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Friday
Feb152019

Blueprints: "Can You Ever Forgive Me?"

by Jorge Molina

Marielle Heller’s Can You Ever Forgive Me? is a subtle study of a woman clinging to relevance in a world that not only has forgotten about her, but never took her into consideration in the first place. It’s about isolation, and loneliness, and people that already live at the margins marginalizing themselves even more. But it is also a rare, realistically moving portrayal of queer friendship; of the friendship of a woman with a man that’s just as forgotten and isolated as she is.

The screenplay adaptation of Lee Israel’s memoir by Jeff Whitty (of Avenue Q fame) and Nicole Holofcener (of many great pictures fame) tackles the relationship between Lee and Jack (Melissa McCarthy and Richard E. Grant in career-best performances) with nuance and bite, and never gives in to "likeability". Whitty and Holofcener know that sometimes friends happen to just not like each other...

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Friday
Feb152019

Why *None* of the Nominees Can Win Best Picture This Year

by Abe Fried-Tanzer

For those of us who live within the world of Oscar history and statistics, every year brings with it the proclamation that certain benchmarks need to be achieved in order to merit a Best Picture win. In just the past decade, multiple insurmountable obstacles have been bypassed, with Argo triumphing without a Best Director nomination, Birdman winning without a film editing mention, and The Shape of Water managing a win even after it didn’t make the SAG list for its ensemble. All eight films nominated this year have a variable number of impediments standing in their way this year – here’s a breakdown of the top limitations for each nominee.

BlacKkKlansman
This incredible tale of a black cop who infiltrated the KKK has actually checked most of the boxes. It has nominations for directing, writing, and editing, and earned bids from all the relevant guilds. The problem is that it hasn’t won anything, suggesting that it doesn’t have the momentum it needs to garner first-place votes. If anything, it will be Lee who upsets to win the Best Director prize or the film’s screenplay that takes home an award. Being everyone’s third choice won’t help it win the top prize.

Black Panther
As if being the first comic book movie to contend in this race wasn’t enough, the seven-nomination haul for this Marvel blockbuster is actually pretty disappointing...

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Friday
Feb152019

Review: Birds of Passage

by Abe Fried-Tanzer

Modernity is rarely a welcome concept for those rooted in tradition. What many see as progress is often decried as the destruction of long-held values and an attempt to push out members of the old guard who still adhere to customs they do not believe to be outdated. Every community must adapt to technological progress in some way or remain isolated from the rest of the world, a strategy that can’t last forever.

In Colombia's Birds of Passage, which made the nine-wide finalist list for foreign film but missed the nomination, the setting is the 1960s and the disruptive influence is the drug trade. Rapayet (José Acosta) becomes engaged to Zaida (Natalia Reyes), and, according to the customs of their indigenous Wayúu community, must present her family with a substantial dowry. Motivated by pride more than anything, Rapayet sees a business opportunity to provide Americans from the Peace Corps with marijuana...

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Thursday
Feb142019

Doc Corner: Ranking the Best Documentary Short Subject Nominees from Least to Most Depressing

by Glenn Dunks

After doing this ranking system two years ago, we took 2017 off because – in a rarity for the Best Documentary Short Subject category – most of the nominees were actually not entirely miserable! This year the branch has gone back to films that make us feel deeply sad about the world in which we live. That’s not a bad thing since, if any category should be able to confront the inequalities, the traumas, the tragedies, the inhumanities of this world, then documentary short films are it.

This year’s nominees cover themes both familiar and yet distressingly contemporary: the refugee crisis, race, the rise of fascism and Nazism in mainstream politics, third world inequalities and death.They’re certainly not the happiest lot of film you’ll ever see. They do, however, make for a solid roster of nominees...

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Thursday
Feb142019

Open Letter to the Academy -xo

For Valentine's Day we would just like to smooch every prominent artist in Hollywood who signed this letter, quoted here in full:

An Open Letter to The Academy of Motion Picture Arts & Sciences and The Producers of the 91st Annual Academy Awards Broadcast:

On Monday, February 11, 2019, John Bailey, President of the Academy of Motion Picture Arts & Sciences, announced that this year’s Oscar presentations for Best Cinematography — along with Film Editing, Live Action Short and Makeup and Hairstyling — will not be broadcast live, but rather presented during a commercial break. This decision was made to reduce the length of the show from four hours to three. The vocal response from our peers and the immediate backlash from industry leaders over the Academy’s decision makes it clear that it’s not too late to have this decision reversed...

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