Lily James Kisses "Teacher"

Chris here. While the first looks at the Mamma Mia! sequel has been a swinging pendulum of results, fans sincere and ironic still eagerly await word on just what ABBA songs will make their way into the film. But yay, we just got our first released track: a Lily James-led rendition of "When I Kissed the Teacher". And naturally it's a gay old time: feather boas, costume reveals, and a Celie Imrie cameo. Mostly, this has us really stoked for James' polished vocals and perhaps some higher production value this go around.

Even though this song isn't quite at the top of my must list for this ABBA redux (gimme "People Need Love" in addition to Cher's incoming "Fernando"), it's quite a treat. What ABBA tracks are you hoping make the mix?

Blueprints: "Tully"

For this upcoming Mother’s Day weekend, Jorge takes a look at the depictions of the hardships of motherhood in Diablo Cody and Jason’s Reitman’s latest joint.

At this point it may be an overstatement, but motherhood is not easy. As it turns out, taking care of another, much smaller living and breathing human being requires more time, attention and energy than one sole human being is able to provide. Tully, among many other things, is an examination of the mental toll that motherhood takes on a person.

Let’s take a look at the tools that Diablo Cody’s script uses to portray the everyday hassle, tediousness and exhaustion that Charlize Theron’s Marlo has to endure, before Tully comes in and rescues her...

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Review: "The Seagull"

by Jason Adams

Nina (Saoirse Ronan) is sweetly exasperated by Konstantin (Billy Howle), whose avant-garde play she has just acted (and flopped) in for a small crowd of friends and relations. "Nothing happens in your play," she says. "It's all people talking. You ought to add a love story."

Anton Chekov, who wrote the maybe-you've-heard-of-it 1895 play The Seagull upon which this movie is based, was of course making a joke at his own expense --The Seagull is really nothing but talk and love stories. Half a dozen love stories are all twisted up, a gordian knot of romantic entanglements...

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Cannes Carpet #1: Cruz, Bingbing, Adjani, Moore and more...

by Nathaniel R

Chloe, Chiara, Fan Bingbing, and Carey

With Cannes two days strong now, let's survey the first round of fashions with 16 of the most memorable looks to date. Chloe Sevigny has moved past her fashion muse days but still brings the style while jurying one of the sidebars. It's sort of a starchy pleat with silver gift wrapping. (I don't know what I'm looking at exactly which is sometimes welcome!) Actress Chiara Mastroianni, child of not one but two bonafide legends (Mastroianni & Deneuve, don'cha know) appears to have stepped out of the 1980s directly into 2018. From a distance the dress is like a splatter painting on acid. And Fan Bingbing generally brings several trunks (or maybe trucks?) worth of fashion to Cannes. This Ali Karoui mint-green strapless number is the best of them so far...

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Months of Meryl: Death Becomes Her (1992)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

 #19 —Madeline Ashton, a past-her-prime Hollywood actress who goes to great lengths to preserve her good looks.

MATTHEW: Meryl Streep and her good friend Goldie Hawn once came very close to riding off a cliff together. During the early 1990s, the pair had been in search of a dual-star vehicle to appear in and were initially in contention to play the titular roles in Thelma & Louise, along with one-time possibilities Jodie Foster, Frances McDormand, and Michelle Pfeiffer. Hawn and Streep actively courted Pathé Entertainment’s former C.E.O. Alan Ladd, Jr. for the parts and even tossed around ideas for a happier alternate ending. (Streep, who would have played Louise, wanted Thelma to live.) Eventually, Streep’s schedule got in the way, while Ladd deemed Hawn an iffy fit for the project, clearing the way for Geena Davis and Susan Sarandon to take on the most popular parts of their careers...

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