Podcast: The Smackdown Companion

This month's 'Smackdown' panelists: Murtada Elfadl, Chris Feil, Ginny O'Keefe, Robin Write, and Nathaniel R

 

A new season of the Supporting Actress Smackdown is kicking off, with the first installment being this year's Oscar competition. You've already read our blurbs on the five nominated performances and now a more in-depth conversation about those actresses, their films, and a few random asides to other movies and actors. You've already met the panel and here's our conversation in full!

Index (1 hour)
00:01 Emma Stone and Rachel Weisz in The Favourite, Marina de Tavira in Roma
11:00 Regina King in If Beale Street Could Talk
17:30 Amy Adams in Vice and our traditional thought-game of switching the actors around into each other's roles to see what would happen. Plus who is supporting these supporting women?
29:00 Random chatter: Vice, Bohemian Rhapsody, Never Look Away, Green Book
36:00 Other supporting women of the year: Ann Dowd, Sakura Ando, Claire Foy
45:00 Spike Lee's BlacKkKlansman and BP to Black Panther? 
56:00 Where you could read, listen to, and follow the panelists. 

Referenced in the Podcast
• Smackdown blurbs
• This Had Oscar Buzz
• Filmotomy's Marina de Tavira article
• Nathaniel's Rachel Weisz interview

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Smackdown: Regina, Rachel, Marina, and More...

Smackdown 2018: Amy, Emma, Rachel, Marina, "and..." Regina King

Presenting Oscar's Chosen 'Supporting' Actresses of the Films of 2018.

Two warring ladies of the royal court, two desperate mothers, and an amoral ambitious politician's wife. That's the 'supporting' actress roll call for the 91st Oscars, though two of the characters are leading ladies. Still, we're here to talk performances, first and foremost. Who wowed us, whose take on their characters left us wanting, and are these actresses making the most of what's in their screenplays? [Sad Disclaimer: Unfortunately since we did not receive screeners this season (moving/address problems) we were unable to do the normal screentime count portion of the Smackdown though we're just as curious as you surely are about how the screentime in The Favourite actually measures up from actress-to-actress. We won't trust any report till we do our own because we've heard conflicting statements, so we will eventually do the count.]

THIS MONTH'S PANELISTS   

Here to talk about these five nominated turns are actress Ginny O'Keefe, blogger Robin Write (Filmotomy), two senior Film Experience contributors Murtada Elfadl, Chris Feil, and your host Nathaniel R.  The final collective panelist is the Readers (hey, that means you!!!) who took the time to send us their votes. Okay, let's go!

2018
SUPPORTING ACTRESS SMACKDOWN  

 

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Interview: The Emotionally Resonant Visual Effects Work in "Avengers: Infinity War"

It's our final Oscar nominee interview of the season! 

On a break from their post-production madness for Avengers: Endgame (opening in 66 days!) we spoke with co-directors Joe Russo and Anthony Russo and the visual effects team of MCU's colossal two-parter. Part one, better known as Avengers: Infinity War, is culmination of ten years of serial storytelling within the Marvel Cinematic Universe and is Oscar-nominated for Best Visual Effects. Given how strangely difficult it's proven for superhero films to win the Best Visual Effects Oscar --- only one has managed that competitively: Spider-Man 2 (2004) with Superman (1978) also getting a special achievement Oscar -- the odds are probably against Avengers: Infinity War, But, consider this: If Infinity War does win this Oscar no one will gripe that this team didn't deserve it. 

Hell, the 'snapture' alone warrants it! Now excuse the dust as this team tries to top themselves once more in Endgame. Since our interview was with multiple people we're presenting it in a series of quotes rather than a conversation. Hope you enjoy...

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5 days til Oscar! The Sound of Music, Cuckoo's Nest and More...

The Sound of Music won exactly 5 Oscars, lost exactly 5 Oscars, and won in a year ending in the number 5Today's magic number is 5 and it's too overwhelming a number in Oscar lore for a list of trivia items since it's the 'traditional' size of Oscar shortlists in every Oscar category with the exception of Best Makeup and Hairstyling. We've harped on that one before but we consider it brazenly insulting that Oscar views those craftsmen as the bastard stepchildren of the industry since they've never been allowed more than 3 nominees despite literally every live action film using their services. Several categories have experimented with varying sizes of their nominated lists over the years (Best Picture under the current rules, being obviously the most prominent and inconsistent *sigh* but the number five can safely be called one of Oscar's favourite things...

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Interview: Screenwriter Deborah Davis on her 20 year passion project "The Favourite"

by Nathaniel R

Deborah Davis, first time screenwriter, is up for an Oscar this weekendDeborah Davis recently took home the BAFTA for her work on the screenplay to Yorgos Lanthimos's stunning tragicomedy and Best Picture hopeful The Favourite. Though Lanthimos has previously co-written his own features this time was attached to a project already in progress. Davis and cowriter Tony McNamara than retooled the screenplay to match Lanthimos's vision. The results were magic, as has long since become obvious.

Before the hardware started arriving we hopped on a cross Atlantic phone call with Deborah Davis briefly. We couldn't find much info about her at the time and were reeling from the realization that the dearth of info came from the fact that The Favourite was her very first movie. As it turns out she became a screenwriter specifically to tell this story. And what a story it is.

Our interview, edited for length and clarity follows...

NATHANIEL: I'm still gobsmacked that this is a first screenplay!

DEBORAH DAVIS: That’s correct, yes. By training I'm a lawyer, but I’ve done quite a lot of journalism. I started to research The Favourite 20 years ago, and I was actually convinced that this story about women in power and the female triangle would make a wonderful film, so I went and learned how to write a script...

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