Catch-Up: A Simple Favor, The Children Act, Colette

by Nathaniel R

So as not to get ANY further behind on reviewing and such -- you wouldn't believe my calendar right now -- here are quick takes on four  movies we barely said anything about, the first of which you should absolutely make time to see.

A Simple Favor (Paul Feig)
Synopsis: Mommy vlogger Stephanie's (Anna Kendrick) new best friend, chic enigmatic Emily (Blake Lively) goes missing then turns up dead... or does she?... in this twisty genre mashup. 
Capsule: Half comic thriller. Half campy mystery. Half bad girl dress-up fantasy. The math doesn't add up, I'm aware, but it's all enjoyable. The leading ladies are deliciously inspired, marrying all the disparate tones with as much ease, flair, and detail as the costumes, chic soundtrack, and aspirational production design. Makes a solid case for itself as the year's most delightful surprise...

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Posterized: A Star is Born

by Nathaniel R

How many versions of the oft-remade A Star is Born have you seen? There have been four now, five if you count What Price Hollywood, often forgotten because it has a different title but so alike in story beats that the first official A Star is Born was clearly lifting from it wholesale. Since the Judy Garland version they've all been musicals and as of the Barbra Streisand version, the Grammys replaced the Oscars as the key awards show moment when the new superstar wins big while her husband hits rock bottom. But more on all this later maybe..

WHAT PRICE HOLLYWOOD? (1932) Director George Cukor 
Starring Constance Bennett & Lowell Sherman (1 Oscar nomination for writing)

A STAR IS BORN (1937) Director William Wellman (Cukor declined)
Starring Janet Gaynor & Fredric March (7 nominations including Director, Actor and Actress, 1 win for "original" writing even though the plot was lifted from the 1932 film!, 1 Honorary for its color photography in a then mostly black-and-white world. This is the only version that was nominated for Best Picture at the Oscars)

A STAR IS BORN (1954) Director George Cukor again but this time it's a musical
Starring Judy Garland & James Mason (6 nominations: Actor, Actress, Costume Design, Art Direction, Score, Original Song "The Man That Got Away")

A STAR IS BORN (1976) Director Frank Pierson
Starring Barbra Streisand & Kris Kristofferson (4 nominations including Cinematography, Sound, and Score, 1 win for Original Song "Evergreen")

A STAR IS BORN (2018) Director Bradley Cooper
Starring Lady Gaga & Bradley Cooper (Oscar fate to be determined)

Since the space inbetween each A Star is Born movies is growing each time, the sixth version should arrive around 2070. Mark your calendars! ;) 

"Private Life", First Visit

Chris Feil wraps up his look at the films of Tamara Jenkins with her newest film, now on Netflix...

If The Savages was like Slums of Beverly Hills all grown up and disillusioned, Private Life is like Jenkins’ first two films in conversation, and it’s maybe her wisest. Here Kathryn Hahn and Paul Giamatti play an intelligencia couple Rachel and Richard exhaustively exploring every avenue to conceive, with newcomer Kayli Carter as their young adoring niece Sadie naively slipping herself into their struggle. With this newest film, Jenkins casts her widest net of characters, all the more rewarding with the vulnerabilities of youth and middle age are in dialogue.

Jenkins chapters the film while still structuring it like messy memory, resembling a life so anxious it can only be delineated by doctor’s visits and holidays. At the point we meet them, Rachel and Richard exist in a flurry of procedures and hormonal upheaval to the point that it defines them. But despite pursuing all of their myriad expensive and physically taxing options to bring a child into their home, Private Life is really about coping with the waning amount of options life provides as we age.

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Yes No Maybe So x 4: The Mule, The Happy Prince, Mortal Engines, and Aquaman (again)

Let's get caught up on movie trailers. Clint Eastwood is dropping another December surprise, Rupert Everett reminds us that Bradley Cooper isn't the only actor stepping behind the camera, and there's always another would be franchise or two on the horizon. Four trailers after the jump starting with the Eastwood...

THE MULE

Yes - Very effective trailer opening with that car trunk mishap and the barking dog. Perhaps it's a bit vain, given that he is directing and starring, but we admire the honest of Clint only giving himself a solo title card at trailer's end despite major stars and cherished character actors supporting him (Bradley Cooper, Michael Peña, Dianne Weist, and Laurence Fishburne) since that's probably the truth of the movie. It'll live or die based on Clint's work behind and in front of the camera...

No - This isn't fair to the movie but I dont think I can take Clint Eastwood dashing lots of other people's Oscar dreams AGAIN with a sneak attack in the last two weeks of the year...

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Review: A Star is (re) Born

This piece was originally published in Nathaniel's column at Towleroad. The movie was first screened at TIFF but he hopes to see it many times. 

Overnight success is a myth. Great artistic success in show business generally comes from working hard and learning the craft, often for years, so that you're ready should a big break ever come. 'Overnight'  is only just that moment when the world suddenly notices your long-standing gifts. A Star is Born as a franchise always synthesizes this myth and this truth for something like a fairy/cautionary tale; just as quickly as a star rises, a star can fall. Talent is never the question, but the starting point; whether the world notices and for how long, is out of your hands. The screenplay for the latest telling of A Star is Born, emphasizes this last point, as Jackson Maine (Bradley Cooper) urges Ally (Lady Gaga) to give it her all because the world might not always be listening. 

For those who've been living under a cultural rock the story of A Star is Born is ancient and simple: One already established successful showbiz man 'discovers' an absurdly gifted but basically unknown female performer and takes her under his wing. They fall in love but as her fame rises, his falls, plagued as he is by personal demons in liquid form. The story never has a happy ending so if you need a good cry, queue up...

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