What's eligible for "Outstanding Main Title Design" at the Emmys this Year?

by Nathaniel R

105 shows, that's what. This is a peculiar obsession of ours because, apart from the handsome site Art of the Title, it gets precious little attention, interest, or coverage online. The awards aren't given out on air and sometimes they make terrible mistakes as to what's nominated or excluded (same as it ever was, in any category). Nevertheless we'd argue that title design is important, not just in the soulless connotations of "branding" but in its soulful counterpart "identity". A show's title sequence gives you just that (if it's good), setting the tone. We curse Netflix for letting you skip past opening titles if you're bingeing. To our way of thinking if you won't sit through the opening titles, you don't deserve the show...

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Pfeiffer, '65

We've been seeing this picture of La Pfeiffer our entire lives, whenever any magazine ran a profile that included pre-pfame pfotos. Now we have a brief story behind it -- another reminder that Michelle Pfeiffer's Instagram is the best unexpected actressexual gift of 2019. She writes:

Attitude much? My 1965 Mustang was stolen and I had just gotten it back. My dad thought it was a good time for a photo. NOT.

A Preview of BAM Cinema Fest

by Murtada Elfadl

The Farewell

This Wednesday June 12th marks the start of the 11 day BAMCinemaFest at the Brooklyn Academy of Music. It's a local New York summer mainstay that highlights mostly emerging filmmakers. Some of the films in the lineup have premiered earlier this year at Sundance like the opening night film; Lulu Wang’s The Farewell. Some at last year’s Venice; Rick Alverson’s psychodrama The Mountain. However the festival has its share of world premiers. Let’s preview some of the eclectic films that Brooklynites will enjoy over the next two weeks...

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Beauty vs Beast: Sailors Moon

Jason Adams from MNPP here using this week's "Beauty vs Beast" to memorialize a sad anniversary -- the great German filmmaker Rainer Werner Fassbinder died of an overdose on this day in the year 1982. Unsurprising given his extraordinary output over the course of his 37 years on Earth Fassbinder's projects outlived his days, and one finished film came out a few months after he'd passed -- his gorgeously gay and strange Genet adaptation Querelle, starring Brad Davis as a sailor entangled in lusty criminalities in port, and that's where we'll rest our eyes today (since we're also covering LGBT films all June to boot). Much like Lieutenant Seblon (a perfectly mustachioed Franco Nero, awash in long eroticized pauses) can't keep his eyes off his charge, neither can we all these years later...

find bike trails

PREVIOUSLY The first week of Pride Month took us to sweet Translyvania, where Tim Curry's Dr. Frank N Furter easily swanned off with 0ver 80% of your Rocky Horror votes. Said kris01:

"Brad and Janet are cute and everything, but Frank n Furter can create life. Iron Man has a million suits to jerk off too, but can he make people!?"

"Speed" Turns 25

by Lynn Lee

When Speed was first released a quarter century(!) ago, the premise seemed ridiculous: Bomb on bus is triggered to go off if the speed ever drops below 50 mph.  A bus in Los Angeles, no less.  At rush hour!  (Actually, it’s always rush hour in L.A., then as now, which only reinforces the preposterousness of the scenario.)  Nevertheless, Speed managed to suspend viewers’ disbelief – and their breaths – with a combo of taut white-knuckle thrills that didn’t require elaborate special effects and light humor that relieved but didn’t distract from the constant tension. 

A major hit both critically and commercially, it went on to win two Oscars (for sound mixing and sound editing) and elevate the then up-and-coming Keanu Reeves to full movie star status.  Now that Keanu seems to be having another “moment” in his long and eclectic career, it feels like an especially opportune time to revisit the movie that vaulted him on to Hollywood’s A list.

How does it hold up?

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