Interview: Rachel Weisz on "The Favourite" and why she hasn't peaked yet.

by Nathaniel R

Rachel with her BAFTAWhen we sat down with Rachel Weisz to discuss The Favourite, she was as intimidating as the Lady Sarah Marlborough. Not, we think, on purpose. Sometimes an actor so slays a role that, if you've never met them before and have a tendency to live for the movies, it's like looking straight into the character's eyes. Weisz, cool and measured, impeccably dressed, offered tea. Remembering Lady Sarah's own downfall, I chose water.

We'd both seen The Favourite just once at the time but were eager for round two. "I'm so glad you liked it," she cooed, if somewhat cooly. All business, and why not, ready for questions but not any question. Taking the hint I steered clear of the past though I couldn't resist a brief question about one early role (The Shape of Things), since it had been a rare chance and my first to ever see an actor do a role on stage and then watch them repeat it on film. She found it, "a bit hard, that particular one" citing the need for freshness and spontanity in filmmaking and "...we'd said the words so many times before."  But we were there to discuss The Favourite, and spontaneity and freshness are in no short supply in that electric movie. She even shared how they managed to get them.

She hadn't yet been nominated when we spoke but the honors would soon, quite obviously, pile up including a BAFTA win for Best Supporting Actress and the Oscar nomination. Our interview, edited for length, follows:

NATHANIEL R: You've had such a strong handful of years now: The Deep Blue Sea, The Lobster, Disobedience, The Favourite. But you won an Oscar 14 years back or so and I wonder if at that point, before these recent peaks, you thought 'well, what now?' 

RACHEL WEISZ: I mean, it’s a thing [The Oscar] that you never think will happen to you. I don’t really feel like I can rest on my laurels and it’s all over now. I just don’t feel like that. There’s so much to explore. Hopefully I get better at my job. I think the more work you do… well, for me, the more I've done, the more I’ve figured out what kind of work I want to do...

Click to read more ...

10 Days til Oscar... The Past 10 Years of Stats

Happy Valentine's Day y'all ❤️. It's officially 10 days until the Oscars so it's a perfect time to go list crazy and look at the past 10 years of Oscar honors (2008-2017) for multiple top tens, don't you think? Not that we need excuses to go list-crazy. We make them up when they don't present themselves!  How have the past ten years been for you? We hope you'll share in the listing fun. In addition to ranking the Oscar winners we've notated whether the same achievements medalled in our own annual film bitch awards that year.

PAST TEN BEST PICTURE WINNERS RANKED 

1. Moonlight (2017) *silver medal
2. The Hurt Locker (2009) *gold medal
3. Birdman (2014) *silver medal...

Click to read more ...

Great Moments in Kissing: "Spider-Man"

For Valentine's we asked Team Experience to share favourite screen kisses. Here's Salim Garami...

What’s good?

When I think of THE most cinematic of movie kisses, what pops into my mind isn’t necessarily my favorite (which would be Alfred Hitchcock’s explosive fireworks button on To Catch a Thief) or what I think of as the best (which would be Hitchcock’s taboo-busting “Another one! And another one!” in Notorious). I think of the kiss that was most formative. The kiss that showed me how image and movement could communicate ardor to somebody as young as 6. The kiss that came in possibly the most formative movie in all of my childhood: Sam Raimi’s 2002 superhero landmark Spider-Man. A film that has long informed the majority of what I love to see in movies and established itself deep in my heart (although it is quite possible that Into the Spider-Verse has now embedded itself deeper), it should be no surprise that it informed what I love in romantic scenes, especially the moments in movies that are accused of oversentimentality and cheesiness...

Click to read more ...

Berlinale 2019: Three queer selections, a doc from the Sudan, and one walkout

Hallo! Seán here reporting from the 2019 Berlinale. It's the first big European film festival of the year, where new work premieres, deals get made, parties go on (and on) and where cinephiles prove their love of film by standing around in the freezing cold. I'm doing my best "Berlinale business bear" I'm here in an offical capacity: getting a first look at the queer TEDDY titles (which we'll talk about after the jump) and the short films for festivals in London and Dublin, but aside from that I'm also here to enjoy the film festival experience i.e. standing in the wrong line and walking in completely cold to something truly bizarre and extraordinary.

The Berlinale has many distinct and diverse sections, each with their own different forms and appeal. As someone who (a year later) is only a year later beginning to figure this out, allow me to impart my knowledge on the sections before we jump into the queer selection...

Click to read more ...

Great Moments in Kissing: "The Last of the Mohicans"

For Valentine's Week we asked Team Experience to share favourite screen kisses. Here's new contributor Ginny.

Hello everyone! Ginny here from Los Angeles ready to share one of the hottest things 1992 ever gave us and one of the most romantic scren kisses of all time. A big thank you goes out to Daniel Day-Lewis (then at his all time hottest) and Madeleine Stowe (a gorgeous smitten kitten) whose on-screen chemistry in The Last of the Mohicans made 15-year old me sweat and blush in all the right ways. You could cut the sexual tension between these two with a blunt tomahawk.

I’ll never forget the first time I saw this movie. It was in my AP History class in tenth grade...

Click to read more ...