that put the motion in motion pictures.

Click the image for more on fine action sequences of the past year in cinema

Judy by the Numbers: "Got a New Pair of Shoes"

Anne Marie is tracking Judy Garland's career through musical numbers...

Though nobody guessed it when she was cast, Judy Garland’s fifth movie would be the first in a series starring the most famous child actor team in Hollywood history. Thoroughbreds Don’t Cry, a Freddie Bartholomew vehicle sadly missing its intended star, saw the first team up of Judy Garland and Mickey Rooney. Though both played supporting parts, their onscreen chemistry is clear. These kids were a hit!

The Movie: Thoroughbreds Don’t Cry (MGM 1937)
The Songwriter: Arthur Freed (music and lyrics)
The Players: Ronald Sinclair, Mickey Rooney, Judy Garland, directed by Alfred E. Green

The Story: This bizarre little musical number perfectly encapsulates what would become the Mickey and Judy dynamic. Mickey is busy working at a project – in this case, trying to take Ronald Sinclair’s pants off (just in case you needed your daily dose of unintended homoerotic subtext). Meanwhile, Judy flits and flirts in and out of the scene, trying to get Mickey’s attention through accolades, through annoyance, through anything so long as it makes him notice her. She dances around him, he gives her a swat – it’s schoolyard flirting with song and dance. This formula would define the two child actors together until long after they had put away childish things. But for the moment, it’s dimples, music, and fun.

Q&A Part 1: Leo's World.

Dear Readers, Last week I asked for more reader questions but since three of them at least were about Leonardo DiCaprio let's get them all out of the way as an appetizer to the main Q&A post. Ready... here we go.

LADY EDITH: Now that you have experienced the "Jonas blizzard" so recently how do you feel about giving "The Revenant" Oscars? [More]

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Spielberg's Best Pictures and New DVDs

Time to check in to see which movies we all can check back in with or catch up with now that they've hit the home market. The big title, Oscar wise is Steven Spielberg's 10th Best Picture nominee as a director, the cold war drama Bridge of Spies with Tom Hanks and Mark Rylance both doing fine work as a lawyer and the spy he must bargain with for a prisoner of war trade. Only one of Spielberg's directorial efforts has ever won Best Picture (Schindler's List, 1993) but which is your favorite? I'd rank them like so...

1. Raiders of the Lost Ark (1981)
2. Schindler's List (1993)
3. Jaws (1975)
4. E.T. The Extra Terrestrial (1982)
5. Lincoln (2012)
6. The Color Purple (1985)
7. Bridge of Spies (2015)
8. Saving Private Ryan (1998)
9. Munich (2005)
10. War Horse (2011)

With the disclaimer that everyone knows I'm not a Spielberg aficionado really (the top three are the only ones I'm completely wild about from this list with Close Encounters of the Third Kind also a favorite but Best Picture was not among its 8 (!) nominations. [Trivia Aside: It's tied for second place with The Dark Knight and some other films for 'most nominations without Best Picture,' though the expanded Best Picture field will probably insure that no more films join said list. The all time record holder is They Shoot Horses Don't They (1969) which is completely amazing film but somehow missed a Best Picture nomination despite 9 other bids for the gold.]

ICYMI Murtada just got done ranking the Spielberg Nominated Performances so we're in that sorta mood you could say

Also New on DVD or BluRay

• Burnt Bradley Cooper is a chef. And lots of actresses orbit him
• Chi-Raq Spike Lee's randy funny raging update of Lysistrata (See: Best of 2015)
• Downton Abbey (Final Season) which I'm loving as it airs
• Freeheld in which Julianne Moore & Ellen Page fall in love and fight for their rights
• Goosebumps in which monsters come to life and Jack Black and kids fight them
• Our Brand is Crisis a rare flop for Sandra Bullock as a campaign manager
• Suffragette Mulligan, Streep and Bonhman-Carter fight for their voting rights
• Truth Cate Blanchett and her fabulous curls fight a losing battle to bring down President Bush with his sneaky draft-dodging

New to Netflix Instant Watch

• Better Call Saul (S1) in which Breaking Bad lives on to hold on to its Emmy slots. Now Streaming on Netflix.
• Lila & Eve Viola Davis goes vigilante. February 6th.
• Love (Gaspar Noe) in which Gaspar Noe splooges into the camera (in 3D!). This explicit sex drama should have really been something but Christ it's a bore. February 4th. 
• Mad Men (S7.2) in which we try to be all zen while saying goodbye to the greatest TV show of all time. February 5th.

READER'S CHOICE
We might start doing a poll where you choose which old movie, just released to Instant Watch, you want to force Nathaniel to watch and write up and discuss with y'all. What'cha think? Some of this month's new/old options are Charlie's Angels (2000), Cruel Intentions (1999), Full Metal Jacket (1987), Jennifer 8 (1992... I used to be really into this one because: Uma), Losing Isaiah (1995), Stardust (2007), Teen Witch (1989), and I Love You Phillip Morris (2009)