TIFF Review: "Wildlife"

by Chris Feil

Paul Dano’s directorial debut Wildlife is a period domestic drama with a fire in its gut. It’s the kind of piercing portrait of a family that makes you want to marinate in all of its surprising details just as you desperately want to escape its breathlessly realized pain.

Picturing an emotionally desolate suburban America of shitty lawns and ranch style homes, Dano strikes a balance between toughness and compassion, cruelty and honesty. It's as if its family was built on the fault line of two massive tectonic plates and no matter how violent the inevitable eruption that is to come, it might be sadly better that they be ripped apart. For everyone.

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Ladies Love Cool De Palma

by Jason Adams

It's the 78th birthday of the director slash living legend Brian De Palma today. Did everybody watch Noah Baumbach & Jake Paltrow's 2015 documentary aka an excuse to listen to Brian De Palma tell movie stories for two hours? I've watched it four times now and I'm still nowhere near sick of it - I wish they'd just release the hundreds of hours of raw footage they took so I can just wade in there and never come back again.

Anyway I decided that the best way to celebrate one of my favorite movie-makers today (as he prepares to maybe make a Harvey Weinstein movie next, a real tighrope of a proposition there) is to celebrate a few of the great roles he's given actresses over the years. Here are five favorites (well technically six but you can't make me choose between the first two) -- feel free to add your own in the comments!

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Doc Corner: Susanne Bartsch and Antonio Lopez Take the Center Stage

By Glenn Dunks

Almost as ubiquitous as biographies of famous musicians (several of those coming in the next month) are documentaries about party icons of queer history. We’ve already had the exploits of The Fabulous Allan Carr and Scotty and the Secret History of Hollywood in 2018 s, and now we can add two more titles: Susanne Bartsch: On Top and Antonio Lopez 1970: Sex Fashion & Disco.

Mother of the club kids, the nicknamed “Queen of the Night” and party planner extraordinaire, Susanne Bartsch is probably best known for her role in putting together the Love Ball in 1989. The AIDS fundraiser with people like Madonna in attendance (no doubt a formative moment in the creation of her single “Vogue”) was iconic in ways that likely gets forgotten about without films like this one to thrust it in their face and remind them. Footage from the ball is pivotal to On Top to contextualize her notoriety as more than just a famous-for-being-famous type of social queen, the likes of which flourished in the time after Warhol in New York City...

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TIFF Review: "The Old Man and The Gun"

by Chris Feil

David Lowery has already proven a difficult director to pin down easily, giving us film’s as divergent as Aint The Bodies Saints, Pete’s Dragon, and A Ghost Story. His newest film, The Old Man and the Gun, fills some of the spaces between those, and a clearer directorial voice is beginning to take shape. Lowery’s films want to immerse us in a feeling, to mire over circumstances that have inevitable ends we fight against. And this time, his film also pointedly faces its own metafictional end by showcasing what is to be the final performance of Robert Redford as a con man refusing to give up the habitual ghost of robbing banks.

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Beauty Break: Toronto Red Carpet

by Murtada Elfadl

The reviews and tweets are coming in fast and furious from Toronto. Let's take a break from all that and look at the many premieres from the weekend and the many beautiful people who walked the carpet.

If Beale Street Could Talk brought together (L-R) Brian Tyree Henry, Regina King, Colman Domingo, Kiki Layne, Stephan James, Barry Jenkins and Teyonah Parris.

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