Venice Film Festival Gets "First" First

Chris here. Get ready for the fall film festival announcements to start rolling in at rapid speed. NYFF just announced Alfonso Cuaron's tightly guarded Netflix saga Roma as their centerpiece (not a world premiere, so likely to pop up elsewhere), but another big reveal was just announced: Damien Chazelle's Neil Armstrong thriller First Man starring Ryan Gosling and Claire Foy is our Venice Film Festival opener. This marks the second time that Chazelle has been invited to open the Lido after La La Land, but this go around looks to be a very different spectacle from the director.

Things have been quiet on the film since that first trailer, but the Venice opening spot should stir up quite a bit of attention before the film opens on October 12. The rest of the Venice lineup will be announced next week, July 25. While Venice trophies don't always translate to Oscar glory, last year's top prize Golden Lion winner The Shape of Water was our eventual Best Picture winner. Could First Man have a similarly successful launch? Oh the joys the fall festival season!

The Furniture: Mattes, Moons and Mountains in For Whom the Bell Tolls

Daniel Walber's series on Production Design. Click on the images to see them in magnified detail.

Sam Wood directing Ingrid Bergman and Gary Cooper in 1943's top picture

It can seem kind of crazy that For Whom the Bell Tolls was the top box office hit of 1943. The star power of Ingrid Bergman and Gary Cooper played into it, of course. So did the fact that it was an adaptation of Ernest Hemingway’s popular and recent novel. And there’s the obvious appeal of Cooper fighting a bunch of Fascists, a year and a half after America’s entry into World War Two.

The thing is, he doesn’t actually do all that much fighting. No one in the film does. It’s mostly a contemplative interlude on the fringes of the Spanish Civil War, a brutal vacation with a band of hardened guerrillas, a doomed love story built from trauma and consummated on the high rocks. It’s 165 minutes of memory, frustration and stasis.

It also wound up with nine Oscar nominations, including both cinematography and art direction. And the collaboration between cinematographer Ray Rennahan and the design team of Hans Dreier, Haldane Douglas and Bertram C. Granger is really the highlight of the film, even against the life-giving energy of Katina Paxinou’s Oscar-winning performance...

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Mamma Mia! And Me: How the Musical Changed My Life a Decade Ago

by Jorge Molina

Today Mamma Mia! turns a decade old. The film opened exactly ten years ago, on July 18th, 2008. And this weekend, what is perhaps the most unexpected sequel in the franchise factory that Hollywood has become will open.  

I could write a piece about some sort of legacy, or about what a monstrous hit it was when it opened (becoming the highest grossing live action musical ever, and the highest grossing movie in history in the U.K. at the time). I could attempt an oral history on why I firmly believe this was the most fun any group of actors has ever had on set, or an objective reexamination on why this silly and often senseless movie works so effortlessly.

But I want to get a little more personal. Because ten years ago, that movie changed the way I looked at myself and my life...

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Extra! Extra! Link All About It

So much news and other things to link up. Okay, here we go...

Polygon <-- I wrote this piece for them on The Dark Knight and the Oscar quake that followed. Have a look won't you? 
The Ringer LOLZ. The forthcoming Downton Abbey movie ...with zombies
Variety Weinstein Company's library of hundreds of Oscary films and TV shows like Project Runway now owned by a new company Lantern Entertainment. 
MNPP Tab Hunter marathon on TMC this Friday!
/Film Batwoman series in development at CW. It's another one of those Berlanti superhero shows. I enjoyed The Flash for a time but I really wish if we're going to have this many shows that there would be some differentiation of producing teams so that there wouldn't be so much homogeny with point of view.

More after the jump including MoviePass trouble and new projects for Halle Berry, Taraji P Henson, Rose Byrne, and Kate Winslet... 

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Roma Takes New York

by Jason Adams

Set your calendars - the New York Film Festival is a mere seventy-two days away now! Running from September 28 to October 14 the 56th edition of my hometown's biggest fanciest movie celebration has just made its first programming announcement - this year's Centerpiece Film will be Alfonso Cuarón’s black-and-white autobiographical epic Roma! 

The movie charts the course of a family over the course of a year in middle-class Mexico City in the 1970s, and even though that seems straightforward it sounds like Cuarón is still experimenting with movie technology - NYFF promises that the film features "a sound design that represents something new in the medium." Well I'm curious!

Roma is owned by Netflix and got pushed out of consideration by Cannes because of their cantankerous relationship with the streamer - NYFF has no such qualms, having screened both Mudbound and The Meyerowitz Stories just last year, so we'll be some of the lucky movie-goers who see Cuarón's vision on a great big screen, lucky lucky us.