First & Last: The Bravest Of Us

the first image and the last line of dialogue from a motion picture

His song shall be sung forever."

Can you guess the movie?

"Borg/McEnroe" to Open TIFF

Chris here. We're very excited that the Toronto Film Festival is right around the corner, and last week's first announcement of the films in the lineup were just the beginning. One of the conspicuous gaps in last week's films was the fest opener - and now we know that film to be tennis biopic Borg/McEnroe.

This makes the second real-life period tennis film playing the fest, after the likely more lighthearted Battle of the Sexes. Here Shia Labeouf stars as the hot-tempered John McEnroe facing off against his rival Björn Borg, played by Sverrir Gudnason, during Wimbledon 1980. The opening slot hasn't had the best luck in recent years, with past films being the The Magnificent Seven remake, Demoliton, The Judge, and The Fifth Estate - bet you hadn't thought of those movies in a bit! Could Borg/McEnroe turn it around? Or, perhaps more importantly, is tennis the next sports movie obsession?

TIFF also just announced their Midnight Madness, Docs, Shorts lineups! Check those out after the jump...

Click to read more ...

Doc Corner: Three Music Docs Cover A Century of American Culture

by Glenn Dunks

As Madonna once opined, music makes the people come together! There's literally centuries of the stuff to cover so it's little surprise we get a lot of documentaries on the subject - and we didn't even get to cover the four-hour Grateful Dead doc from earlier in the year, and who knows if we'll get to cover Chavela, Tokyo Idols, Give Me Future: Major Lazor in Cuba, G-Funk, The Go-Betweens: Right Here, Revolution of Sound: Tangerine Dream or any of the others that are fluttering around the festival and VOD circuit.

So this week rather than just covering one, I'm looking at three!

RUMBLE: THE INDIANS WHO ROCKED THE WORLD

The history and influence of Native Americans in music is explored by director Catherine Bainbridge and co-director Alfonso Maiorana in Rumble: The Indians Who Rocked the World. Taking its name in part from Link Wray’s famed 1958 instrumental (the only of its kind to be banned), it is perhaps easy to align the films with other popular music history docs such as 20 Feet From Stardom and Waiting for Sugarman, but doing so only highlight this new feature’s shortcomings.

More Rumble + East Bay punk and the woman who made the sounds of '80s after the jump...

Click to read more ...

Jeanne Moreau (1928-2017)

by Nathaniel R

Jeanne Moreau in BAY OF ANGELS (1963)

The greatest French New Wave icon Jeanne Moreau has passed away at 89 years of age. I didn't immediately understand the fuss over her in my earliest years of cinephila. That's no reflection on the silver screen goddess herself but rather a byproduct of my uncommon disinterest in François Truffaut's classic Jules et Jim (1962) in which Moreau is the object of both titular men's affections. That movie reliably excites almost everyone who shares the affliction of cinephilia so I can't say why it did so little for me!

But one day, nine years ago, my dear friend Vern who had been experiencing back pain and whose wife was off travelling somewhere brought over Bay of Angels (1963) for me to watch...

Click to read more ...

Looking Ahead at Best Original Song

Chris here. What with Nathaniel's updated Oscar predictions and my regular Soundtracking duties, my mind has been on that ever pesky Best Original Song category. How will this year shake out for the sometimes maligned category?

Per usual we haven't had many obvious contenders, though I would argue that Beauty and the Beast's "How Does A Moment Last Forever" is one of the film's bright spots - can you just imagine Celine Dion taking the Oscar stage for the first time since Titanic. Perhaps our best chance at an Original Song behemoth like last year's La La Land and Moana were is The Greatest Showman, this season's original musical. But other questions and curiosities remain: what documentary song will surprise this year? Can credits song queen Sia finally land a nomination (she'll at least have one option with Wonder Woman)?

One contender I'm already hoping has some staying power is A Ghost Story's "I Get Overwhelmed" by Dark Rooms. The track flows fluidly in and out of Daniel Hart's score (naturally, he heads Dark Rooms), encompassing both the film's intimacy and cosmic expansiveness. Lyrically, the song carries meaning for Casey Affleck's songwriter and has a whole new context in the afterlife - so it carries the kind of narrative weight the Academy's songwriting branch has been seeking. But will it even make the eligibility long list?

Do you have any Original Song hopes already?