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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Tuesday
Aug062019

10th Anniversary: Julie & Julia is an 'Over & Over'

by Ginny O'Keefe

BONJOUR! It’s now been 10 years since Amy Adams (with a bad wig) and Meryl Streep (with platforms to make her look 6’2”) starred as the title characters in the delicious Nora Ephron film, Julie and Julia. The film follows New Yorker Julie Powell in 2002, challenging herself to make every recipe in Julia Child’s famous cookbook “Mastering the Art of French Cooking” while simultaneously chronicling Child’s start of her cooking profession in 1950’s France. I saw this film for the first time in theatres when it premiered back in August 2009 and thank God I had a large popcorn and Buncha Crunch by my side because otherwise I would’ve died of starvation.

Without a doubt, this is my favorite food film ever. It lets a legend and a regular person share the spotlight while paralleling each other through their obsession and love of good French food. This film inspired an interest in the culinary arts for this then 14-year-old me. I decided to make more food for myself (instead of just relying on my mom)...

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Tuesday
Aug062019

Marvel At This

by Jason Adams

I know Nathaniel finds endless superhero casting rumor speculation a little tedious, and I do a lot of the time myself as well. But we all can make an exception right now just so we get the chance to stare at Gemma Chan for a second, right? The world needs more Gemma Chan to stare at. Thankfully Marvel seems to agree...

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Monday
Aug052019

Box Office: Hobbs & Shaw

What did you see? We took a beach weekend in Fire Island so the movies weren't viewed though they were still very much on our mind. Particular due to a showtunes night at the Pavilion where ample clips from ChicagoBurlesque, Dreamgirls and more were shown. FYI: Catherine Zeta Jones' Velma Kelly is still magic. 

Weekend Box Office Actuals
August 2nd-4th
๐Ÿ”บ = New or Expanding / โ˜… = Highly Recommended
W I D E
PLATFORM / SPECIALTY TITLES
Hobbs & Shaw The Farewell
1 ๐Ÿ”บ Hobbs & Shaw  $60 *new* REVIEW 
1 ๐Ÿ”บ The Farewell $2.4 (cum. $6.8) REVIEWINTERVIEW โ˜…
2 The Lion King $38.5 (cum. $431.1) REVIEW
2 ๐Ÿ”บ Maiden $223k (cum. $1.5) REVIEW โ˜…
3 Once Upon a Time in Hollywood $20 (cum. $78.8)  REVIEW, PODCAST โ˜…
3 ๐Ÿ”บ Luce $132k *new* โ˜…

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Monday
Aug052019

De Laurentiis pt 1: "Bitter Rice" and the Fellini Years

This week at TFE we're celebrating the centennial of one of cinema’s most prolific and legendary producers, Dino De Laurentiis.  We’ll start with three of his key influential early films. Here's Eric Blume...

Bitter Rice was De Laurentiis breakthrough international hit. He married its star

De Laurentiis, born outside of Naples, set up his own company in 1946 when he was just 27 years old. He produced four smaller films before making a huge splash onto the international scene with 1949’s Bitter Rice, a film currently available through the Criterion Collection.  Bitter Rice serves up an arresting and hypnotic blend of melodrama, sexuality, and social commentary. The film is set in northern Italy during a typical spring where hundreds of poor women travel to the rice fields to work to the bone for forty days.  There are workers with a legal contract and then the “illegals” who come in hopes of getting an opportunity. Within this sociopolitical context, our story finds two thieves (Doris Dowling and Victoria Gassman) hiding amongst the farm, intertwined in love stories with an impulsive young peasant girl (Silvana Mangano) and a soldier from the nearby station (Raf Vallone)... 

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Monday
Aug052019

Great Moments in Horror Actressing

by Jason Adams

It's hard not to walk out of Quentin Tarantino's Once Upon a Time... in Hollywood without Sharon Tate on your mind. Whether it's because you thought the film needed more of what Margot Robbie was serving or if like me it's because you thought what Robbie did serve was A+ First Class stuff, the specter of that real woman, rightfully, lords over the entire experience. Sharon Tate only got to make six films before she was murdered, and two of them were horror films -- not an unlikely statistic for any young beautiful actress, but one that's linked itself arm in arm with Tate's fate nonetheless. 

I've never seen her 1967 British occult flick Eye of the Devil, which had her playing a witch opposite David Niven and Deborah Kerr. But I've seen her other horror flick of that same year, Roman Polanski's The Fearless Vampire Killers, more times than I can count, and it's Tate's under-valued performance that I always think of when I think of the film. She's barely in it but she walks away with it -- a pale fire piled in soap bubbles and snow...

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