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Monday
Feb192018

Box Office: T'Challa Reigns

by Nathaniel R

Holiday Weekend Box Office (Feb 15th-18th) Estimates
W I D E
800+ screens
L I M I T E D
excluding prev. wide
1.🔺 Black Panther (pictured) $235 NEW PODCAST
1. 🔺 Detective Chinatown 2 (pictured) $862k on 115 screens NEW 
2. Peter Rabbit $23.1 (cum. $54) 2.  The Oscar Nominated Short Films  $780k on 272 screens (cum. $1.8) 
3. Fifty Shades Freed $19.4 (cum. $78.6) REVIEW
3. La Boda de Valentina $642k on 331 screens (cum. $2.1)
4. Jumanji $10 (cum. $379.6)
4.  Pad Man $435k on 152 screens (cum. $1.4)
5. The 15:17 to Paris $9.1 (cum. $26.8) REVIEW 
5. 🔺 Monster Hunt 2  $401k on 69 screens NEW 

 

Black Panther just had a record-smashing holiday weekend. It's the biggest President's Day Weekend haul of all time and the 5th biggest opening ever. And in a single weekend (even if you don't count the holiday) it became 2018's biggest hit. That's thus far of course. Three dependably behemoth franchises that, like Black Panther, will have no trouble whatsoever raking up their first 1/2 billion globally (even if people don't love them) are still to come. We're talking Solo: A Star Wars Story, Jurassic World: Fallen Kingdom, and Avengers: Infinity War which could threaten King T'Challa for #1 of the year dominance. 

But at least until the summer movie season begins "Wakanda Forever!" is the rallying cry for moviegoers, so there wasn't much talk of anything else...

Click to read more ...

Monday
Feb192018

Beauty vs Beast: They Call Him Mr. Poitier

Jason from MNPP here - Sidney Poitier is turning 91 years old tomorrow, and so let's devote this week's episode of "Beauty vs Beast" to Norman Jewison's 1967 classic police drama In the Heat of the Night, which won five Oscars including ones for Best Picture, for Rod Steiger as Best Actor, and for Hal Ashby for Editing. Shockingly Poitier wasn't even nominated for the film, but he did already have his 1963 statue for Lilies in the Field at that point.

ITHOTN is nominally a film about a murder in a small town, but it's the tension between the Mississippian police chief Gillespie (Steiger) and the usurping fancy-man Philadelphian detective Virgil Tibbs (Poitier) that gives the film its drama, as we watch their animosity give way to something like respect. Still it's very much of its time, up to and including those Oscar nominations - imagine Steiger winning the statue while Poitier's not even nominated today...

PREVIOUSLY To borrow a turn of phrase from Denzel Washington, last week's Creed contest wasn't close and the winner, by an arm, was Michael B. Jordan as Adonis. He took just under 70%. Said Emma:

"I cried like a baby in the final act of CREED. My crying was so audible that someone in front of me turned around and said to my friend, 'let's hope she never sees SCHINDLER'S LIST!'.   Oh, and Michael B. Jordan's guns, obviously."

Monday
Feb192018

Berlinale 2018: Isle of Dogs and more...

Seán McGovern reporting from the 68th Berlin International Film Festival.

There's a friendly kind of brusqueness to Berliners. They're very unbothered. But the barely-contained excitement of my first Berlinale is almost matched by the huge passion the Germans have for film culture. Ten days and dozens of stunning venues. I'm here mainly to see all the films up for the Teddy Award but it wouldn't be a film festival if I wasn't in at least three screenings a day.

Opening Film
Isle of Dogs (dir. Wes Anderson, United Kingdom/Germany)

At first it seems like a basic choice – A famed US director with a star studded cast.

But take a moment to appreciate that Isle of Dogs is a multi-format animation, in dual languages, and about a historic animosity between humans and dogs, set in Japan, in the future. It's is a gorgeous testament to the kind of storytelling animation is capable of...

Click to read more ...

Sunday
Feb182018

BAFTA Winners + Precursor Consensus = No Surprises on Oscar Night?

by Nathaniel R

Kaluuya wins "Rising Star"With only 13 days left until Oscar, the race in most of the marquee categories is sadly settled. BAFTA, held today in London, cemented the frontrunners honoring the exact same actors as the Critics Choice Awards, SAG, and Golden Globes. It's Gary Oldman, Frances McDormand, Sam Rockwell, and Alison Janney for the Oscars. Engrave the statues now. That's just too much consensus for Oscar to overthrow though we're personally baffled that none of that quartet's strong (and arguably better) competitors managed to put up a fight. What's more it's the first time in history when there's been no variation whatsoever in the prizes despite none of that foursome winning any of the top critics awards (NYFCC, LAFCA, and NSFC). Usually there's at least one 'we're-doing-our-own-thing' moment within the four categories in the televised precursors. Not this year. What happened to the tough battle we were suppose to have in Best Actress for example with Saoirse Ronan, Margot Robbie, and Sally Hawkins all seeming possible early on as victors. 

The only real question on Oscar night given this lock-step agreement from all of the major precursors is within the rare categories wherein there wasn't total agreement...

Click to read more ...

Sunday
Feb182018

Podcast: Black Panther (plus underseen gems)

With Nathaniel now ensconced in new digs, the podcast can resume. Up first a mini-podcast on Ryan Coogler and Marvel's Black Panther blockbuster with Nick Davis and Katey Rich. It's paired with a "deleted scene" from the last podcast as Nick, special guest Teo Bugbee and Nathaniel discuss favorites that were never really in the awards conversation but we hope people will find on streaming including super-hero adjacent Professor Marston and the Wonder Women. 

You can listen to the podcast here at the bottom of the post or download from iTunesContinue the conversations in the comments, won't you? 

Black Panther and More