Beauty vs Beast: Disobey

Jason from MNPP here. I probably wouldn't have thought about John Carpenter's 1988 goofy sci-fi classic They Live in relation to politics this year if the film hadn't been dragged kicking and screaming into the conversation by a bunch of Donald Trump's Nazi followers (in my best Carrie Bradshaw voice-over voice: "And so I wondered -- are the terms 'Nazi' and 'Donald Trump Follower' redundant?").

But now that the film has been dragged into the conversation a story about a bunch of elite monsters blinding the populace while they loot the Earth doesn't exactly sound like the world's most far-out science-fiction story these days. So with the Inauguration looming like an orange-haired mushroom cloud before us - and, on a less fatalistic note, with it being John Carpenter's 69th birthday today - let's assume our places.

PREVIOUSLY You guys gave me hope for humanity with last week's competition facing off the two Best Actress winners from the Globes - that's not meant as a knock on Emma Stone or her performance in La La Land but if a performance as sharp and unfriendly as Isabelle Huppert's in Elle can grab 70% of our vote, then maybe one day Yes We Can again. Said Evan:

"Let's not kid ourselves: Michele could gut Mia with that ax and then send a letter of condolence back to Mia's folks in Boulder City, all before "le petit dejeuner.""

The Furniture: Appropriating Chinese Design in "The Shanghai Gesture"

"The Furniture" is our weekly series on Production Design. This week Daniel Walber looks back at one of the Art Direction Oscar nominees of 1942 for its 75th anniversary.

While Josef von Sternberg’s The Shanghai Gesture was still in production, the studio received a letter from T.K. Chang, the Chinese Consul to Los Angeles. Having read the script, he objected to its vicious and absurd portrayal of Shanghai’s underbelly and cautioned the producers to take “consideration of Chinese sentiment.”

Producer Arnold Pressburger defended the film as merely a fantasy. “This imaginary world has no connection with the realistic aspects of today,” he replied. This argument even wound up in the final cut, in the form of an opening title card: “Our story has nothing to do with the present.”

Chang saw right through Pressburger’s nonsense. “Such imaginations always prove to be constructed from the raw material of realities,” he wrote back. He was right. The Shanghai Gesture attempts a menacingly ahistorical flare by appropriating specifically Chinese decor. This is, of course, impossible. But the Oscar-nominated failure of art director Boris Leven (West Side Story) is fascinating...

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The Next La La Land?

Manuel here catching us up on a project that is primed to be billed as "The next La La Land." Not only is Michael Gracey's upcoming musical The Great Showman scheduled for release next Christmas (just in time for the holidays and awards season) but it features music by La La Land duo Benj Pasek & Justin Paul, who'll soon no doubt be credited with single-handedly bringing the original movie musical back to life. 

Focused on the life of P.T. Barnum, the film has suffered through a long development period but is finally shooting here in New York...

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Podcast: "Silence" and "20th Century Women"

Nick and Nathaniel and special guest Chris Feil (who you read hear at TFE at least twice a week) talk new flicks in our post Golden Globe/DGA nominations world.

Index (43 minutes)
00:01 Globe & DGA intro...
04:00 Martin Scorsese's Silence 
18:31 Extremely wandering conversation alert: Silence, 20th Century Women, Paterson, Rogue One, new movie trailers...
27:00 The brilliant 20th Century Women
39:50 Aquarius, Demon, Pervert Park

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? Are you planning to watch Aquarius on Netflix?

Silence & 20th Century Women

Can "Hidden Figures" and "La La Land" get other films greenlit?

If you believe that success for one movie inspires greenlit for similar movies, than now is the time for filmmakers to pitch movies with black female leads and new movie musicals! Both Hidden Figures and La La Land are shaping up to be giant hits. And that's before Oscar nominations give them another boost. Hidden Figures fell only 10% in its second wide weekend which is non-existent as drops go, indicating amazing word of mouth and potentially very long legs with audiences. Meanwhile La La Land should be at $100 million in no time. Question: how many musical hits do there need to be exactly before Hollywood gets that people like them? Chicago, Dreamgirls, Hairspray, Les Miz all grossed over $100 million stateside in the past 15 years and still people act like "oh, musicals. dead genre. nobody will go see them!"...

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