Tribeca 2017: "Abundant Acreage Available"

Nathaniel R reporting from the Tribeca Film Festival

It's been 10 years since Amy Ryan broke through to "prestigious character actress" fame, whilst nabbing herself an Oscar nomination and critical hosannas for Gone Baby Gone (2017). In the years intervening, it's been fairly obvious that Hollywood didn't know what to do with her thereafter, often casting her in less than challenging roles as sympathetic wives (think Win Win or Bridge of Spies) or ex-wives (think Birdman). But she's finally no one's wife in the humble drama Abundant Acreage Available, and that lack of 'belonging to' is both writer/director Angus Maclachlan's (best known for the screenplay to the wonderful Junebug, 2005) and Ryan's own secret weapon, giving the movie its most appealing frictions...

Click to read more ...

OTD: Ella Fitzgerald, Al Pacino, "Ziegfeld Girl," and what's new on Blu-Ray and DVD

On this day in history (4/25) as it relates to showbiz. Consider this suggestions as to things to celebrate or ponder to liven up your day. Have a great one!

1917 Today is the centennial of the great singer Ella Fitzgerald, born in Virginia one hundred years ago on this very day. She was often referred to as "the First Lady of Song" but her film career amounted to cameos like the one in St Louis Blues (1958) where she sings a song beautifully and that's it. 

She only appeared onscreen in four movies, the first of which was Ride 'Em Cowboy (1942) but as one of the 20th Century's most celebrated voices, you can hear her music in 100s of films and TV shows... 

Click to read more ...

A Madonna Biopic is in the Works!

Chris here with some news to have you clutching your layered pearls. And stacked bracelets. And lace. That's right, a Madonna biopic is now in development at Universal. Whether you like it or not, get ready for Blonde Ambition.

Now before we cry foul or "too soon", the film sounds like less of a traditional biopic and more of a moment in time for the legend. Elyse Hollander's script topped last year's Black List (Hollywood's annual list of best unproduced screenplays) and follows the making of Madonna's first self-titled album. This would set the film in the early eighties before "Like A Virgin" skyrocketed her profile, but still in the era of "Lucky Star", "Borderline", and "Holiday". What will it be like to see club scene Madonna on the screen rather than the megastar? Will something like Truth or Dare have stylistic influence?

Word's out on what Madonna herself thinks about the film, but rest assured we will hear from her eventually. The film will be Hollander's first full length screenplay, and no director is attached as this is still in the earliest stages. But that doesn't stop us from speculating on who might be worthy of filling the role! My vote (even if she's a tad young currently): Elle Fanning. Are you excited at the prospect of a Madonna movie? Who do you think should play the role?

Tribeca 2017: Guillaume & Marion in "Rock'n Roll"

Here's Jason Adams reporting from the Tribeca Film Festival

As the fifth movie I saw in a single day at the Tribeca Film Festival this past weekend (a new personal record!) I couldn’t have chosen wiser – Guilluame Canet’s movie star satire Rock'n Roll is as broad and goofy and absurd as they come, and while it might overstay its welcome (I’d say no comedy should run over two hours but Toni Erdmann did recently prove that golden rule incorrect) it’s also a lively good-natured farce that had the audience half rolling in the aisles. 

Canet co-wrote and directed Rock'n Roll, and he stars as Guillaume Canet, famous French actor and director, partnered with and father to the child of Marion Cotillard, world-famous Oscar winning actress – the two actors (and a troupe of famous French faces that they enlist to star alongside them and fill out their world) all send up their own images, taking them to absurd (and man does it go there) extremes...

Click to read more ...

Feud 1.08: You Mean All This Time We Could Have Been Friends? - Season Finale

In the season one finale, Joan goes to the dentist, Bette gets roasted, and the show answers the question “If you could have any four people over for dinner, dead or alive…?”

by Jorge Molina

Last night, after seven weeks of behind-the-scenes introspections, gargantuan character work, and many, many hats, Feud reached its conclusion. And if it accomplished anything, it was making clear that, underneath the two legends the world knows as Joan Crawford and Bette Davis, there were two broken women with an eternal strive for outside validation, left empty once the cameras stopped rolling.

The finale presents the last years in the careers of Joan (Jessica Lange) and Bette (Susan Sarandon). But mostly Joan. Because she seemed to have been the most natural recipient of all the themes Ryan Murphy and company wanted to make evident: ageism, mysogny, merciless sacrifice for Hollywood, estrangement, ingratitude, and, mostly, pain...

Click to read more ...