Review: "Charlie Says"

Screened at the Tribeca Film Festival. Now in Theaters. This post was originally published in Nathaniel's column at Towleroad. 

Quentin Tarantino’s Once Upon a Time In Hollywood, arriving in July, isn’t the first Manson Family murders / Sharon Tate-related movie hitting theaters during the 50th anniversary year of those abominable crimes. 

The first out was The Haunting of Sharon Tate starring Hillary Duff, which was largely dismissed as exploitative. The second, newly arrived in theaters, is Charlie Says (Sharon Tate, played by Grace van Dien, is a very minor character in the film). Tarantino’s film will feature Margot Robbie as the doomed actress. And still a fourth picture is coming, a biographical drama called Tate starring Kate Bosworth, though its focus will not be on the actress’s murder.  This true crime story is quite obviously all the rage in Hollywood at the moment. 

Whether or not these films are appropriate in their timing and conception will be up to individual viewers to determine. As ever, how creepy or opportunistic true crime stories feel is largely dependent on artistic ambition and execution. 

Marianne Rendón (reclined), Hannah Murray, and Sosie Bacon are always saying "Charlie says..."

But if you’re going to make a picture like this at all, director Mary Harron and screenwriter Guinevere Turner, the women behind Charlie Says, are the filmmakers to choose…

Click to read more ...

We Need to Talk About Suspiria / Third Tilda's a Charm

Please welcome guest contributor Maggy Torres-Rodriguez

Luca Guadagnino’s Suspiria is now available to stream on Amazon Prime. So if you’re looking for a flick to throw on, kick back and re-- really have your stomach churn, this is it. BUT before we get into that, can we first take a moment to talk about Dakota Johnson’s Met Gala dress (pictured above)...

Click to read more ...

"Wine Country" on Netflix

From new contributor Samantha Craggs

In theory, there's a lot to love about Wine Country. It's two whole hours devoted to women in their 40s and 50s, an often invisible demographic in film. What's more it's rarely about typical topics like marriage or children. It stars watchable and funny women. It passes the Beschdel Test in spades. 

But with Wine Country, sadly, the result is as bland as the biscuit and asparagus tones that permeate the backdrop...

Click to read more ...

The Bening AND La Pfeiffer? In the same movie !?!

by Nathaniel R

Have you heard that news that Annette Bening and Michelle Pfeiffer have signed on as the leading ladies of a new feature film? If you've heard that news than you'll understand that I, Nathaniel, am typing this from heaven as I must have died and gone there for this to be true. Last thing I remember I was on a plane back to NYC (more on where I've been shortly) and then I was dead. Death by actressexuality. What a way to go. 

The future film what done me in is called Turn of Mind and it's based on the novel of the same name by Alice LaPlante. Gideon Raff (best known for creating the Israeli series that TV's Homeland is based on) will be directing the thriller with Doug Wright (Quills)  doing the screenplay. Annette Bening plays Dr Jennifer White, a retiree suffering from Alzheimers and suddenly accused of killing her longtime best friend Amanda (Michelle Pfeiffer) and unable to remember whether she actually committed the crime...

Click to read more ...

Fosse/Verdon - Ep. 5: “Where Am I Going?”

previously on Fosse/Verdon

by Dancin' Dan

Figures that the episode randomly assigned to the resident dance expert of Team Experience is the only episode of Fosse/Verdon so far that hasn’t had even the tiniest bit of dancing in it. I seem to be enjoying the show more than some of the rest of the team, and i've particularly marveled at the series’ recreations of some of Fosse’s best known pieces, some of which I have had the good fortune to dance myself. One of the choreographers who taught me told our ensemble that most of Fosse’s choreography is defined by tension - you must always be holding tension in your body somewhere in order to make it look and feel right. To that end, when we were dancing movements that were supposed to be more fluid, she told us to imagine that we were dancing through peanut butter. It’s an image that I now always associate with Fosse’s work, and I found it particularly apt for this episode. Even though there’s no dancing, there’s plenty of tension. Every character looks like they’re moving through peanut butter, pushing and straining to get what they want.

Bob Fosse had his unprecedented year of glory, and ended up in the Payne Whitney Psychiatric Clinic for his troubles...

Click to read more ...