Months of Meryl: Dancing at Lughnasa (1998)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#25 — Kate Mundy, the elder head of a matriarchal clan in Ireland’s County Donegal circa 1936.

MATTHEW: Dancing at Lughnasa continues the sporadic but prestigious practice, begun by Plenty and leading up to August: Osage County, of Meryl Streep headlining big-ticket Broadway plays in screen adaptations that tend to do a disservice to the often truncated works whose very suitability for such stage-to-cineplex transfers feels rather strained. (Angels in America, made for HBO, is obviously a highly distinguished exception.) These films are greenlit as glorified acting showcases in the hopes of magnetizing a similar haul of trophies as their acclaimed theatrical predecessors. They may feature some fine, forceful performances (from Streep and several others), but their claims as cinema remain dubious at best.

I’m always curious about why Streep seldom returns to her first love, the stage, especially when one considers that the actress’ greatest role in the last decade was not Susan Orlean, Clarissa Vaughan, or Miranda Priestley, but Bertolt Brecht’s Mother Courage, whose wagon of wares Streep took up for a 2006 Shakespeare in the Park production, four years after playing Irina in The Seagull for the same summer series...

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Three Questions for Nicole Kidman's Birthday

We went all out for Nicole Kidman's 50th birthday last year with 50 Appropriate Ways to Celebrate so this year on her 51st (happy birthday diva!) we'll keep it simpler.

Answer me these questions three in the comments:

1. What's your favorite performance of hers that isn't from her legend-making 2001-2004 run (i.e. The Others-Moulin Rouge!-The Hours-Cold Mountain-Dogville-Birth what a genius run that was!) 
2. What single scene -- minus the opera seen in Birth --pops into your head the most when her name is invoked?
3. What's a performance of hers that you haven't seen (she works so much you're surely missing something!) that you're most curious about?

and if you're on twitter go really crazy and do the 10 question meme

Soundtracking: "The Lion King"

by Chris Feil

When The Lion King arrived in 1994, it felt like the first Disney film fully developed in its post-Little Mermaid resurrected era. Whereas the genius of Beauty and the Beast and Aladdin feel like passion projects born of new financial fluidity, this film rings like a triumphant self-actualization of its return to dominance. It’s right there in the in the rising sun and thunderous opening incantation of “Circle of Life” - Disney reclaiming with force what they had lost and owning the cyclical nature of creative power.

It’s arresting stuff on a meta level, but that’s still incomparable to the song’s visceral gut level impact. Paired with the imagery of a convening animal kingdom both too fantastical to be true and rendered with breathtaking reality, “Circle of Life” feels so monumental that even immersive IMAX screens and sound systems can’t do its scale justice...

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Television Critics Association Nominees 2018

by Nathaniel R

The Television Critics Association has only been around in some form or another since the 1980s but they have recently been getting more press. That's partially, we suspect, because the Emmys are so relentlessly unsatisfying with their constant repetitions. The TCA Awards aren't against a repeat here and there but more than two wins is rare in any of their categories and they've proven fairly discerning in the past.

We aren't fans of their tradition of fusing performance into only two acting categories (genderless and without any way to recognize supporting players or differentiate between movies and series so this means far far far fewer times the nominees in an era where we're constantly told that there is an abundance of great work!) but otherwise we like them just fine.

They were absolutely besotted with the debut season of "Killing Eve" this year. Nominations for the 2017/2018 television season are after the jump... 

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Link like the world isn't on fire

Variety - helpfully lists 10 standout moments from the MTV Movie Awards so we dont have to worry abotu missing it. Black Panther took the bulk of the prizes with Tiffany Haddish hosting
Towleroad - Interview with the director of McKellen: Playing the Part
IndieWire - 64 established and emerging film critics reflect on their favorite piece they've written -- our very own Chris Feil is in the mix! 
MNPP -Tyler Hoechlin seven times

Variety - Jennifer Lee (Frozen) and Pete Docter (Inside Out) are replacing John Lassetter at Disney and Pixar respectively
Guardian - Fun interview with Christopher Plummer on acting, replacing persona non gratas, and making peace with The Sound of Music.  
Coming Soon - this week in news absolutely no one needs: Robert Zemeckis to remake Roald Dahl's The Witches. There is literally no way to top Anjelica Huston's Grand High Witch so why?
/Film -AMC's A-List is going to compete directly with Movie Pass for those frequent moviegoer subscription dollars 
Variety - LGBTQ actors haven't had much luck securing Emmy nominations outside of the comedy fields. Will this change soon? 
New Yorker - funny piece on confessing that you met your partner in real life and not online! 

You guys. It's getting harder and harder to concentrate on movies and you know that's a nightmare for us when movies are our great love. But every day that goes by as America slides towards concentration camps, complete inhumanity, and fascism, Amy Poehler's questionnaire from last week at THR becomes ever more needed and brilliant. Here's the Q&A since the article is long and not about this: