Mike Leigh at 75: "Secrets & Lies"

By Salim Garami

What's good?

Timothy Spall's character Maurice Purley in Mike Leigh's 1996 Palme d'Or winner Secrets & Lies is a photographer and every scene we see him at work involves his usually-successful, sometimes-not-as-much attempts to amiably convince his clients to take a big smile before he takes the photo. Sometimes it's a direct appeal and sometimes it's just by making an off-hand joke that catches them. Usually it's preceeded by a very slight window of sadness implying a long and exhaustive story on the subject's part. It feels like a very reflexive move on Mike Leigh's part: Secrets & Lies, like most of Leigh's works, is a humanist tale of some very messy and sometimes sad parts of a large story but Leigh imbues it with a sense of delicate compassion, sometimes injecting a sense of humor about the situations, but always wanting the best for its characters.

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Review: "Game Night"

by Chris Feil

An enjoyable, modest studio comedy is a rare breed these days, each entry trying to out-stunt or out-horrify the other for shock laughs. Some miss the mark entirely. Enter Game Night, a formulaic comedy unconcerned with one-upmanship, and quite enjoyable all the same.

Rachel McAdams and Jason Bateman star as Annie and Max, a couple struggling to conceive. They're united by their competitive streaks which get full reign over their weekly get-togethers with friends. When the usual gathering gets overtaken by Max’s more successful and handsome older brother Brooks (played by Kyle Chandler), a harmless mystery role playing game is overtaken by an actual violent kidnapping. The group must save Brooks from his kidnappers, and maybe nurse Max’s bruised jealousy in the process...

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The Smackdown is Coming. Meet the Panelists

It's almost time for another Smackdown. As is the brief tradition, we'll be looking at this year's nominees for Supporting Actress in our February edition (just as we did last year). We'll be talking Octavia Spencer, Laurie Metcalf, Lesley Manville, Mary J Blige, and Allison Janney. The Smackdown and its companion podcast will arrive this coming Monday, February 26th.

It's time to meet the panelists. Please welcome...

FIRST TIME PANELISTS

Andrew Carden
Andrew Carden is a contributing writer at GoldDerby and writes about all things Oscar on his blog, The Awards Connection. When he's not on Twitter, lamenting Thelma Ritter's 0-for-6 record in Best Supporting Actress, Andrew works in Massachusetts politics.

His #1 of 2017: Mudbound
[Andrew on Twitter]

Candice Frederick
Candice Frederick is a freelance TV/film critic living in New York City. She has written for Vice, The Daily Beast, The Mary Sue, /Film and others. You can find more of her work here.

Her #1 of 2017: Wonder Woman
[Candice on Twitter]

Erica Mann
Erica is a writer and film critic based in New York. Creator of The NYC Film Chick blog in 2012, she has covered film festivals such as Tribeca, New York Film Festival, and TIFF. When she is not working, tweeting, or fighting the patriarchy, she freelances as a film coordinator and producer.

Her #1 of 2017: Mudbound
[Erica on Twitter]

RETURNING PANELISTS

Though we never repeat an exact panel, we do like to welcome voices back. The following two men have done smackdowns before (the 2016 fivesome and the 1995 brilliance, respectively) so we're welcoming them back.

Chris Feil
Chris Feil lives in Columbus, Ohio and is a contributor to The Film Experience. You can easily beetlejuice him into your conversations by talking about soundtracks (shameless plug for his weekly column Soundtracking), RuPaul's Drag Race (further shameless plug for his recaps), and WALL•E. He is remembering to notice the collateral beauty around him. Chris has also written for Paste and Decider.

His #1 of 2017: Lady Bird
[Chris on Twitter]

Kevin O'Keeffe
Kevin O'Keeffe is a writer, editor, and RuPaul's Drag Race herstorian. Currently, he writes about that show, as well as other film and TV, for the LGBTQ+ magazine INTO. He's still mad Tiffany Haddish wasn't nominated this year.

His #1 of 2017: Call Me By Your Name
[Kevin on Twitter]

... and your host

Nathaniel R ... but you know me already.

The Smackdown will be up on Monday. And if you'd like to get started early on your viewing for future smackdowns we're doing 1970 and 1994 sometime in the spring after a wee Post-Oscar break. Stay tuned!

Months of Meryl: Sophie's Choice (1982)

Hi, we’re John and Matt and, icymi, we are watching every single live-action film starring Streep...

#8 — Sophie Zawistowska, a Polish Holocaust survivor now fighting back personal demons as a Brooklyn émigré.

JOHN: Meryl Streep is as defined by Sophie’s Choice as Tiffany's is by diamonds. Her “choice” is perhaps the most notorious scene in Streep’s oeuvre, known by people who have no idea that The Deer Hunter or Silkwood or Ironweed even exist. In only our eighth entry, we have already arrived at the performance in which the legend of Streep was crystallized forever...

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Blueprints: "I, Tonya"

Jorge continuing to look at the screenplays of this year's Oscar crop... 

All through this year’s awards campaign, the team behind I, Tonya has repeatedly stated that the movie came to be because of screenwriter Steven Roger’s interviews with Tonya Harding and Jeff Gillooly, in which he realized that they both had widely different recollections of their relationship.

The movie that came out of those interviews decided to play with perspective, memory, and point of view to give an unreliable retelling of this story, and playing with biopic tropes. Let’s take a look at how Rogers used various formal devices in the script to convey that we all remember things differently...

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