The Farewell has a stunning opening weekend!

What did you see this weekend?

Weekend Box Office Estimates July 12th-14th   🔺 = New or Expanding / ★ = Highly Recommended
W I D E	PLATFORM / SPECIALTY TITLES
Spider-Man: Far From Home	The Farewell
1 Spider-Man Far From Home  $45.3 (cum. $274.5) on 4634 screens  TOM HOLLAND, REVIEW	1 🔺 Super 30 $923k new on 317 screens
2 Toy Story 4 $20.6 (cum. $346.3) on 4210 screens PODCAST, REVIEW	2  Last Black Man in... $361k (cum. $3.3) on 207 screens REVIEW, PODCAST, BEST OF ★
3 🔺 Crawl $12 new on 3170 screens REVIEW	3 🔺 The Farewell $351k new on 4 screens REVIEW, INTERVIEW ★
4 🔺 Stuber $8 new on 3050 screens REVIEW	4 🔺 Wild Rose $294k (cum. $751k) on 161 screens PODCAST, SOUNDTRACKING
5 Yesterday $6.7 (cum. $48.3) on 2755 screens	5  Pavarotti $255k (cum. $3.5) on 196 screeens
6 Aladdin $5.8 (cum. $331.4) on 2557 screens  REVIEW, 1992 RETRO	6 🔺 Bethany Hamilton: Unstoppable $250k new on 205 screens
6 Anabelle Comes Home $5.5 (cum. $60.7) on 3209 screens	7 🔺 Maiden $224k (cum. $484k) on 68 screens  REVIEW ★

numbers on that chart are pulled from boxofficemojo

The weekend was very kind to Far From Home which is outpacing its predecessor and is already the 3rd highest grossing Spidey worldwide behind Spider-Man 3 (2007) and Homecoming (2017)... for now at least. The new wide releases performed around expectations. Crawl did solid business (especially given that it's budget is a low $13 million) but Stuber struggled

The best news is that it was a huge weekend for Lulu Wang's awards-hopeful The Farewell, which earned the highest opening per screen average of the year so far ($87,833 per theater). The film expands from NY and LA to other top markets next week and goes wide on August 2nd. That's quicker than we were expecting but the numbers are strong. That's good news for cinephiles since any success for artful indies is to be celebrated in this tough theatrical market.

Serious Lip-synching skills. That's all.

Well, you’ve been asking for her. Ladies and gentlemen: Miranda Priestly 👠 pic.twitter.com/4En4f61m1n

— Ben Yahr (@benyahr) July 12, 2019

Review: "Crawl"

by Tony Ruggio

Alexandre Aja is a filmmaker who doesn’t get enough credit for the grimy thrillers he’s been putting out since High Tension in 2003. Piranha 3D is modern camp at its finest and his remake of The Hills Have Eyes is the rare remake to outdo the original. His latest, Crawl, is yet another example of his way with water-bound horror, an imperfect creature feature that takes itself a wee bit too seriously, but nevertheless delivers the gory fun goods that have defined his work...

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Happy 91st to Nancy Olson, the last surviving cast member of "Sunset Blvd."

by Nathaniel R

It seems like we've been losing lots of Classic Hollywood people in the past year so we wanted to wish Nancy Olson of Sunset Blvd a very happy and healthy 91st birthday today. She's the last surviving member of that stone cold classic which netted her an Oscar nomination when she was just 22. Olson was such a success in Sunset Blvd that she went on to be paired with co-star William Holden in a few more pictures. Olson has long since retired, her last significant acting gig being in the shortlived primetime soap opera "Paper Dolls" in the 1980s. 

Olson's birthday, paired with Olivia de Havilland's incredible 103rd birthday earlier this month (wow) got us thinking about who is still with us from all time classics pre-1960s because there aren't a lot of them *sniffle*.  So after the jump, a quick perusal of some gigantic classics and the (credited) cast members who are still around to be endlessly grilled about them...

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Review: Stuber

by Dancin' Dan

Stu is a nice guy. Far too much of a nice guy, in fact. After he clocks out from his job working a big-box sports store, he cleans his car and clocks in to Uber, enduring all the assholes and drunks that use the car service in and around Los Angeles. He does this to get the money to help his best friend Becca open an all-women spin center, because he's also hopelessly in love with her. So after a rash of particularly bad (and mostly unfair) Uber reviews puts his precious star rating in jeopardy, and taciturn cop Vic Manning gets in his car, Stu is willing to do just about anything to make sure he gets a five-star rating. The problem is, Vic is reeling from the death of his partner, has just gotten a lead on his killer, and just had Lasik eye surgery. He can't see, and needs someone to drive him. Let the sparks - and laughs - fly.

Yes, the plot of Stuber is pretty boilerplate buddy comedy stuff. But it gains a lot from its casting...

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