Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
DON'T MISS THIS
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe
Monday
Apr292019

Tribeca 2019: "This is Not Berlin"

Team Experience reporting from Tribeca 2019. Here's Jason...

Most of us never have the benefit of being at the right cool place at the right cool time. Or even if we do we don't really get to realize that while its happening. It's only in hindsight that we can shape that experience into a start and finish; that our lives can be packaged for proper consumption. It's always too messy to start with --the hair's gotta come down and the high's gotta wear off before you can see anything straight.

That whole tale's right there in the title of This Is Not Berlin. Hari Sama's fierce new coming-of-age film does indeed not take place in Berlin, but rather astride the post-punk burgeoning New Wave art-scene of Mexico City in the mid-80s...

Click to read more ...

Sunday
Apr282019

Podcast: Smackdown '72 Conversation

Part Two of the Smackdown of 1972. (Part One ICYMI)

 

You've read our blurbs about Oscar's Supporting Actress Nominees of 1972, a fascinating bunch. Now hear the in-depth conversation that goes along with it. Nathaniel welcomes actresses Donna Lynne Champlin (Crazy Ex-Girlfriend) and Kathy Deitch (American Horror Story: Freakshow) as well as writer/directors Arun Welandawe-Prematilleke and Eric Blume to discuss these talented women and their time capsule movies. Come with us to 1972! Find out which movie is accurately described as "hot garbage," which inspired a musical spoof, and marvel that the Smackdown winners were somehow the performances we were actually most divided on.

You can listen to the podcast right here at the bottom of the post or download from iTunes. 

Supporting Actresses of 1972

Sunday
Apr282019

Smackdown '72: Jeannie vs Eileen vs Susan ...with Geraldine Page and Shelley Winters

An overprotective mother, a vain social butterfly, a swimming grandmother, a newlywed, and a barfly walk into an Oscar ceremony...

Geraldine Page did not attend the ceremony but the rest were there.

The 1972 supporting actress Oscar lineup is quite literally a singular group. It's the only one in all of Best Supporting Actress history to feature not a single Best Picture nominated film. There's always at least one Best Picture represented. Not so in 1972. Even The Poseidon Adventure missed that top category despite 8 nominations in total.

The panelists and part one of the Smackdown after the jump...

Click to read more ...

Sunday
Apr282019

Review: "Little Woods"

by Tony Ruggio

Little Woods, North Dakota: not far from our border to the north, and a poster child for the death of the American Dream. Tessa Thompson is Ollie, a woman hardened by a life selling oxy and a an allergy to hope. Her adopted mother has passed and she and her younger sister Debbie (Lily James) are left to pick up the pieces, namely a pittance of a house and what’s left of Ollie’s former life. She’s nearing the end of her probation and you know what that means. Life’s about to throw her a curveball, sending her back to the wheelin’ and dealin’ trenches, where seedy characters and searing guilt are part of the job. Debbie needs help and Ollie’s good at doing, so she’s back at it to pay the mortgage and get her sister the medical care she needs. It’s all very predictable, but it hardly matters...

Click to read more ...

Saturday
Apr272019

Tribeca 2019: "Knives and Skin"

Team Experience reporting from Tribeca Film Festival. Here's Jason Adams

If someone you had a crush on in high school suddenly handed you a crude anatomical drawing of your genitals how might you have reacted? I, uhh, sure can think of a few reactions I might have had. But several of them would have involved a smile, a chuckle - anything but utmost sincerity, which in this instance would have a tinge of the absurd. And that tinge turns trickle turns ten-fold flood in Knives and Skin, writer-director Jennifer Reeder's surreal small-town murder-mystery that feels beamed in from another planet; one where the reactions are all upside down.

It all starts with a missing blonde girl, tipping its Twin Peaks cap right off the bat...

Click to read more ...