Greetings from Chris, wishing you all a Happy New Year! And a Happy Voting to Academy members finally filling out their nomination ballots. With plenty of FYC blurbs out on the internet proclaiming personal favorites outside of the race, I want to talk about someone much more obvious that's somehow missing out on the love: Michael Keaton in Spotlight.
Of course, he's winning attention as part of Spotlight's ensemble, but it's a headscratcher that he missed nominations from SAG, the Globes, and BFCA. Even various regional critics groups are favoring Mark Ruffalo to single out. The potential reasons for Keaton's omission (too much competition from his own film, category confusion, the notion he doesn't have a "scene") feel petty given the gravitas and soulfulness he brings to the narrative.
Some say Spotlight lacks threat or conflict, that the big, bad church we keep hearing will put their weight on the Boston Globe for their investigations never actually does. But what Spotlight is really about is getting the story right and facing up to our own culture of ignorance and the times we've looked the other way. All of that is perfectly embodied by the resurgent Keaton. It's not just that he's the member of the ensemble that has the clearest arc, but the grace to which he fills Walter "Robby" Robinson with regret and anger. Ruffalo's "scene" allows that actor a catharsis that Keaton's coiled disposition doesn't receive until the final moment when his team's efforts are shown to have an effect on the lives of victims.
The performance is a study gentlemanly rage. He underplays every scene where he is calling for justice, filling silences with loaded pauses and a judging stare that fuels the film's angry undercurrent. If you think he doesn't have a showy moment, rewatch any time wherein he studies the layers of spin and bullshit delivered by Billy Crudup's sleaveball lawyer and tell me that Spotlight's central conflict isn't right there on Keaton's expressive face. Where Birdman allowed him to run wild with mannered anxiety and deep well of emotion, Spotlight serves us the actor at his confident and naturalistic best.
Following the Birdman miss, it's particularly odd that Keaton is on the outside of the nomination conversation. Best Supporting Actor often favors combacks from older actors and previous losers, so you think he'd be a plum candidate to ride the past year's momentum in a Best Picture frontrunner at that. He'll soon return to leading roles in John Lee Hancock's McDonalds biopic The Founder, but don't let the opportunity to reward some of his best work pass you by!
Thursday, December 31, 2015 at 1:30PM 
In Yes Please, Amy Poehler writes,
