A Musical Diversion

Composer Adam GuettelKnowing that the next 48 hours for most of us (well, the next 96 for me) would be filled with nothing but Oscar Mania, last night I went totally off-cinema to a night of cabaret with brilliant and unprolific composer Adam Guettel (Floyd Collins, The Light in the Piazza). [Tonight is the finale, the 8:30 is sold out but there's one more available at 11:00 pm]  Although I wasn't thinking it through properly exactly. The night didn't turn out to be all that off-cinema since the material and the train of thought kept rushing there.

Guettel is, famously, the grandson of the legendary and prolific composer Richard Rodgers, the first person to ever EGOT. Rodgers practically defined the American musical with his first partner Lorenz Hart and his second Oscar Hammerstein II: Babes in Arms, Pal Joey, The Sound of Music, The King and I, Carousel, Oklahoma... the list goes on and on and on. Guettel is an engaging witty stage presence (and unlike many composers has a beautiful singing voice to boot) but his grandfather's long shadow was ever present and referenced in self-deprecating hilarious ways.  And yet after I was done laughing I felt totally sad. The world's resistance to the musical form, and Guettel's own personal creative struggles have combined in an truly unfortunate way and we're all missing out!

Floyd Collins (1996) and The Light in the Piazza (2003) Guettel's two most famous shows are nearly breath-stoppingly beautiful musical works. I personally think both would make utterly rich film musicals if done correctly (The Light in the Piazza was already a movie, albeit a non-musical one) and since they're also serious period pieces they could be Oscar hits, too. Not that that matters... but it's just something for movie producers who might be reading to think about *cough*. If Floyd Collins, a true story of a miner trapped in a cave, was approached with the conviction and delicacy of something like Once it could be a movie masterpiece. And I've long felt that if Piazza went back to screen, there'd be a potential Best Actress winning role for the 40something/50something actress who got the plum lead role. 

In the years before/between/after? Guettel has written unfinished works and three musicals that are based on movies...

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Final Oscar Predictions

This article has been cross-posted at Towleroad

Yesterday on Kathy Griffin's new show she began with an Oscar monologue and brought out a gold trunks-clad model with his hair cropped tight and his body sprayed gold. I'll let it slide that he wasn't actually bald but he stood with his legs spread far apart and his hands behind his back. 

Had he never seen an Oscar statue before?

UR DOING IT WRONG! 

As you may have guessed I hold the Oscars sacred. You might call it my religion. I've been watching them since I was a little kid and as an adult I have spend an inordinate amount of time obsessing over them and even made something of a career out of it. [A struggle!]  But never before in my life have I had such a hard time predicting the winners.

Oh sure, Argo will win Best Picture and Daniel Day-Lewis who many of us first fell in love with as a blonde gay punk working in that Beautiful Laundrette will win for becoming President Lincoln but elsewhere in Oscar's 24 Categories there's an awful lot of room for pundits to embarrass themselves this year!

Best Director, for one, is baffling. The tech prizes look like a very bloody battle between at least three pictures (Anna Karenina, Skyfall & Life of Pi). And so on. AFTER THE JUMP my Oscar predictions. If I get everything wrong please forget we ever spoke of this! 

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Argo, A Second Viewing.

Amir here. There are two days left until the Oscars, but no doubt as to what name is called when the final envelope is opened at the ceremony. Argo has become a juggernaut, steamrolling through the reason with one industry award after another and is now undoubtedly in the driver's seat. As is par for the annual course, in the past few weeks, Affleck’s film has been subjected to more criticism than it probably deserves. A film that was once a successful crowd-pleaser, a surprising box-office sensation, a well-made, old-fashioned thriller, is now being touted as the best of the year by the Academy most of us hold in high regard, so naturally expectations have dramatically skyrocketed. 

Recently I rewatched it, hoping to reconsider my initial opinion of the film and find the spark it’d been missing the first time around. It’s not that I disliked Argo then. Quite the opposite, I really enjoyed it. For one thing, Argo’s depiction of Tehran in the early 80s is, on the surface, dead-on. I have my bones to pick with the characterization of Iranians in the film – particularly during the Bazaar sequence – but as a native of Tehran, I have to admit I got a kick out of watching the geography, the atmosphere and the language down to every banner and chant play out so accurately. All the more impressive when you stop to consider that it wasn’t filmed in Iran at all. [More...]

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Funny Linky People

Drama
Mashable on the glory of the Oscar envelopes. May they never go digital 
The Village Voice Nick Pinkerton remembers the late great critic Andrew Sarris 
The Advocate ten reasons to watch the Oscars on Sunday. (I linked to the most succinct universal one!)
MovieLine taxi cab survey of who will win the Oscars. It's not the names that will  be called out when the envelopes are open. (New Yorkers apparently still think Lincoln is going to sweep!) 

Horror
THR a director votes on the Oscars. In detail. (I know you've probably read this already but just in case... there's a lot to discuss) 
Salon will Jack Nicholson be presenting Best Picture yet again on Sunday night? (As I've long complained and long tried to help them the Oscar producers never have any imagination in this one area)
Slate announces that the musical genre is never coming back by essentially changing the argument of what people who say it's back mean when they say, "the musical genre is back!" Yes, agreed, the movie musical genre will never be what it was back when it was the most popular genre and everyone knew the showtunes. But do not agree that it's not back. We've had a steady clip of musicals ever since that glorious one two three punch of Hedwig, Dancer in the Dark and Moulin Rouge! got the ball rolling again just over a decade ago.

Comedy
The Onion "Johnny Depp now made entirely of scarves and bracelets"
Happy Place the six types of people who watch the Oscars - this is a fun concept but it leaves out too many types... including Oscar Fanatics who are busy cataloguing it all in their head to reference for years and years to come. Hypothetically speaking. I've heard those people exist.
Vulture Best Picture as pie charts. I didn't want to like this -- i wasn't in a snark mood -- but they're funny 
Babble six year olds judge the Oscars by their posters... kids say the darndest things. Some are alarmingly accurate but I love that Les Misérables is about faeires and Argo is an earthquake... teehee. My favorite might be Silver Linings Playbook...

This is a movie about building things and it's a happy, good movie. The two people are inventors that invent things that have to do with fish because of all those little scribbles that look like fish. They work together. He's also really, really tall and she likes to wear her hair really, really high.

Hee. I would totally see a movie about Bradley Cooper and Jennifer Lawrence inventing fishy paraphenalia. She's right that Bradley Cooper is tall ~ 6'1"!

Dear Ingmar...

Hi lovelies, Beau here with something that plastered a big smile across my face today:

It's a fan letter from Stanley Kubrick to Ingmar Berman. Text after the jump...

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