Doc Corner: 'The Edge of Democracy' on Netflix

By Glenn Dunks

There is a moment towards the start of The Edge of Democracy where director Petra Costa suggests that she thought both she and the political democracy of her homeland, Brazil, “would be standing on solid ground” now that both are in their 30s. It’s a noble idea not to mention a bit cute and certainly a little naïve because anybody with the benefit of hindsight knows that one’s youthful ideals often rarely bear such fruit.

It’s also an appropriate introduction to this, her third feature. That blending of the two narratives is just one small part in how Costa, whose 2012 earlier feature Elena was an even more intimate debut, makes her homeland’s troubling descent into authoritarianism all the more painful. It’s personal. For her and the audience of her gripping and devastatingly relevant documentary.

The Edge of Democracy is easily one of the great works of documentary this year.

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Stranger Links

• Backstage casting notice for Asian actors. As @AnnieW pointed out on twitter this can't be anything other than the live-action remake of Akira
• Cinematic Corner ten best scenes in the Stranger Things series before the new season premieres
• Coming Soon how many times does Anna Karenina need to be remade? Apparently that's still tbd since there's another one coming

More after the jump including Carice van Houten, Darth Maul, Quentin Tarantion, and news of a new Clint Eastwood film...

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Halfway Mark: Best of 2019 (Thus Far)

by Nathaniel R

 
Let's wrap up the midyear review now with a general overview and behind the scenes beauty. Please don't consider this list 'official' awards since the back half of the year is usually more impressive than the first half due to annoying Oscar-focused distribution patterns. The point, nevertheless, is an important one: we should always be appreciating art and keeping lists so we don't forget delights that opened in non-awards season months like most awards voters do. 

TEN BEST MOVIES

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Soundtracking: Nashville

by Chris Feil

We don’t really think of Robert Altman’s Nashville as a musical. To be fair, it both is and it isn’t. As is trademark for the director, the film is focused on character first to reveal its themes, exposing a distinctly American disposition both in its specific social strata and in the grander national sense. But Nashville isn’t always interested in doing so through song. Even taking place in the country music world, music feels like an equal contributor to Altman’s portraiture as any of the ensemble members.

Viewers wanting Altman to languor in the thematic sway of a musical’s tunes will always have A Prairie Home Companion. Instead here he upends genre traditions much as he does general narrative ones. Musicals are a genre that even at its best can still feel the least spontaneous, and spontaneity is a definitive Altman trait...

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CONSIDER - Actresses of 2019, First Half

Here's our penultimate 'halfway mark, year in review' post for you. The 19 performances by actresses we treasured most at the movies thus far this year. 

We hope you'll sound off on these and share your own favourites in the comments... and we hope this list serves as a reminder to Oscar and Globe and SAG voters to keep lists of things that impress you all year so that at the end of the year you aren't just voting for the 5 things you just saw. Before we begin I should note that I sadly missed the three following female-led films and will catch up with them when given the chance later in the year: Her Smell, Little, and The Souvenir. Okay here we go...

7 LEADING ACTRESSES
(Jan 1st - June 28th releases)  

Jessie Buckley as "Rose-Lynn" in Wild Rose
Yes, the movie basically hands her the "star-making" reviews on a platter. It's ALL about watching her sing and emote. But the performance has lovely nuances, lived-in feeling, and own-worst-enemy fire. And that voice. Good god.  

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