Two Handfuls of Link

• The Guardian Isabelle Huppert has really outdone herself with her answers in this new Q&A
• Variety Roseanne cancelled at ABC after Roseanne couldn't help herself and went on yet another round of racist remarks. Still, that's quite a move by ABC given the success and profitability of the show (and their past indifference to her statements). Corporations aren't really known for not letting money do the loudest talking.
• Variety interesting buiness related follow up: In the very recent upfronts ABC had basically built its whole Tuesday schedule around Roseanne as ratings savior. What will they do now?
• Slate an oral history of The Muppets
• Coming Soon Uma Thurman to star in Netflix's supernatural drama series Chambers. Let's hope she has better luck than Naomi Watts did with Gypsy.
• Pajiba Let's talk about Phoebe Waller-Bridge (Fleabag, Solo)

Much more after the jump including Jake Shears new song, George Takei exonerated, Interview magazine, Mean Girls album, a Spawn reboot, and what to do when stars disappoint us...

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A Reflection on "The Tale"

By Spencer Coile 

I intended for this to be a formal review of Jennifer Fox’s autobiographical HBO film, The Tale. I was going to dive into the Sundance darling and discuss it, celebrate it, and critique it the way we do most movies. I was going to conclude with the film’s Emmy chances, where it will no doubt be a worthy contender for Best Made for TV Movie and Laura Dern in Leading Actress. And it’s no wonder – it was critically lauded as a timely reflection of the #MeToo movement.  

But a "review" would be doing Fox’s story a disservice. This is, first and foremost, a personal story about Fox's reconciliation with the past as a means of understanding her present and future. The Tale was acclaimed coming out of Sundance, and was quickly scooped up by HBO. Gone were Dern’s Oscar chances, but this decision ensured that the film would reach an audience, which according to Fox, was the point all along.

Dern plays Jennifer Fox at 48-years-old – a documentarian, a professor, engaged. On the surface, she seems to be living a completely fulfilling life. But when her mother (Ellen Burstyn) finds a story that Jennifer wrote at 13, her world begins to crumble...

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Maleficent 2 Begins Filming. A Few Words on the Cast

by Nathaniel R

As much as I neither enjoyed Maleficent (2014) nor have any reason whatsoever to believe the sequel will be any better, I'll admit that I am as gullible as anyone when it comes to promotional hype about blockbusters. I veritably squealed when I saw this photo on Elle Fanning's instagram today. And then this equally delicious photo...

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Doc Corner: Are 'Wild Wild Country' and 'Evil Genius' on Netflix Peak TV?

by Glenn Dunks

Peak television! One could argue that unlike film, television only grows and grows in stature as the more resources and money are thrown its way. Whether you’re part of the small screen migration or still prefer things big and silver, it is hard to deny the impact that has occurred and the major cultural and structural shift that has forced its creators to tap into new and exciting takes on the form and storytelling more generally. I don't think anybody would find that a controversial stance at all.

However, is there a point where this newfound reservoir of creativity and both financial and technical supply is actively harming storytelling? On the fictional side of TV, for instance, I have argued that a series like Westworld is definitely harmed by being offered the benefits of contemporary television's bounty – being given a monumental budget – and the expectations that that breeds from a storytelling point of view to be instantly the biggest and most Capital I Important version of itself without the option of gradually enhancing its characters and narrative through world-building.

On the documentary side, however, the issue is somewhat murkier...

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Top Ten: Annette Bening's Best Performances

The one and only Annette Bening turns 60 today. But, really, she's ageless. And with agelessness comes the superpower of never-peaking. She's been brilliant from the start and, if anything, keeps getting moreso. Herewith our ten favorite performances by The Bening, though should you ask us on another day the films and the order would change.

THE BENING'S 10 BEST

10 Mother and Child (2009/2010) 
Released in the early summer of 2010 to little fanfare, and immediately eclipsed by a much bigger summer hit in The Kids Are All Right,  she was moving playing an unlikeably negative and guarded woman who'd once given up a child (Naomi Watts) for adoption. 

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