Super Mario Bros: The First Movie

by Cláudio Alves

The new Super Mario Bros. movie is upon us and some of the early reviews could hardly be more scathing. This Chris Pratt and Anya Taylor-Joy animated romp has sunk a few critics into pits of despair, with some unfortunate souls stating it's even worse than the 1993 flop. We won't know until we see it but one can envision it being a downgrade in terms of sheer lunacy.

Say what you will about the 1993 movie, but it's a fascinating piece of cinema worth revisiting, its abject failure never stemming from a lack of crazy ideas. A lack of conviction, perhaps, since you can smell the flop sweat of exhausted writers, not to mention the confusion of cast and crew and audience, too! It is one confounding mess, and to watch it is to sense one's sanity slipping away...

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Discounts to "IFFF"

BEAUTIFUL BEINGS (Iceland's Oscar Submission)For those of you who like to be completists with Oscar's Best International Feature Film race there's a new virtual film festival you should know about. Being a completist or even seeing a good chunk of the movies is a tough thing to do within any Oscar season given the amount of submissions we generally get (90+) and the unpredictable distribution of those exact same movies. Rodrigo Gutierrez created "International Feature Film Festival" to help with this. About a third of the films on last season's Oscar submission list have been available at one time or another on demand, streaming, or in theaters in the US but the others have been more difficult to find.

For the first edition of IFFF (which runs April 6th-23rd) thirteen of the submissions that haven't yet been distributed in the US or Canada are showing. The list of the films and discounted ticket codes are after the jump... 

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Erotic Thrillers: Part 1 – The Dawn of the Eighties

by Cláudio Alves

Mainstream cinema feels more sexless than ever. Even at the height of the Hays Code's second coming, sex had a place of pride in Hollywood, often sublimated into insinuation to avoid censorship. There's art to horniness, to making the camera a conduit of erotic reverie or a purveyor of desire, want itself synthesized as form. Sexual films can also be rich texts, telling us much about the times when they were made, the culture that created them, and the audiences that either embraced or repudiated the movie. Whether prurient or intellectual, there are many ways to engage with erotic cinema, especially when carnal craving collides with violence, and annihilation that goes beyond the ecstasy of an orgasm.

Erotic Thrillers is the theme of one of the Criterion Channel's latest collections, released right in time for the You Must Remember This podcast's new season - "Erotic 90s". After tackling the 80s last year, Karina Longworth is heading into a new decade, and we're going along for the ride. For the next few weeks, we'll explore all films in the Criterion program, taking a journey from 1980 to 1996. Let's begin the adventure with a Hitchcockian riff full of fucked-up notions of gender, a postmodern neo-noir, and an unlikely message picture… 

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Weekend Box Office: Actual New Movies!

By Ben Miller

Studios are finally starting to get with the program.  For the sixth straight week, a new release was tops at the box office with Dungeons & Dragons: Honor Among Thieves comfortably winning the weekend behind very positive critical (91% on Rotten Tomatoes) and audience (A- CinemaScore) notices.  D&D was the first of the six films not to be a sequel, but you can only expect so much of the 2023 film landscape.  Regardless, it's nice to have more films being regularly released on the schedule.

Weekend Box Office (actuals) March 31st-April 2nd 🔺 = new or expanding /  ★ = Recommended
WIDE (Over 800 Screens)	LIMITED / PLATFORM
DUNGEONS & DRAGONS	A GOOD PERSON
1 ★🔺 DUNGEONS & DRAGONS: HONOR AMONG THIEVES $37.2 *NEW* 3,855 screeens	1 🔺 A GOOD PERSON $537k (cum. $1.7) 687 screens

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Drag Race RuCap: “Blame It On the Edit”

CLÁUDIO ALVES: I knew they were bluffing! Apologies for starting this RuCap at the end of the episode, but there was no other way this episode could end but with the whole top four moving to the finale. All that talk of a final elimination was always a baldfaced lie, a mere attempt at adding stakes to an episode with none. Whatever faint redundancy this chapter might exemplify, it’s inconsequential in the face of these bitches’ collective serve. But maybe I’m exaggerating, too drunk in affection to think straight. 

NICK TAYLOR: As the one of us who dared to believe that RuPaul would actually send a queen home this episode, I’m really happy I was wrong...

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