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Thursday
Jul052018

RIP to Two Titans of European Cinema

By Glenn Dunks

What a shock it was to hear over the last 24 hours of the deaths of both Robby Müller and Claude Lanzmann. These two icons of European cinema were 78 and 92 respectively and both gave so much to the universe and there are not enough hats to tip to their memories and their legacies.

Robby Müller was the Dutch-born cinematographer whose regular collaborations with the likes of Wim Wenders, Jim Jarmusch and Lars Von Trier were the stuff of legend. Who can forget those stunning tableaus of Breaking the Waves or his regular plays on black and white with Jarmusch as well as Sally Potter’s The Tango Lesson. I'm not as well versed on Jarmusch's films as others, but I gather Dead Man with Johnny Depp is the one worth gawking over the most.


And I know it’s become a little bit fashionable to roll one’s eyes at people going on about the virtues of celluloid over digital, but I guarantee you have never seen colours projected onto a screen quite like those twilight blues of Wenders’ Paris, Texas...

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Wednesday
Jul042018

C O N S I D E R - Actors of 2018, First Half of Year

With the year half over, it's time to look back on the first six months of the year and what treasures they brought us. Here are the 18 performances by male actors that we liked the most thus far this year. It should probably suffice to say that this list was much easier to come up with then the forthcoming female list since the competition wasn't as fierce. (Four key films I missed that might have played into these categories were The RiderLean on Pete, You Were Never Really Here, and Paddington 2)

5 LEADING ACTORS
(Jan 1st through June 30th releases)

Daniel Giménez Cacho as "Don Diego de Zama" in Zama
Though I didn't much care for this film, Giménez Cacho, the talented Mexican/Spanish star (of Blancanieves and Cronos fame... and the unseen narrator of all time Mexican classic Y Tu Mama Tambien) delivers as the frustrated sickly officer of the Spanish crown longing for a transfer that may never come.

Alden Ehrenreich as "Han Solo" in Solo
Mimicry is overrated. It's better to get the spirit of a thing than to duplicate the tics. He manages the former though the script fights against it, refashioning Han as a hero at the beginning. 

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Wednesday
Jul042018

100 Oldest Living Oscar Nominees & Winners

This list is now updated and living here


 

Wednesday
Jul042018

Soundtracking: "Hearts Beat Loud"

by Chris Feil

Brett Haley is quietly becoming the American independent counterpart to Once and Sing Street’s John Carney, crafting happy-sad narratives with music as a key ingredient. With music partner Keegan DeWitt, Haley’s films feature characters at the end of their performance days taking one renewed grasp toward fulfillment. His newest film Hearts Beat Loud is the most addictively musical, and like his I’ll See You in My Dreams before it, its songs come straight from the heart.

Loud is the story of Frank and Sam Fisher, played by Nick Offerman and Kiersey Clemons, a father-daughter pair preparing for imminent college bicoastal separation. Frank is a failed musician and now record store owner, forever pushing the gifted Sam towards a music collaboration she perpetually resists...

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Wednesday
Jul042018

Prime/Hulu in July: Breakfast on Mulholland Dr with a Manchurian

Time to play Streaming Roulette. Each month, to survey new streaming titles, we freeze frame the films at random places with the scroll bar and whatever comes up first, that's what we share -- no cheating!  

Which of these films will you be streaming this month for the first time or as a rewatch? Do tell us in the comments. Ready for our game? Okay let's  go...

Everyone thought he was dotty the way he gorged himself on peanut butter. But he wasn't dotty. Just sweet and vague and terribly slow. Poor Fred. 

Breakfast at Tiffany's (1961) only on Prime
Everyone knows that Audrey Hepburn is wonderful/funny/elegant in this picture... though some think she's miscast. Less often noted but worthy of careful inspection: the smoking hotness of George Peppard as her conflicted gigolo neighbor. [5 Oscar nominations and 2 wins, both for Henry Mancini's music]

[no dialogue]

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