Strong Contenders from Iceland, Denmark, and Lebanon

by Nathaniel R

We're now up to 67 entries for Oscar's Best Foreign Language Film category. We're about two weeks away from the official announcement from the Academy which is typically about 90 films long. The latest announcements:

• Bulgaria - Omnipresent 
  Drama about a man spying on neighbors and employees with hidden cameras. No US distribution yet.
• Canada - Watch Dog 
  This drama stars French-Canadian actor Théodore Pellerin, who has a romantic scene with Lucas Hedges in Boy Erased. This is a very different performance as he's playing a violent troubled young criminal here. No US distribution yet but playing at Chicago Film Festival next month.
• Denmark - The Guilty
  A crime drama about a kidnapped woman and a police office. Opens in the US on October 18th.
• France - Memoir of War
  Sad news for the very passionate fans of French family drama Custody. They went with this WW II drama instead. The film stars Melanie Thierry and Benoît Magimel. In limited release in US theaters now.
• Iceland - Woman at War 
  You already know I love this oddball environmental activist movie! It's from Benedict Erlingsson, a former actor, who with his second film, confirms that he's Iceland's most exciting new director. Magnolia Pictures will release in the US...date TBA
• Lebanon - Capernaum
  This is widely expected to be Oscar-nominated. But a word of caution always with the foreign category: there are regularly surprises. Nadine Labaki's previous Lebanese submission Where Do We Go Now? was expected to be Oscar-nominated after winning prizes at Cannes and TIFF's People's Choice Award in 2011...but had to settle for a Critics Choice nomination only when the mainstream awards season hit. Opens in the US on December 14th
• Macedonia - Secret Ingredient
  Dramedy about a man who makes his father a pot cake and soon has neighbors and criminals after him. I believe this is available on HBO Go but will have to double check.
• Nepal - Panchayat
  Panchayat refers to an old style of local political systems in South Asian countries in which five elders would settle disputes between individuals and villages. No US distribution yet.
• South Africa - Sew the Winter to my Skin
  An "existentialist-adventure" set in the 1950s about a Robin Hood like outlaw who steals from white settlers and becomes a hero to the indigenous population. No US distributor yet.

If patterns from past years hold we'll see one switcheroo with a different title than was previously announced and one other title will be mysteriously missing due to disqualification or whatnot. So these charts are accurate from press announcements until they're not should unforseen circumstances occur.

FOREIGN PREDICTIONS
Submissions pt 1 - Austria through Estonia
Submissions pt 2 - Finland through Montenegro
Submissions pt 3 - The Netherlands through Venezuela

And the Skies Are Not Cloudy All Day

by Jason Adams

At several key moments in Jacques Audiard's hymnal The Sisters Brothers time stands still and we watch a curtain gently shift to and fro in the breeze, mid-day sunlight coloring in its folds, making shade where none just was. Take a moment to smell the roses, the film whispers, because hey you never know if and or when you might get shot right in your face... 

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Months of Meryl: Lions for Lambs (2007)

John and Matthew are watching every single live-action film starring Meryl Streep.  

#38 — Janine Roth, a liberal network journalist faced with an ethical quandary.

JOHN: When Meryl Streep accepted her Golden Globe for The Devil Wears Prada in January 2007, she divulged a prophecy: “This has been such a fun year to watch movies because of you gals,” she said, citing fellow nominees like Annette Bening, Toni Collette, and Beyoncé. “[It] makes you want to cry with gratitude… until next year.” How could Streep have known that her 2007 would contain some of the most insipid and unwatchable films of her entire career?

In Robert Redford’s Lions for Lambs, Streep switches sides from Rendition, her previous War on Terror drama, playing Janine Roth, an investigative journalist given an exclusive scoop by a hawkish, right-wing senator named Jasper Irving (Tom Cruise) about a new military tactic being deployed in Afghanistan. Because Lions for Lambs was made under the same misguided inspiration of everything-is-connected political narratives like Babel, Crash, and Rendition, Streep and Cruise’s conversation is just one of three narrative threads...

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TIFF 2018 Finale. Jury of One: Nathaniel

OKAY WRAPPING UP TIFF NOW. Unless you are on an actual jury at a festival, you see a different set of films than everyone else attending (with a handful of crossovers) so I couldn't corral votes with my festival roomies (Nick, Joe, and Chris -- instead we did a podcast). So I thought it might be fun to share my favorites from the festival in 'nominee' Oscar style. These are not, of course, Oscar predictions or even Film Bitch ballots because not all of the films are guaranteed eligibility this year and we've had 8 months of good movies before these and we'll have 3 months of hopefully good movies afterwards that they'll have to compete with. But here's the achievements within traditional awards categories that thrilled me most at TIFF during that 29 film screening marathon.

They're listed in alpha order (by film) except the actors (by name) and links go to our festival reviews if we managed one -- a few more reviews are half written but we need to wrap up TIFF so expect more on A Star is Born, Beautiful Boy, Border, and more soon as they'll be in theaters within the next few weeks.

TEN BEST FILMS I SAW AT TIFF

"Roma" is rich with endless details and emotional punch

• Border (Sweden)
• First Man (US)
• Museo (Mexico)
• The River (Kazakshtan)
• Roma (Mexico)
• A Star is Born (US)
• Transit (Germany)
• Widows (US)
• Wildlife (US)
• Woman at War (Iceland)

Runners up: Cold War (Poland)

Lots more after the jump including best performances, best visuals, best dogs (yes, really), best original songs and more...

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Queer TIFF: "Vita & Virginia" and "Tell It To the Bees"

Nathaniel R trying to catch up on those festival reviews! 

Herewith two films about married women breaking out of their heteronormative bonds for passionate lesbian affairs. And what I thought were two movies written by famous actresses though, in fact, only one was...

What would Virginia Woolf make of the multiple cinematic attempts to capture her enigmatic persona in two hours flat? Hell, what did the literary icon make of the movies themselves since they were invented in her lifetime? If I'm ever able to interview Woolf expert, actress/writer Dame Eileen Atkins, I plan to ask her. Woolf was most famously played onscreen by Nicole Kidman in The Hours in which Atkins had a small role. Now it's the ever bewitching Elizabeth Debicki's turn in Vita and Virginia, written by Atkins from her play of the same name...

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