Posterized: Dr. Seuss and "The Grinch"

by Nathaniel R

The children's book author Dr. Seuss (also known as Theodore S. Geisel) is such an icon part of popular culture that he's even had his own postage stamp. But did you know he was also a screenwriter? In addition to the screenplay of the fantasy family film The 5000 Fingers of Dr T (1953) he wrote the script for the Oscar winning documentary Design for Death (1947) which was a documentary about Japanese and what led to the attack on Pearl Harbor. Far outside the wheelhouse that was! But mostly when it comes to the screen when we think of Dr Seuss we think of the once-perennial TV airings of How the Grinch Stole Christmas.

 The bulk of screen adaptations of Dr Seuss's work have been in the short film format which makes sense, given the short visual books he wrote. Of the many shorts based on his work the following were all nominated for Oscars: The 500 Hats of Bartholomew Cubbins (1943), And to Think I Saw It on Mulberry Street (1944), Gerald McBoing-Boing (1950 - OSCAR WIN), and Gerald McBoing! Boing! on Planet Moo (1956). One short based on his work,  Daisy Head Mayzie (1995), was Emmy nominated.

But with the release of The Grinch (2018) today, let's look back on all the feature films (and the three most prominent TV specials) that are Dr Seuss related. How many have you seen and will you be seeing The Grinch? The posters are after the jump...

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Poison, But Literally

How does a legal drama about environmental malfeasance a la Eric Brokovich but starring Mark Ruffalo and directed by Todd Haynes (!!!) sound to y'all today? I'd say it sounds pretty fine, pretty fine indeed, and it's not just noise apparently - this is really happening!

Based on a 2016 article in the New York Times about a corporate defense attorney who took on the gigantic DuPont corporation (what is it with Ruffalo and the DuPonts?) and exposed decades worth of criminal pollutive behavior, the project - once called Dry Run but now called we don't know - is set to shoot next year.

This will be Haynes first project to get off the ground since Wonderstruck hit last year, and this feels, on the surface, like kind of a big departure for him, doesn't it? For one he hasn't really directed a movie with a true leading man - if you don't count the dozen Bob Dylans in I'm Not There as leads, anyway - in twenty years with Velvet Goldmine.

Happy Parker Posey Day! Her 10 Best...

by Nathaniel R

Happy 50th birthday today to the one and only Parker Posey. The 'Queen of Indies' of the 1990s isn't as celebrated these days and, frankly, we could use a lot more of her. So we're eager to read her hilariously titled memoir (pictured left) which was published this summer. Hollywood has always been a bit confused about her but we're relieved that she didn't just vanish after that first decade of fame (it girl status, indie or otherwise, is by its nature, transitory) but instead forged a patchwork kind of career mixing supporting roles in indies, tv movies, the occasional mainstream feature, and guest starring and recurring characters on TV. She's currently starring in Netflix's reboot of Lost in Space (where she plays the shady Dr Smith) and she's also recently completed filming a new indie called Elsewhere.

For her birthday we thought we'd share a list of her greatest performances.  Posey is such a curiousity that we're sure everyone's top ten will vary immensely, so have at it in the comments!

Disclaimer: I should note that the three most acclaimed performances I haven't seen from her filmography are the indies Fay Grim (2006) and Broken English (2007) and the TV film for which she was Globe nominated Hell on Heels: The Battle of Mary Kay (2002).

Ready for the list? Let's go!

Honorable Mentions: hell, just about everything but wanted to specifically note the following: Rhonda in Adam and Steve (2006), Miami in Kicking and Screaming (1995), Debbie in Drunks (1995), Kitty Kowalski in Superman Returns (2006), and Sissy Knox in A Mighty Wind (2003)

TEN BEST OF PARKER POSEY

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Months of Meryl: August Osage County (2013)

John and Matthew are watching every single live-action film starring Meryl Streep.  

#45 —Violet Weston, the cancer-stricken, drug-addicted matriarch of an Oklahoma family.

MATTHEW: Tracy Letts’ high-octane, Pulitzer Prize-winning family drama August: Osage County was the toast of the 2007-2008 Broadway season, which made a cinematic adaptation all but inevitable and the star involvement of Meryl Streep an equally foregone conclusion. The vituperative, pill-popping Violet Weston is the crowning achievement of Letts’ play and arguably the meatiest dramatic role to come along for sexagenarian actresses in the past 15 years. The part has been previously interpreted on stage by the Tony-winning Deanna Dunagan (who originated the character in the initial Steppenwolf production), Estelle Parsons, and Phylicia Rashad, any one of whom could have bowled us over in an alternate film, as might have rumored candidates like Jessica Lange, Sissy Spacek, and Glenn Close. This isn’t to take away a single merit from Streep’s no-holds-barred work, but rather acknowledge that Streep herself is the rare and defiant exception who proves the rule that actresses over the age of 50 are anathema to Hollywood’s gatekeepers.

Before falling in love with the eye of the camera, Streep was first and foremost a creature of the theater...

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Doc Corner: Memories of the past in four new films at DOC NYC

By Glenn Dunks

DOC NYC starts today in New York where something like 100 films will screen. Of the 300+ screenings and events, there are 135 features and 43 world premieres including the just announced screening of the once-thought-lost Aretha Franklin concert doc Amazing Grace. We will be looking at a just a small slice of the selections based loosely around themes. Part one is focused on memories of the past returning to the surface and involves four films which are about grieving families, the NYC art scene of the 1960s, an underappreciated photographer, and the rise of the Nickelodeon network.

EVELYN
Despite his familiarity with war zones in the Oscar-nominated Virunga from the frontlines of Congo’s bloody poaching crisis and Oscar-winning short The White Helmets from the Syrian civil war, director Orlando von Einsiedel has apparently been less well-equipped to deal with the wars of his own family’s anguish. His latest film, recently nominated for the BIFA Best Documentary prize, is an examination of his own family following the suicide of his brother many years ago. Sending himself out into the Scottish highlands alongside various family members and childhood friends for a series of memorial treks, he hopes the wintry walks will allow his family a chance to talk and confront their pain head-on like they have never done before...

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