Smackdown Companion - The Shape of Phantom Billboards

NEW PODCAST! *Updated with correct podcast file*

For this week's podcast Nathaniel R presents a companion conversation to our Supporting Actress Smackdown (which we'll presume you've read already!). Joining him to discuss the Best Picture race and more generalized discussion about supporting actressing in 2017 are: Andrew Carden (Awards Connection / Gold Derby) Chris Feil (The Film Experience), Candice Frederick (Reel Talker), Erica Mann (NYC Film Chick), and Kevin P O'Keeffe (Into). 

Index (42 minutes)
00:01 Intros & Rewatches
02:30 Favs That Weren't Nominated
13:00 Mary J Blige and Carey Mulligan and Mudbound
17:00 Shape of Water, Get Out, or Three Billboards to Win?
31:00 Switching Roles Around: Octavia Spencer
37:30 Allison Janney and Julianne Nicholson and I Tonya
40:00 Lesley Manville, Laurie Metcalf and Goodbyes

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Smackdown Companion 17

Doc Corner: 'The China Hustle'

By Glenn Dunks

There is immediately something to be admired in a film that begins with a talking head stating very matter-of-factly that “There are no good guys in this story, including me.” I mean, well damn, okay. The China Hustle is a film that begins and ends in a pit of greed and contempt, charting how the financial crisis of 2008 and the rise of the Chinese economy played rather conveniently into one another and how a brand new variety of stock fraud is being committed on the American people.

Directed by Jeff Rothstein who was Oscar nominated in 2010 for his documentary short Killing in the Name, The China Hustle exposes the growing problem on the American stock exchange of Chinese companies over-inflated their worth and effectively dropping a timebomb on the market with the help of shell companies and China’s lax company laws aided by pure old fashioned greed as auditors and lawyers blatantly misrepresent and mislead the public for their own profits.

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Berlinale: Winners Roundup and More...

Seán McGovern completes his Berlinale coverage. Until next year's fest!

You're no-one in Berlin unless you're coughing, which is what 75% of people (myself included) have been doing this last week.

Negative temperatures make for more serious cinema goers, although 2018's edition had its share of sideswipes. The festival's director Dieter Kosslick has two years remaining before his tenure is up and many are anxiously awaiting a fresh vision. Nevertheless, Berlin has some of the most offbeat and independently-minded filmmakers showing their work, and the gems are absoultely there. Let's have a final look at some of the curiosities that may or may not end up in a cinema near you.

Golden Bear Winner - TOUCH ME NOT (dir. Adina Pintile, Romania/Germany/Czech Republic/Bulgaria/France)

The only premiere at the Berlinale Palast that I managed to go to also turned out to be the the winner of the Golden Bear...

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Interview: James Ivory on "Call Me By Your Name" and the Merchant Ivory Legacy

by Nathaniel R

Highlight of 2017: Meeting one of my true gay heroes, James Ivory.

They say you should never meet your heroes. But "they" haven't met James Ivory. The legendary director, currently nominated for Best Adapted Screenplay at the Oscars for Call Me By Your Name (2017) is 89 years old but you wouldn't know it. He's sharp and talented and thoughtful as ever. It's his fourth nomination in a rich career that extends way back to the late 1950s though he's best know for the popular costume dramas he made in the 1980s and 1990s with his producer and life partner, the late Ismail Merchant (1936-2005).

I had the pleasure of meeting with Ivory at the Middleburg Film Festival earlier this season.  I didn't quite intend to begin gushing but it couldn't be helped. He was deeply formative in my life, one of the first two or three directors that made me fall in love with the medium that became my whole life. I groused about his lack of an Honorary Oscar and I eagerly told him about a couple particularly memorable trips to see his movies with my parents. He shared a few amusing stories he's heard from other fans. Then we settled in for our discussion of his rich career, the restoration of some of his films, and Call me By Your Name. Our interview is after the jump...

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Interview: Greta Gerwig on what kind of filmmaker she's going to be

by Nathaniel R 

Greta Gerwig directing the prom scene in Lady Bird. Look, she's even dressed for the occasion!The first time we spoke to Greta Gerwig in 2013 for Frances Ha it was over the phone. Her voice was so animated it felt like an in person interview. She was learning the accordion because of that seismically magical moment in the French film Holy Motors and revealing to me that she didn't think being an "actor-for-hire" in other people's work would be her path. Little did I know -- though perhaps she did -- that the exquisite Lady Bird was coming. In between she wrote and starred in Mistress America (2015) and gave what is arguably her best performance in Mike Mills 20th Century Women (2016). The rest is of course current celebration and future history: Lady Bird proved a mainstream breakthrough as a writer/director. It's up for five Oscars including two for Greta Gerwig herself as a writer and as a director.

This time, speaking in person, that familiar voice is just as lively but her laughter even more infectious. She radiates as much joy from talking art in real life as she often has creating it onscreen as a performer.

When I ask her her how the accordion is coming, she admits she's "rusty" and that it hasn't been a movie that inspired her lately but 'certain books' though she leaves them unnamed. Whatever feeds your soul as an artist, that's where you go.

on set directing Timothée and Saoire in Lady Bird (2017)

I reminder her about that comment about acting for others not being her path and she says "I know..." in a goofily apologetic way, like she always knew where she was heading but just hadn't told us.  Our interview is after the jump...

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